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calligraphy相关的网络例句

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与 calligraphy 相关的网络例句 [注:此内容来源于网络,仅供参考]

The minute calligraphy coalesces into a mountainous world of trees and gardens, where twiggy figures are drawn in supple outline.

精细的笔墨融入山林庭园世界,柔和的线条绘出各式人与物。

Schools form a "universal class - class elite - elite school," three-tier training mechanism, each class of more than a week to open a calligraphy class.

学校形成"班普及——级尖子——校尖子"的三级训练机制,每班每周开设一节以上的书法课。

Therefore, the conceptions of education of Calligraphy also had tendency of universalism and standardization.

书家是书法活动的主体。

In contrast, the lines in Eastern arts were so diversified because of the calligraphy, but too conservative and unprogressive.

而东方绘画里因为有水墨与书法的线条所以变化更精彩,可是太墨守成规自由度不够。

Black is good for them to indicate power and impact. All lines are the links helping the great Modernist master involved with Leu Yonggang. Because the lines get independent autonomies from Calligraphy and extend out to extreme space unstoppably, the forms are easy to find their own natures. It will be explained further.

正是这些线条的出现把刘永刚和现代艺术的伟大画家紧紧联系在了一起,因为线条在书法中获得了完全的自主,以不可抵挡之势极度伸展,在形式之中找到了自己的本性,对此我在后面还要进一步加以说明。

In recent years, Chinese painting and calligraphy feature postcolonial tendencies, i. e. emphasizing ugliness than awkwardness, strangeness than fickleness, dirtiness than thickness, terseness than emptiness, sameness than unusualness , etc.

摘要近年来,中国书画艺术中出现了一种后殖民主义倾向,它具有以丑偷换拙的概念,以怪偷换变的概念,以脏偷换厚的概念,以"简"偷换空灵的概念,以模式偷换风格的概念等等一系列特征。

The dissertation combine calligraphy with Chinese painting of Shi Tao,can reveal the development venation and cultural identity context.

将石涛的"书"与"画"结合起来进行综合研究,可以揭示中国书画艺术的文化特征和发展脉络。

This paper clarifies that descriptions about initiation from a master to disciplines had already appeared in essays from that time on other arts including painting and calligraphy, that Southern-sect Chan had a great influence on the initiation, and also that it gave a new signification to versification.

但在同一时期的画论、书论等其它艺术领域中也已经有了师传弟子的明确记述,而这些都与南禅宗堛漯k系问题有很大关联,并且它们对诗歌创作的新意义定位产生了极大的影响。

Calligraphy uses lines as the main expression of visual arts, and image expression is its main characteristic.

书法作为以线条为主要表达方式的造型艺术,意象表达是其主要特征。

There is a painting of Chinese calligraphy to the right of the hat, and below the hat and painting there is a brick facade wainscoting that borders the lower half of the room as a decorative panel.

在帽子右边有中国书画,并且在帽子和书画的下面,砖块外表的壁板接壤房间下半段,作为一个装饰的面板区。

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