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Often you will hear a IV7 chord in the second bar instead of a I chord. The first line will then be like this

经常也会听到第2小节会用附属七和弦替代主和弦，这样第一段就是

What is the probability that the intersectingof two lines belongs to K? Finally, in this paper, we introduce the concept of double chord-power integrals ofa convex body in R~3, and some properties of double chord-power integrals of a convex body in R~3 are got.

最后，本文通过弦幂积分的理论体系和已经得到的平面上双弦幂积分的概念和性质，把双弦幂积分的概念推广到R~3上，得到了R~3上双弦幂积分的一些性质和结论。

As a result, the network search efficiency was raised and fault-tolerance ability of the network was strengthened.

将改进的Chord算法用于一个文件共享系统的设计，实践表明该Chord改进算法是有效的。

It's about the analysis of technique of harmony of the work. It mainly discusses the technique of harmony of twenty-four preludes. It includes the analysis of chord form, terminal chord, half-step chord, sustained note and modulation method.

最和声技法的分析是本文的主体部分，针对二十四首前奏曲的和声技法展开论述，以和弦形态、终止式、半音化的和声语言、持续音的偏爱和转调手法五大部分为出发点，力求多角度、全方位地对音乐作品进行分析和研究。

It consists of skills of deviating from the key and modulation,skills of a chord interlacement,and expending and appreciation about function of the chord subordinate,and skills of chord outer tone and harmony semitone.

本文对肖邦的《波兰舞曲》通过三个方面来分析，包括离调与转调技法，和弦交织、下属功能的扩展与升值技法，和弦外音、半音和声技法。

Compared to the results of AMECO hangar and cover sail of palaestra in Harbin Institute of Technology calculated by classical response spectrum method, the multi-support excitation seismic responses of up chord and down chord of space truss near support are larger, the same to middle chord. These positions always are pivotal and weak, so we should attached enough importance to them.

对AMECO维修机库和哈工大体育场罩篷比较分析了多点输入反应谱法与传统反应谱法计算结果的异同，发现多点输入反应谱法由于考虑了结构支座的影响，网架结构支座部分的上下弦和腹杆的地震响应均比一致输入的地震响应大，这些部位是结构设计中的关键部位或薄弱部位，故需要引起足够的重视。

The dominant seventh chord, in the key of C, is built on G. The chord notes would then be G- B - D - F. The sub dominant chord, in the key of C, is built on the fourth note of the scale, or F.

C调的属七和弦，它的根音就是G，构成这个和弦的音是G-B-D-F.C调的下属和弦，它的根音是F，是音阶上的第四个音。

Example 30-6 contains an A major chord as VI in C major. Note that this chord does not function as we might expect as V of II. Instead, it fulfills another basic function of the submediant triad: to lead down in 3rd from I to IV. Rising C to C# give emphasis to the chord and intensifies the "Searching" quality of these bars

而他被赋予的是下中三和弦的另一个功能：从I到VI的降3过度作用（书里的意思是说按照由高到低的方式排列I-IV，让VI来作一个过度和弦）把C变为#C给了这个和弦以重点并且加强了这几小节的锐利性和穿透性。

The diameter perpendicular to a chord bisects not only the chord but also the two arcs opposite to the chord.

垂直于弦的直径平分这条弦，并且平分弦所对的两条弧。

The V7 chord functions as a TURNAROUND chord. It will sound even better if you hold the tonika chord for the first beat in bar 12, and change to V7 on the second beat.

属七和弦的作用是一个回转和弦，如果你在第12小节的第一拍还保持着主和弦，到第二拍再转到属七和弦，那么效果听上去还会更好。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。