查询词典 can not but

Graduation graduation, my buddies and I naturally can not stick together, we have separated the two places (in the interval of a class plus a corridor), although it can not be in tears, but I miss the love, but this is no trivial matter (a bit wrong, to understand on the list)!

毕业毕业了，我的死党自然没法和我黏在一块，我们相隔两地（中间隔了一个班加一个走廊），虽说不上以泪洗面，但我这思念之情可是非同小可（有点不对劲，明白就行了）！

Really rich flavor of the times, although I have been divorced for two years, the taste alone can not say it with style to accompany me with a computer, online dating is also good, single men and women friends, get online to surf, I just love the site benefits who, if we do not believe, listen to me Go on, slugger, 38 this year, on-line called line of cucumber, this is to date today, so my network has never met his girlfriend, her name is dog tail Flowers, estimated that she and I like the Internet is also used false names, there is still a minute, happy time is coming, online dating, there are strange mystery, love letters daily see, can look like you have to guess, I wish I This his girlfriend looks like a fairy, do not like ugly, my friends, I would patiently waiting for her to come here, beautiful this year, 38, called the dog's tail flowers online today, to this date, so my ex-boyfriend, line child cucumber, 30 seconds short of a happy time is coming, God of the Internet in particular, saw a love letter but not people, like he looks like Andy Lau, Do not like Gong Hanlin

真是富有时代气息，虽然本人离婚已两年，孤独的滋味没法说，带式又带电脑陪伴我，网上恋爱也不错，单身的男女朋友们，赶快上网去冲浪，我就是恋爱网站的受益者，如果大家不相信，听我接着往下说，猛男、今年38，网上名叫线黄瓜，今天到此是来约会，等我那从未见过面的网络女友，她的名字叫狗尾巴花，估计她和我一样，网上用的也是假名字，还差一分钟，幸福的时刻就要来临，网上谈恋爱，神秘有奇怪，情书天天见，可模样你得猜，但愿我这位女友长得像天仙，可别像丑八怪，朋友们，我还要在这里耐心等她来，美女今年，38，网上名叫狗尾巴花，今天到此来约会，等我的网络男友，线儿黄瓜，还差30秒，幸福时刻就要降临，网上特别神，只见情书不见人，愿他长得像刘德华，千万别像巩汉林

But, in a larger sense, we can not dedicate, we can not consecrate, we can not hallow this ground.

但是，在更广泛的意义上，我们不能奉献，我们不能奉献，我们不能空心这个理由。

But, in a larger sense, we can not dedicate-we can not consecrate we can not hallow-this ground.

但是，从更广的意义上说，我们并不能奉献这块土地－我们不能使之神圣－我们也不能使之光荣。

But, in a larger sense,we can not dedicate,we can not consecrate,we can not hallow this ground.

然而，从更广泛的意义上来说，我们不能够奉献，不能够圣化，也不能够神化这片土地。

But, in a larger sense,we can not dedicate,we can not consecret,we can not hallow this ground.

但是，从更广泛的意义上说，这块土地我们不能够奉献，不能够圣化，不能够神化。

But, in a larger sense, we can not dedicate,we can not consecrate,we can not hallow this ground.

从更广泛的意义上来说，这块土地我们不能够奉献，我们不能够圣化，我们不能够神化，但是。

But, in a longer sense, we can not dedicate, we can not consecratr, we can not hallow this ground.

但是，从更广泛的意义上来说，这块土地我们不能够奉献，不能够圣化，不能够神化。

But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground.

但是，从更广泛的意义来说这块土地我们不能够奉献，我们不能够圣化，我们不能够神话。

First of all , it is seen in Zhang Wei"s long writing that continuous changes occurs with the following era contexts which is shown. First, the gradual desalinization of " earth image " on the space," earth " is not only a creation in Zhang Wei"s novel, but the main source of the poesy of its works. It declines after " September fable ", not only indicating Zhang Wei "s decay of poesy of the novel, but also reflecting the disobeyed pross of light appear contemporary China social urbanization and common customs to . Second, the change of " writing subject projection " in the spiritual meaning, Its characteristic displayed by the reduction of image of spokesman as write thought representation .and on the other side represent" person who want more that resist actively " which also shows contemporary intellectual predicament and adjustment of value. Third, in " changeable and separate characteristics in the stylistics ",It changes " epic body " of" Ancient ship "," body not mythical " to " September fable "," pour out body " of" Bai Hui "" Family "," the discipline spreads the body "of Book of other provinces"," lie body " of" Can not recall the hollyhock ". Its constant changes persuing of recreation and sports, has entered into the different book mode and narration of different class gradually too.

首先，张炜的长篇写作中可以看出一种跟随时代语境而不断发生的变化，这表现在：一是空间上的"大地意象"的渐趋淡化，"大地"不但是张炜小说中的一个创造，而且也是其作品的诗意的主要源泉，它在《九月寓言》之后的衰退，不但表明了张炜小说中诗意的衰减，而同时也反照出当代中国社会城市化和世俗化进程的不可违拗；二是精神意义上的"写作主体投影"的变化，其特征主要表现为作为作家思想代言者的"正面的知识者"形象的弱化，代表其另一面的"积极反抗的多欲者"的凸显，这也显示了当代知识分子价值的困境与调整；三是在"文体上的多变与另类化"，由《古船》的"史诗体"，到《九月寓言》的"神话体"，再到《柏慧》、《家族》的"倾诉体"，《外省书》的"纪传体"，《能不忆蜀葵》的"诳语体"，其文体不断求变，也逐渐走入了异书模式和另类叙述。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失