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Li Sao,authoured by Qu Yuan,will continue to touch a deep chord in the heart of everyone .

屈原的《离骚》，永远使人人感泣。

I used to have time to think, to reflect, my mind and I. We would sit together of an evening and listen to the inner melodies of the spirit, which one hears only in leisure moments when the words of some loved poet touch a deep, sweet chord in the soul that until then had been silent.

我以前有时间来沉思，进行自我反省；以前某个晚上我们会坐在一起，聆听从心灵深处发出的天籁，那是心爱的诗人吟诵出的诗句拨动了我那久久平静的心弦，而这只有处于安静平和的心态中才能听到。

Lishao,authored by QuYuan,which will touch a deep chord in the heart of every reader through all ages.

屈原的《离骚》，永远使人人感泣。

Human nature is not amenable to prediction based on the trends or tendencies prevailing at the time. It is amenable to startling creativity of the kind practised by great artists, directors, writers, musicians, actors, who know how to touch a chord in humans everywhere.

人性不会顺从基于当时流行的趋势或倾向所做的预测，而是会顺从伟大艺术家、导演、作家、音乐家和演员表现出的惊人创造性，因为他们知道如何去拨动世界各地人们的心弦。

Li Sao, authored by Qu Yuan, will continue to touch a deep chord in the heart of every reader through all ages.

屈原的《离骚》，永远使人人感泣。

Measuring 20% of the chord by translation of the curve Cz=f.

改变了升力曲线的位置，显著的升力增加（20％弦长的襟翼下放20°，升力增加50

However some functions, such as the trigonometry and chord calculations, have a wide variety of applications.

不过，有些职能，如三角和的共鸣计算，有各种各样的应用。

The augmented fourth, otherwise known as the "tritone", is an interval in the melody occurring many times as an F# over a C major chord (for example in the chorus, the words "my heart" and "one dream").

增四度，也称为三全音，是以 C大调和弦里的F#出现多次的音程。(例如﹕副歌部份的"我的心"和"一个梦")。

The eclipse (and its supernatural significance as a heavenly omen) is depicted with octatonic chord successions, in this case 7th-chords with roots a minor 3rd or tritone apart.

在日蚀中（以及其象征天国的征兆的超自然的宏大场景）用八音和弦系列来描绘，在这里用的是根音上方小三度或三全音的七和弦。

Part one studies the sequence techniques, including the original sequence and its magic cube table, the sequence distribution in each movement and the sequence application techniques in different parts; Part two is a study of chord structure, consisting of fourth-fifth chords that are comprised of tritone, polychords, tall chords, note-cluster chords, as well as whole-tone scale chords; Part three is to analyze the techniques of polyphony, involving the counterpoint of melody and that of rhythm; Part four examines techniques of orchestration, such as those of conventional orchestration and of unconventional orchestration, and the figure of changing track of orchestration acoustics; Part five is a research of musical form structure, including illustrations of musical form structures in all movements, in addition to the effects of timbre, performing methods, dynamics, and density on musical form structural force.

本文将从五个方面来分析研究王西麟《第三交响曲》：第一，序列技术研究，其中包括原始序列及其魔方表、序列在各乐章的分布、多声织体中的序列应用手法；第二，和弦结构研究，其中包括三整音叠置的四五度和弦、复合和弦、高叠和弦、音块式和弦、全音音阶纵合化和弦；第三，复调技法研究，其中包括旋律对位、节奏对位；第四，配器手法研究，其中包括常规配器手法、非常规配器手法、配器音响效果变化轨迹图；第五，曲式结构研究，其中包括各乐章曲式结构图示，以及音色、演奏法、力度、织体密度对曲式结构力的影响。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。