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In chapter 2 and chapter 3, we briefly describe the ATM traffic management specification and its ABR flow control framework.

在第二章和第三章中，我们简要地描述了ATM网络业务量管理规范和ABR流量控制框架。

Farther, this chapter tries to hold a dialogue between the native and the West on a new level of Sino-western mutual understanding, thus, the chapter, with the basic idea of"comparison equals dialogue", launches a discussion focusing on four features: the widely-ranged introduction from anti-alienation spirit, modern humanitarianism and individualism in Western modern art to the anti-Confucianism in Chinese cultural tradition; the seek for the essence of Western modern abstractionist art in Chinese traditional intellectual art atmosphere; the decoding of Western modern non-rationalism based on native cultural tradition; and the discussion on relations between"The Harmony Between Heaven and Man"and Western postmodernism.

于是本章基于"比较即对话"的观念，围绕四个问题展开了讨论：从西方现代艺术的反异化精神、现代人道主义、个人主义说到中国的"反儒文化"传统；在中国传统文人艺术境界中寻找西方现代抽象艺术的真谛；对西方现代非理性主义进行基于本土文化传统的解读；探讨天人合一精神与西方后现代主义的联系。

Chapter 4, Chapter 5 and Chapter 6 explain the political function and social function of the media subject.

第4章、第5章和第6章阐述了媒介主体的政治功能和社会功能。

In the second chapter, we discuss the depletion interaction between two big hard spheres under the symmetrical geometry confinement. The depletion interactions under the unsymmetrical geometry confinements are studied in the third chapter. The second and the third chapter involve the author s original works.

第二章主要讨论了在对称的几何约束下两大胶球间的排空作用；第三章主要研究了非对称几何约束下两大胶球间的排空作用和同样约束下旁系大胶球对大胶球与硬板之间排空作用的影响；第四章简短地总结了本文的工作，并对以后的工作提出了一些展望。

Chapter Two is about the history of embroidery including the folk embroidery and the imperial embroidery with its' embroiderers, and symbolic culture of embroidery. Chapter Three is about the rising of Zhenhu embroidery and it's relations with Zhenhu embroiderers, including leaving the soil to acknowledge the masters as their teachers, then they establish shops in the town. Chapter Four is about the producing, dealings and expanding the market of embroidery, including how to produce, transport, sell the embroidery concretely and expand the embroidery market.

第一章绪论介绍了论文的选题由来、意义和写作方法；第二章是关于苏绣的历史考察，介绍苏绣由&民间绣&向&闺阁绣&再到&宫廷绣&的历史演变及其文化象征意义；第三章是绣女与镇湖刺绣业的兴起，介绍镇湖绣女从土地上走出来拜师学艺，再到镇上开店的经过；第四章是刺绣的生产、交易和市场的扩张，介绍绣品具体的加工、运输、销售，以及绣女开拓市场的整个过程；第五章是绣女的角色转换与社会分层，介绍开店绣女的身份转变及由农到&非农&的适应过程；第六章是绣女的生活世界，介绍绣女在刺绣工作之外的家庭生活、社会活动以及思想观念的变化。

I discussed four aspects as follows:Chapter One: The statues about Lin Su"s translation and the factors which lead to his choice of translation;Chapter Two: The comparative literature ideology in Lin Su"s prefaces and postscripts of his translations.Chapter Three: The relationship between Lin Sus translations and his own productions.

本文从一、林纾的译介情况及影响其书目选择的因素：二、&林译小说&序跋中的比较文学思想；三、林译小说与林纾自身创作的关系；四、林纾与新文化运动的关系等四个方面，探讨了林纾的翻译及创作实践中体现出来的中国文学传统与外国文学资源的关系问题。

This chapter stresses on "the dynamic tests" of internal and external structures, and the internal organization, to express his free and illusive style; Chapter VII:"Musical form structure research". In this chapter the historic exploration and innovation of Scarlatti in musical form structure is a keystone that dramatically contributes to the development of ancient sonata-form.

第七章：&曲式结构研究&，本章重点研究斯卡拉蒂在曲式结构方面富有历史意义的探索和创新，为古典奏鸣曲式的定型发展做出了突出的贡献，这是评价斯卡拉蒂历史地位的一个重要方面。

The paper firstly examines the philosophical background. It holds that philosophical currents such as phenomenology and existentialism have an effect on this theory to some degree, and then traces the inner logic of origin and development of the theory from post-modernism and "anti-cultural" trend. Afterwards, it generalizes several important post-modern theorists such as Alain Robbe-Grillet, Roland Barthes, Susan Sontag, Michel Foucault, Jacques Derrida, Gilles Deleuze, Jean Baudrillard and so on. The paper proposes that "against-interpretation" is not only a literary critical claim, but also a cultural theory. Its attitude that overthrows and rebells tradition makes it inevitably tend towards the logic of deconstruction.Chapter two, chapter three and chapter four analyze in detail of Robbe-Grillet, sontag and Baudrillard respectively, and systematicly discuss the aesthetics pursuit and the cultural significance of the theory against interpretation through comparing the thoughts of them.

论文首先对反阐释理论产生的哲学背景作了辨析，认为现象学和存在主义哲学思潮在某种程度上对反阐释理论产生了一定的影响；再从60年代之后，后现代主义对现代性的批判与美国的&反文化&潮流两方面追寻反阐释理论产生与发展的内在逻辑；然后又概括介绍了阿兰·罗伯—格里耶、罗兰·巴尔特、苏珊·桑塔格、米歇尔·福科、雅克·德里达、吉尔·德勒兹、让·博德里亚等几位对反阐释理论发生过重要影响的后现代大家，指出&反对阐释&不只是一种文学批评主张，还是一种文化批判理论，它对传统的颠覆与反叛姿态使它不可避免地走向了&解构主义&的逻辑。

From this train of thought, I divided this dissertation into 8 chapters. Chapter 1 is a study on Procopius, including a biographical note on him, his writing time, his writing style, and the way he worked out the plot of his History; chapter 2 "About History of the Wars"introduces the publishing times and editions of the 3 works of Procopius, the contents and sources value of this book, and the circumstances of other temporary sources; From the third chapter on, the dissertation shifts to the analysis of the History's main content.

从这一基本点出发，这篇论文的主体部分共分8章：第一章首先对普罗柯比本人进行研究，包括他的生平、写作年代、写作风格以及他对《战记》一书的构思和写作过程；在第二章&关于《战记》&中介绍普罗柯比作品的出版年代和版本情况、《战记》的内容和史料价值及与《战记》相关的其他文献情况；从第三章开始对《战记》的具体内容加以分析，鉴于该书以记载三大战争为主线，因此第三章波斯战争、第四章汪达尔战争和第五章哥特战争都以&战争与和平&为标题，以突出该书军事战争的主体特点。

The first chapter is a brief introduction of Poulenc's life and works , including the character of the composer, large vocal works, instrumental works and art song. The second chapter is an overall analysis of Poulenc's art songs. It is summed up in five areas around the second chapter of detailed introduction and analysis as well as serious d...更多iscussion. They are about the creative conception of the composer, art song and human voice, art song and poetry, art song and piano. And the last one of the five areas is the total conclusion.

第一章普朗克的生平与创作概况：通过对作曲家生平性格、大型声乐作品、器乐作品、艺术歌曲四个方面对普朗克所涉及的音乐创作领域进行了概述；第二章普朗克艺术歌曲的总体分析：通过作曲家自己的创作观、作曲家艺术歌曲与人声、作曲家艺术歌曲与诗歌、作曲家艺术歌曲与钢琴和对作曲家艺术歌曲的总结共五个方面围绕第二章节进行了详细介绍、仔细分析、认真论述。

I will endeavour to find you some assistance.

我尽力帮你找人帮忙。

At first I only know bruck is the idol of American younglings, afterwards I returned back to Taiwan ,even in Beijing last year ,I saw her poster everywhere, I was so surprised at her charm.

起初我只晓得布鲁克雷德丝是美国少男少女崇拜的偶像，后来回台湾，甚至去年在北京，居然也四处看见她的海报，才惊讶她的魅力之大。