查询词典 by the light of nature

I have laboured carefully, not to mock, lament, or execrate, but to understand human actions; and to this end I have looked upon passions, such as love, hatred, anger, envy, ambition, pity, and the other perturbations of the mind, not in the light of vices of human nature, but as properties, just as pertinent to it, as are heat, cold, storm, thunder, and the like to the nature of the atmosphere, which phenomena, though inconvenient, are yet necessary, and have fixed causes, by means of which we endeavour to understand their nature...

我万般小心，对于人类的行为，我不嘲笑、不哀叹、不谴责，只尝试去理解；最终，我把爱、恨、怒、妒、野心、怜悯等情绪，还有其他各种思绪的波动，不再当成是人类本性的缺陷，而是好像冷、热、风、雷一般的自然属性。

At the same time, thinking that death will visit one day, they outpour a bit of dread feeling by the light of nature, which is exactly the germination of self-awareness.

同时他们也本能地流露出一种恐惧，想到自己将来也有死去的一天，这正是自我意识的萌芽。

The various forms of polytheism that now flourish, or that have existed in the past, are the result of man's faulty attempts to interpret nature by the light of unaided reason.

各种形式的多神教，现在蓬勃发展，或者说过去存在，是由於人的错误试图解释性质的参照外援的原因。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成"戏剧之光"、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

Human origins the study of light early, but the understanding of the nature of light has gone through a more lengthy process, the light is actually the wave or the granule, the struggle of the light wave theory and the micellar theory started from the early 17th century,and comes to an end by the light wave-particle duality to the early 20th century.

人类对光的研究起源很早，但对光的本质认识经历了一个较漫长的过程，光究竟是波还是粒子，光的波动说和粒子学说之争从17世纪初开始，至20世纪初以光的波粒二象性告终。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成&戏剧之光&、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

He one-upped the fox by centisecond because he made the movement so adeptly and exactly that he could manage it by the light of nature.

因为这个动作它做得太熟练、太准确，已经到了随心所欲的程度，所以速度才会比狐狸快乐那么0.01秒。。。。。。

But the life is just alike of the sea, it never lets us keep a slack hand. Underneath the calm surface there's some riffles. After the calmness, there comes the scenery and for the people, they always sense the danger and fear at the bump of the wave. When they reminds of their ignorance they need to fight back by the light of nature.

可生活如海啊，是不容让人懈怠的，平静的水面下暗藏的是急流，平静过去，又将是风景，而人往往也是在风浪的颠簸中才意识到危险感到恐惧，才想起自己的疏忽，才本能地需要抗拒。

But the life is just alike of the sea, it never lets us keep a slack hand. Underneath the calm su***ce there's some riffles. After the calmness, there comes the scenery and for the people, they always sense the danger and fear at the bump of the wave. When they reminds of their ignorance they need to fight back by the light of nature.

可生活如海啊，是不容让人懈怠的，平静的水面下暗藏的是急流，平静过去，又将是风景，而人往往也是在风浪的颠簸中才意识到危险感到恐惧，才想起自己的疏忽，才本能地需要抗拒。

In the novel By the Light of My Father's Smile, Alice Walker revealed that the essence of family violence, sexual violence and racial violence was the sexual order with the white/male supremacy, and the people behaviour of conquering, controlling and destroying the nature was also determined by the same conception.

爱丽斯沃克在小说《父亲的微笑之光》中揭示出家庭暴力、性别暴力和种族暴力的实质是以白人／男性为中心的性秩序，人类对自然的征服、控制和破坏来自同一观念的支配，即人类／男性中心。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。