查询词典 chords

A pianist's refinement of touch can be anticipated already from the opening bars of "Ondine" from "Gaspard de la Nuit" by Ravel and Ruei-Bin Chen was successful in his rendering of the triple pianissimo of the introductory chords constantly changing in tone colour, which in the beginning overlie the melody line in the bottom part; he presented the piece, which, in terms of sound language, is evocative of Debussy, with intensity in sustaining and increasing the tension: he painted "Le Gibet in sombre colours and demonstrated all nuances of a pianist's art of touch.

他成功地把这首曲开始的几组和弦，音色不断转变，在低音旋律之上显现极弱段。这首作品在音乐语言上令人联想到德布西，但陈瑞斌的演奏，表现出强烈的延续性和不断增强的紧张气氛。他把《绞台》髹上了灰暗的颜色，亦表现了钢琴家触键艺术的细致处理。拉威尔为诗人亚来奥。

The chords for this cadence in E Phrygian are Am–G–F–E.

在弗利基亚 E 调中，这一节奏的和弦是 Am–G–F–E 。

To bring the charm of Debussy's music, people often think of the piano song "Moonlight" It's a transparent floating slowly down the soft light;"Night in Granada," which is slightly lost in the guitar and pizzicato sound of distant ring sound board decorated by the Spanish style;"water reflection" in the reverse position to carry out the chords to the music mode constitutes a symbol of water ripple, ripple the surface, the dynamics of continuous proliferation; symphonic sketch "spray games" are short motive , the phrase cheerful, bright colors and sound, the playing of the background chatter String outlined noisy waves, wave jumping, laughing water, sunlight flashing screen play.

提起德彪西音乐的魅力，人们常常会想起钢琴曲《月光》那缓缓向下漂浮的透明的柔和光芒；《格拉纳达之夜》中稍现即逝的吉他拨奏与远方响起的响板声所点缀的西班牙情调；《水中倒影》中反向进行的和弦对位构成的音乐模式象征水波荡漾、涟漪泛起，不断扩散的动态；交响素描《浪花游戏》则以短小动机、欢快的乐句，色彩明朗的和声，弦乐颤奏的背景勾勒出波涛喧闹、浪花跳跃、水珠欢笑、阳光闪烁的嬉戏画面。

Its multiple arrangements of polysyllabic word groups make it difficult in the extreme for human vocal chords to pronounce.

它对多音节词组的多重组合排列对人类声带来说发音极其困难。

Chinese composers and theorists have conducted great deal of exploration and systematic research on the "evolution of chromaticalization", which has been frequently used in the composition, but are considered by the theorists as chromatic chords, polytonality and pentatonic twelve-tone sequence, etc.. Seldom were the usages accounted for "chromaticalization" to which, consequently, little attention has been paid.

中国作曲家及理论家在对于西方音乐"半音化演进"方面做过大量的探索和系统的研究，"五声性半音化"在中国作曲家的作品中被频繁地使用，但大量的创作实践大都被理论家们总结为变音和弦、多调重叠以及五声性十二音序列等的使用方法，并没有从"半音化"的角度说明它们的规律，致使一直以来未引起人们的重视。

Quavering the chords strayed from the air, found it again, lost chord, and lost and found it, faltering.

271游离主调的和弦，失去的和弦颤悠悠地重新找到了，接着又失去了，并又找到了震颤的主调。

After a while the piano goes into a vagrant, introspective crescendo of D-sharp and F-sharp minor chords, which leads nowhere in particular, ending ritardando.

过了一会儿，钢琴进入了由渐强的升D和升F小调和弦组成的没有特定目的地的漂泊中，以徐缓的曲调结束。

For instance, in Part I, he spends almost 12 minutes vamping over the chords Am7 (A minor 7) to G major, sometimes in a slow, rubato feel, and other times in a bluesy, gospel rock feel.

比如，在 Part I 中，在AM7和弦到G大调的转换他用了大概12分钟的即兴伴奏，时而以舒缓的音色随意增减音符奏响的节奏，时候给出布鲁斯和福音摇摆韵味的节奏。

A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.

独奏者敲出一个几乎听不清的使用最强音的十六分音符七连音和弦和两个狂燥的滑音，然后，钢琴和铜管部分在五个不同的G上结束了本乐章。

Several seconds of grotesque crashing, which arrange themselves around an arcane opening theme culminate in a whirl of sextuplet semiquaver chords, up down and up once more, spanning almost the entire breadth of the piano.

几秒钟的围绕开始主题的不可思议的撞击声过后，一连串十六分音符六连音和弦使乐曲进入高潮，由低到高，由高到低，又一次由低到高，几乎跨越了整个钢琴的音程。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。