查询词典 button shadow

For upper eyelid, apply eye shadow on roots of eyelashes first and then move your finger or brush follows the eyelid to gradate eye shadow.

上眼睑沿睫毛根部涂上眼影，按眼影的弧度移动指尖或眼影刷，将眼影晕开。

Wednesday. A self-styled grifter and rog ue, Wednesday offers Shadow a job. And Shadow, a man with nothing to lose acce pts.

在迷茫中，他与一个叫做 Wednesday 的神密人物开始了交往，这个老人当然不是象他外表上看起来那么简单。

Some paper, the Pall Mall Gazette I think, describing the dress-rehearsal of one of my plays, spoke of you as following me about like my shadow: the memory of our friendship is the shadow that walks with me here: that seems never to leave me: that wakes me up at night to tell me the same story over and over till its wearisome iteration makes all sleep abandon me till dawn[34a]: at dawn it begins again: it follows me into the prison-yard and makes me talk to myself as I tramp round: each detail that accompanied each dreadful moment I am forced to recall: there is nothing that happened in those ill-starred years that I cannot recreate in that chamber of the brain which is set apart for grief or for despair: every strained note of your voice, every twitch and gesture of your nervous hands, every bitter word, every poisonous phrase[34b] comes back to me: I remember the street or river down which we passed, the wall or woodland that surrounded us, at what figure on the dial stood the hands of the clock, which way went the wings of the wind, the shape and colour of the moon.

有份报纸，我想是《泼尔穆尔报》吧，报道了我一出戏的彩排，说你像影子似的跟随着我：对你我友谊的回忆，就是在这里随我左右的影子，像是永不分离似的——深夜里唤我醒来，一遍又一遍地说着同一个故事，直磨得人睡意全无，醒到天明[34a]；天明时分又开始了，跟着我到牢房外的院子里，害得我一边步履沉重地走着一边喃喃自语——我被迫回想着每一个痛苦时刻的每一点细节，在那些个倒霉的年头里发生的事，没有哪一件我不能在那留给悲伤和绝望的脑室里再造重演：你每一点不自然的话音，每一个紧张兮兮的手势，每一句冷言恶语[34b]，都涌上了心头；我记着我们到过的街道和河流，四周的墙壁和树林，时钟的针正指着哪一点，风正吹向哪一面，月色月影又是什么模样。

An easy way to heal the wretch shadow is to ask yourself how many of these shadow figures you have, and melt them down to their pure light and energy.

一种简单的方法来医治坏蛋阴影是问问自己有多少阴影数字你，并融化下来的纯轻和能源。

However, the tones of running ink is pouring free and wild, but with a desert and remote look. They are nonfigurative without restriction of light and shape. Actually, the shadow is not real shadow, it is just the"chi"of traditional Chinese painting.

像泼墨一样这些调子，滂沱而出无遮无拦，却有着荒凉而遥远的神色，他们既是阴影又不是阴影，它们是抽象的并不受光和形的拘束。

In "Shadow Partita,"by doing shadow play behind a screen, children can compose their own songs as the camera and computer turn their movements into music.

在《声E影》中，藉由在银幕后制造影子，随著摄影机和电脑将他们的动作转换成音乐，小孩子们得以创造他们自己的歌曲。

I looked and saw your love in the shadow of your heart,as a diver sees the pearl in the shadow of the sea.

在你心灵的阴影中我看见你的爱情，仿佛潜水者在海水的阴影中看见珍珠。

I lokked and saw your love in the shadow of your heart, As a diver sees the pearl in the shadow of the sea.

在你的心灵的阴影中我看见你的爱情，仿佛潜水者在海水的阴影中看见珍珠。

" I looked and saw your love In the shadow of your heart, As a diver sees the pearl In the shadow of the sea; And I murmured, not above My breath, but all apart,-"Ah!

" 在你的心灵的阴影中我看见你的爱情，仿佛潜水者在海水的阴影中看见珍珠莹莹；我喃喃絮语，并不高声，还远离一程，——"啊！

"I looked and saw your loveIn the shadow of your heart,As a diver sees the pearlIn the shadow of the sea;And I murmured, not aboveMy breath, but all apart,——"Ah!

"在你心灵的阴影中我看见你的爱情，仿佛潜水者在海水的阴影中看见珍珠莹莹；我喃喃絮语，并不高声，远远离着一程，——"啊！

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。