查询词典 by tradition

With overseas provider ( Japan Mitsubishi chemical firm) Technology cooperation, Should product adopt Japan importation heat-proof colophony, Po fine cloth and compounds aggrandize material fabricate but become, Overcome density more big resist press more big but heat insulation effect poor problem, No matter from endures press intension, Heat insulating property or on service life, All by far exceed tradition asbestos and silicate heat insulation board.

与国外供应商技术合作，该产品采用日本进口耐热树脂，玻纤布及复合强化材料制作而成，克服了密度越大抗压越大而隔热效果差的难题，无论从耐压强度，隔热性能还是使用寿命上，都远远超出了传统石棉和硅酸盐隔热板材。

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点：&一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的& [1]。60年代，日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中，对中国教会本色化运动的定义作了更详细的概括：&一，以中国人为教会的构成；二，教会的行政与运作等方面的自立；三，教会在经济方面的自立；四，教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化；五，容纳中国人的祭祀与习俗，并与基督教化；六，教会要置身于中国国家与社会的现实问题之内；七，教会要除去欧美教会的传统与色彩；八，教会要能自治、自养、自传。&

Speaking of things that failed to convince me, and this one is just based on taste, now we have the opportunity to recruit advisors in the same way as we recruit generals and admirals: by using tradition.

事物时失败，使我相信，而且这只是根据口味，现在我们有机会招募同样的方式聘请顾问，我们的将军和海军：用传统。

Rich Jade, established in 1999, has given jadeite jewelry whole new styles and spirits by extracting innovation from both the east and the west. This out of tradition spirit has always been the favorite of those jade adorers'. Rich Jade has not only led the fashion of jadeite jewelry design but also been devoted to the creation of jadeite art. The first and only jadeite museum in the world—"MoJA", the Museum of Jade Art, has opened in 2009. MoJA assimilates the contemporary aesthetic and then explores a new style of this eastern treasure to successfully build a new territory for jadeite art.

富御珠宝成立于1999年，以跳脱传统的创新精神，从东西方不同的文化汲取创意与灵感，赋予翡翠珠宝全新的风貌与生命力，深受许多爱玉人士喜爱，多年来不仅在翡翠珠宝的设计上引领时尚，更致力于翡翠艺术品的创作。2009年首创世界第一座翡翠博物馆──「莹玮艺术翡翠文化博物馆」，以现代美学拓展东方瑰宝崭新风貌，精湛演绎出具高度艺术性与收藏价值的珍品，开启了翡翠艺术的新境界。

Although the Ashramas are vanishing, the tradition of Yoga is kept alive today by Gymnasiums.

尽管阿什拉玛斯在消失，瑜伽的传统今天通过健身房而保持着活力。

This stands in extreme contrast to the regulation of all relationships through individual privileges and bestowals of favor, which is absolutely dominant in patrimonialism, at least in so far as such relationships are not fixed by sacred tradition.

这在极端相反的是通过个人特权和青睐bestowals，这是绝对优势，在世袭制监管站所有关系，至少在目前，因为这种关系是不固定的神圣传统。

Thanks to the latest technological equipment, the different treatments are preceded by a diagnosis test which establishes the reflex zones of the face and body, the morphology and energetic biorhythm of each individual. Upon the specific needs of each individual thus determined, the treatment will be based on one of the five energetic elements of the Chinese tradition.

在进行上述治疗前，我们使用最新技术设备对顾客进行诊疗测试，确定面部和身体的反射区，以及不同顾客的身心功能失调状况，然后再根据经过上述测试确定的不同客户的特殊需求，基于中国传统的五行理念中的某一元素进行治疗。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

The films of Resnais and Godard, even when adaptations, placed themselves clearly in a modernist tradition,…The Cahiers group followed the path blazed by the Nouveau Roman and recognized Jean Cocteau as their godfather.

雷奈与高达，即使改编，都跟随现代主义传统。笔记派跟随新小说开拓的道路，认高克多做教父，而英国，电影工作者只迷恋乡土作家、写实派和反动份子的二流小说。

Here in mind the history of the Maya tradition has lasted 1,200 years, which were interrupted by the invasion after the Spanish colonizers.

在这里，考虑到玛雅传统的历史已持续了1200多年，它是由入侵而中断后，西班牙殖民者。

I will endeavour to find you some assistance.

我尽力帮你找人帮忙。

At first I only know bruck is the idol of American younglings, afterwards I returned back to Taiwan ,even in Beijing last year ,I saw her poster everywhere, I was so surprised at her charm.

起初我只晓得布鲁克雷德丝是美国少男少女崇拜的偶像，后来回台湾，甚至去年在北京，居然也四处看见她的海报，才惊讶她的魅力之大。