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Christ, however, instead of informing His Apostles that he intended to use such a figure, told them rather the contrary in the discourse containing the promise:"the bread that I will give, is my flesh, for the life of the world"(John 6:52), Such language, of course, could be used only by a God-man; so that belief in the Real Presence necessarily presupposes belief in the true Divinity of Christ, The foregoing rules would of themselves establish the natural meaning with certainty, even if the words of Institution,"This is my body - this is my blood", stood alone, But in the original text corpus and sanguis are followed by significant appositional additions, the Body being designated as "given for you" and the Blood as "shed for you "; hence the Body given to the Apostles was the self same Body that was crucified on Good Friday, and the Chalice drunk by them, the self same Blood that was shed on the Cross for our sins, Therefore the above-mentioned appositional phrases directly exclude every possibility of a figurative interpretation.

基督的，不过，不是告诉他的门徒说，他打算利用这样一个数字，告诉他们，而不是相反，在话语含有许诺说："面包，我会给予，是我的肉体，为生活的世界"（约翰6时52分），如语言，当然可以只用了一个神人，所以这种信念，在现实存在一定的先决条件的信念，在真正的基督的神，前述规则，将自己建立的自然与意义确定性，即使字的机构，"这是我的身体-这是我的血"，孤家寡人，而且在原来的文本语料库和血，其次是显著的a ppositional增补时，身体被指定为"给你"，以及血液作为"大棚为你"，因此，身体向使徒是自我同一机构，被钉在十字架上周五良好，并chalice喝醉了，由他们来说，自我相同的血缘，这是大棚在十字架上为我们的罪，因此，上面提到的appositional短语直接排除一切可能性，一个形象化的诠释。

By TM images the linear structures, water system, the outer edge of Tianchi Volcano trachite are extracted. By the sensitivity of SAR images to geomorphology, the distribution of parasitical volcano cone and lava fornix around Tianchi volcano are interpreted. With the aerial photos the parasitical lava of Qixiangzhan, Baiyun and Bingchang stage are filtered. At the same time by orthogonal cross-course wavelet transform, texture analysis is carried on to ERS-2 SAR images, and the texture characters are filtered. On the basis of the spectrum character of multi-band of TM images, multi-band algebraic grouping is made, and the factor of texture character factor and band grouping of TM images are input to BP neural network classification model. The good classified results are received.

利用TM图像对线性构造、水系、天池火山粗面岩锥体外边缘的提取；利用SAR图像对地形敏感特性，提取了天池火山周围寄生火山锥体及熔岩穹丘的分布；利用航片对天池火山口周围的气象站期、白云期、冰场期等寄生喷发物进行了提取：同时利用正交小波变换对ERS-2 SAR图像进行了纹理分析，提取了纹理特征：根据TM图像不同波段的光谱特征，进行了波段代数组合，并把纹理特征参数与TM图像的波段组合及DEM一起输入BP神经元网络分类器，取得了较好的分类效果。

1St Week: A general introduction to the nature and contents of the course; an investigation of students' acquired knowledge of literature in general; a brief introduction to African-American literature 2nd and 3rd Weeks: Rediscovering an Invisible Culture (Why Black culture had been unknown and unobserved for several decades; how it came to be rediscovered ) 4th to 6th Weeks: Double Consciousness (the marginal perspective in Language, Oral Culture, Folklore and Religion); Reading representative works by three Black writers of racial consciousness: Douglass, Washington and Bu Bois 7th to 9th Weeks: Minstrelsy (Imitation, Parody and Travesty in Black-White interaction rituals 1830--1920); Reading the novel about the Black life: Uncle Tom's Cabin 10th to 12th Weeks: Social Mobility and Cultural Stigma: The case of Chicago Jazz 1920--1930; Reading poems by Hughes and novels by Wright 13th to 15th Weeks: Oral Tradition and the Quest for Literacy: The crisis of Black writers from Philips Wheatley to Ralph Ellison; Reading the masterpiece of Ellison 16th to 18th Weeks: Contemporary Afro-American Culture: the sixties and seventies (efforts on reconstructing the Black identiy and Black history); Reading novels by Morrison

第1周：介绍课程性质、内容，了解学生相关文学背景，简要概括黑人文学历史第2-3周：再现黑人文化（黑人文化长期被掩盖的事实和原因，重新被发现的原因和过程）第4-6周：双重意识（语言、吟唱文学、民俗民谣、宗教的边缘化），阅读黑人种族意识三代伟大启蒙家道格拉斯、华盛顿、杜波伊斯的代表作第7-9周：吟游文学（黑人与白人的文化互动过程中的模仿、戏仿、曲仿），阅读第一部反映黑人生活的小说《汤姆叔叔的小屋》第10-12周：社会动荡与文化耻辱（芝加哥爵士乐的兴起、流行和影响），阅读休斯和赖特的代表作第13-15周：口头文学传统与争取教育权利的斗争（从惠特利到埃里森的黑人作家危机），阅读拉尔夫·埃里森的代表作第16-18周：六、七十年代以来的美国黑人文化（重建身份和重建历史的努力），阅读莫里森的代表作每位参加该课程学习的学生均须严格出勤，按时完成学读任务，每学期主持两次小型（10分钟）学术报告，第一次针对老师推荐的作家作品做一个专题报告，第二次针对自己的学期研究计划做一个选题前瞻性和可行性报告。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

The equity argument is, of course, inspired by the fact that the threatening consequences of past natural resource development in and by industrialized countries are now being invoked as the reason for preempting many Third World nations from exercising their ' natural development options. Finally, developed countries .night experience difficulties in mustering the requisite political will to offset the potentially huge costs that developing nations are likely to incur by complying with internationally advocated restraints on domestic development strategies. Indeed, nothing short of an unprecedented international redistribution of wealth might be necessary to secure the full co-operation of developing countries in countering the threat of global climate change.

当然，尽管事实是过去国有资源的开发是工业化国家强迫的结果，现在却祈求把保护环境作为一种原因阻止组织第三世界国家开发他们的国有资源引起了这种公平的争执，最后，发达国家可能要担负必须的政治上的困难去弥补潜在的发展中国家由于接受国际上提倡者的抑制民族工业发展战略所带来的巨大花费，的确，除非国际财富作空前的必要的分配去解决由于发展中国家的联合反对而带来的全球气候变化的威胁。

The secondary injury following graded ONIs is reflected by time course, survival ratio and loss ratio of RGCs and axons. The regeneration is observed by TEM and explored by immunohistochemical detection of growth-associated protein-43 (GAP-43) by TEM and modified Glees silver impregnation on which the regeneration index is based to evaluate the regenerating ability following graded ONI.

利用视网膜节细胞和轴突计数的方法以及节细胞和轴突的存活率和丢失率观察不同程度视神经损伤后的继发损伤反应，利用透射电镜和GAP-43免疫电镜技术以及神经特殊染色技术观察损伤后的再生反应，并基于银染技术用再生指数衡量不同程度视神经损伤后神经再生能力。

200Cr Spagyrics Vol 1 (195 pages), Spagyrics Vol 2 (206 pages)- Spagyrics: A Practical Course in Plant Alchemy by Jean Dubuis is a 2-volume, 48-lesson course which teaches the preparation and uses of herbal elixirs, particularly the seven planetary elixirs used to rebalance the spiritual centers in the human body, the processes followed to obtain the vegetable stone, the method for extracting the universal seed from rain water, and similar processes.

200cr spagyrics1卷(195页)， spagyrics卷2(206页)spagyrics：实用课程的Jean-Pierredubuis厂炼金术是第二卷，48-课教课程准备和使用草药酏，尤其七个行星酏用来平衡人体的精神中心，随后进程取得蔬菜石材普遍的提取方法，从种子雨水，类似进程。

From Tan Dynastic to Chiang Dynastic, Chinese classical novelette abounded with great works of fiction. This course aims to introduce some representative works of Chinese classical novelettes. By reading and discussing works of novelettes, we can understand their social background and their value in history in macro view and enjoy their beauty of literature forms in micro view. Students can apply what they learned in this course to their specific field of study.

我国的短篇小说，自唐至清，代有佳作，故本课程即以历代杰出作品为范畴，选择最具代表性的篇章，透过阅读及讨论之方式，对其做多层面之探讨，以期使受教者能在宏观方面了解其所反映之当代文化及历史价值，在微观方面则能欣赏其所体现的文学艺术，最终并能掌握课堂所学，触类旁通，施用於其他相关领域之学习。

New Chinese course standard which was made by the Ministry of Education indicated directly that the unity of human nature of Chinese language and its nature as a tool from the angle of the Chinese language is the feature of the Chinese Course.

教育部新制订的语文课程标准明确指出：工具性与人文性的统一，是语文课程的基本特点。

Nevertheless, his choice to respond may also bring about a greater good by exposing the hypocrisies that have infiltrated the Course in Miracles community (mainly some of its facilitators) and thereby turned away many from studying the Course .

然而，他选择回应，此举，也许能因此揭露长久以来在《奇迹课程》团体之间(主要是《课程》的传布者们)的一种伪善面，并因而使得许多人对《课程》裹足不前。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。