查询词典 chang

Among them, the landlord compound, and she the small courtyard, the office of the village committee (at the time of "Bao-Jia system"), small furnace Carpenter thatched cottages (that is, small furnace Carpenter Luan Ping, Xu Naitoushan Feishou the Malaysian Bar to contact his aide-de-camp), Chang Po-hut (Chang Orions daughter, dumb Nvbannanzhuang charge into the mountains for eight years after Yang Zirong rescued Oliver), Li Yong Qi cottages (Jiapigou train driver, nicknamed Lee Crane) and the Campaign table, and other attractions.

其中有地主大院、黑嫂小院、村公所、小炉匠草屋（小炉匠即栾平，奶头山匪首许大马棒手下的联络副官）、常宝小屋（常猎户的女儿，女扮男装充哑进深山八年后被杨子荣救出苦海）、李勇奇小屋（夹皮沟小火车司机，外号李大车）和大戏台子等景点。

Filled hut, a former Guangzhou administrative commissioner En rose to the rank his father had left Censorate Censor and the Board of Punishments Book of Pan was the name of Guangzhou, resign as mayor En-old retire and return home, Chang Yun-side in order to allow fathers to spend their twilight years, from the Ming Jiajing Jiwei Year 1553 onwards, the spring home of the Tang Chang a few plot of vegetable fields on the west, poly stone chisel pool, bamboo arts pavilion structure, the construction of gardens for more than ten years before the end Chang, serving overseas, it is repeated for repeated only

既要有王者风范，又不过于张扬，跳脱奢华风格常见的炫耀姿态。既要简洁大方又不失人文雅致，给人豪华贵气的感觉同时又要让人感受到家的温馨浪漫。另屋主多次游访欧美等国家，对欧美建筑颇有喜好。要求流露着那古典欧式的味道，又韵味着现代的气息。给人一种对古韵的揣摩，对现代的向往。

Wen Chang's development is very insufficient still, the difficulty that Wen Chang faces is very much still, but want us to hold to scientific progress view only, hold to be practical and realistic, steady work, development enterprising, the Wen Chang of spirit of ground of an outstanding personality, be sure to be greeted more effulgent tomorrow.

文昌的发展还很不够，文昌面临的困难还很多，但只要我们坚持科学发展观，坚持实事求是，扎实工作，开拓进取，人杰地灵的文昌，必将迎来更加光辉灿烂的明天。

The first chapter focuses on the prototype image of 'Qingyi' (the Chang-er flies to the moon) and points out: The moon refers to a poetical while unreachable spiritual home. Chang-er implies an ivory-towered and irreconcilable soul driven by the clinging inner attitude. Qingyi symbolizes a sacred life ceremony that must be experienced in pursuing the ideal and the leading character Xiao Yanqiu fulfills her deep-rooted Chang-er complex through the Qingyi ceremony.

第一章谈作品的原型意象，提出：月亮在文本中指称一个诗意永恒而又难以企及的精神家园；嫦娥在文本中意味着一个被一份执著的内在态度所驱使并始终表现出脱离尘寰倾向的"不甘"的灵魂；青衣则象征着在追逐理想过程中所必须经验的一种神圣的生命仪式，剧中女主人公筱燕秋正是通过青衣仪式来实现自己根深蒂固的"嫦娥"心结。

with the focus on the rivalry between idea and writing technique in eileen chang studies,this thesis studies chang's feminist writings so as to probe into the divergence between scholars home and abroad upon the relationship between idea and technique: most scholars in mainland pay much attention to idea and tend to incorporate chang's inferior position of the "second sex" as a supplement into the feminist literary tradition of chinese new literature;besides emphasizing technique,overseas chinese scholars associate technique with idea by interpreting chang's feminist writings as subversive acts to undermine chinese androcentric literary tradition.

着眼于张爱玲研究中的意识与技巧之争，从张爱玲的女性写作切入，探讨海内外学者在意识与技巧关系问题上的差异：大陆学者多是就意识而谈意识，将张爱玲甘于&第二性&弱者的女性立场，以&补充&的姿态&纳入&中国新文学女性文学传统；海外华人学者在重视技巧的同时，将技巧联系意识，借张爱玲的女性写作技巧对中国男性主流文学传统进行破坏和颠覆。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Thank you, FreeLotto Member Services 06/28/08 Xue qin Tong Hu nan Chang de Tao yuan Zhang jiang zhen Wen chang East Rd No.10 Chang de, Tao yuan, 415700 Xue qin, PCC, a division of PNI, has awarded over seventy-eight million in US dollars to hundreds of thousands of fortunate recipients in 41 countries; creating fourteen millionaires and four ten million US dollar winners.

谢谢您， freelotto会员服务 06/28/08 薛勤塘胡楠常德陶渊明张姜振文常东路10号常德，陶渊明， 415700 薛琴，委员会的一个部门， pni ，批出超过7800.0万美元，在成千上万的幸运的人在41个国家；创造14的百万富翁和4千点零万美元赢家。

Xue qin Tong Hu nan Chang de Tao yuan Zhang jiang zhen Wen chang East Rd No.10 $1,000,000.00 PENDING 141659812 Xue qin Tong Hu nan Chang de Tao yuan Zhang jiang zhen Wen chang East Rd No.10 $300.00 PENDING

141659812薛勤塘胡楠常德陶渊明张姜振文常东路10号美元1，000，000.00等候 141659812薛勤塘胡楠常德陶渊明张姜振文常东路10号$ 300.00等候

During the paleo-geography evolution, inland lacustrine basin began to form, and the two delta skirt in east and west lakeshore are primary formed in Chang 10, lacustrine basin subsidized quickly, lake district enlarged rapidly and destructive delta are developed in Chang 9, delta are more developed in Chang 8, lakeshore line move outward at large range, turbidite developed well near west lakeshore, delta range is decreased in east lakeshore in Chang 7, features of lacustrine basin are changed remarkably, deep lake and half deep lake area is decreased greatly, while delta sedimentary system is developed at its most in Chang 6, framewok is inherited better, but delta′s construction is slowed and is swamping at large scale in Chang 4+5, lacustrine basin began to be silting, shrinking and dying out, and riverway gradually developed well since Chang 3, distributary riverway developed best in Chang 2, because of imbalance subsidence, subsidence center is formed in east Zichang area and in which lacustrine turbidite is sedimented.

在古地理演化过程中，长10期内陆湖盆开始形成，东西两岸两大三角洲裙初步形成；长9期湖盆快速下沉，湖区迅速扩大，三角洲多为破坏性的；长8期三角洲进一步发育；长7期湖岸线大幅度向外推移，西部浊积岩发育，东部三角洲面积明显减小；长6期湖盆面貌发生了显著的变化，深湖－半深湖面积大大减少，三角洲沉积体系极为发育；长4+5期继承了长6的沉积格局，三角洲建设进程减慢，三角洲大面积沼泽化；从长3期湖盆开始逐步淤浅、萎缩、消亡，河道逐渐发育；长2期分流河道发育；长1期由于差异沉降，在东部子长一带形成沉降中心，沉积了湖相浊积岩。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了