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ceramists相关的网络例句

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与 ceramists 相关的网络例句 [注:此内容来源于网络,仅供参考]

Guangzhou has a long and glorious history of ceramics. This fertile soil has bred generations of craftsmen, and groups of women ceramists as well.

广州有着悠久灿烂的陶瓷历史,这块沃土孕育了一代又一代能工巧匠,也孕育了一批又一批女陶艺家。

He is free and unrestrained in creation of "sketch-like" works and is preeminent above many of professional ceramists who were trained in sculpture.

我们欣赏他的是他&玩&陶的轻松感觉,小品式的作品做得写意而舒展,轻描淡写之中就超越了许多学雕塑出身的职业陶艺家,虽然作品数量不多,但艺术的品质从来不是靠数量来说话的。

Though her firing and glazes are not as rich as those of professional ceramists, it is the visual "simplicity" by which she is free to convey her spiritual intentions without any interference.

虽然在烧成和釉色的表现上不如职业陶艺家那样丰富,但正是这种视觉的&简单&使她的精神意图不受任何干扰地得以传达。

During the end of Qing Dynasty to the beginning of Min. a few generations of ceramists created a cultural style of ceramic called Jianshui's Pottery based on these unique techniques with their traditional culture.

清末民初的几代陶艺师凭借自身的传统文化修养在这一独特的&刻填&工艺的基础上创造出了充满文化气息的&建水陶&陶艺品种。

Quite different from "professional" ceramists, it deserves to be mentioned that some amateurs who occasionally set their feet in the ceramic art have also created excellent works.

与&专业&陶艺家不同,一些&偶尔&涉足陶艺就有好作品出现的&玩&陶人,也是很值得一提的。

This exhibition exhibited the works of 38 famous modern ceramists who were leading the 20th century ceramic art development and Yao Yongkang was the only Chinese artist invited.

该展是由引导世界20世纪现代陶艺发展的38名著名现代陶艺家组成,本人是被邀请的中国唯一的代表。

Though, as one unique category of art, there are real differences from other categories in the fields of techniques, skills and aesthetical requirements, contemporary ceramists are unable to pay such a high price if they are stubbornly stick their pursuit of the so-called "orthodoxy".

虽然陶艺作为一门独特的艺术门类确实具有与其他艺术不同的技艺、技法和审美要求,但如果一味地求其&正宗&而被&技&所累所困,由此所付出的代价则不是一个今日的陶艺家所付得起的。

Our purpose of enumerating the facts and exaggerating some statements is not only to draw attentions and explorations from ceramists, but also prove that conceive the bright future of China ceramic art without any doubt as the contemporary ceramic art has gained great strength after twenty years of development.

上述这些问题,实际上也是在中国今日陶艺获得长足发展的大背景下映衬出来的,有些并不是很显现,之所以一一列举,并言过其实,不仅是为了引起陶艺人的关注和探讨,更因为中国今日陶艺在20年之后的今天已经拥有的力量让谁都可以想象并不怀疑中国陶艺的美好未来。

Flicam is an interesting initiative for the international exchange of ceramists, and contributes to see together the international art scene of today, a cultural reference in a complex context.

富乐国际陶艺博物馆群为陶艺家提供了一个共同的国际艺术舞台,在文化艺术趋向多元化的今天,富乐为我们提供了了解各国不同文化的机会。

However, various problems have arisen today because it is inevitable that these ceramists, as "ceramic art professionals", have their own preferences and sentiments and sentiments in their records and comments of the art works and ceramic artists whatever they have tried to do the work in a reasonable way of judgment.

因为陶艺家在记载和评介陶艺活动和陶艺家等方面,无论其心里是多么想公正地去做好这项工作,都难免会带上本人作为&行内人&的种种好恶和情感因素,在风格和观念的认同上,其客观性也会受到影响。

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