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Xury was dreadfully frighted, and indeed so was I too; but we were both more frighted when we heard one of these mighty Creatures come swimming towards our Boat, we could not see him, but we might hear him by his blowing to be a monstrous, huge and furious Beast; Xury said it was a Lyon, and it might be so for ought I know; but poor Xury cryed to me to weigh the Anchor and row away; no says I, Xury, we can slip our Cable with the Buoy to it and go off to Sea, they cannot follow us far; I had no sooner said so, but I perceiv'd the Creature within Two Oars Length, which something surprized me; however I immediately stept to the Cabbin-door, and taking up my un fir'd at him, upon which he immediately turn'd about and swam towards the Shoar again.

佐立吓坏了，我自己也吓得要死。然而，更让我们心惊胆战的是，我们听到有一头巨兽向我们船边游来。虽然我们看不见，但从其呼吸的声音来听，一定是个硕大无比的猛兽。佐立说是头狮子，我想也可能是的。可怜的佐立向我高声呼叫，要我起锚把船划走。&不，&我说，&佐立，我们可以把锚索连同浮筒一起放出，把船向海里移移，那些野兽游不了太远的，它们不可能跟上来。&我话音未落，那巨兽离船不到两桨来远了。我立刻走进舱里，拿起枪来，对着那家伙放了一枪。那猛兽立即调头向岸上泅去。

After we had fisht some time and catcht nothing, for when I had Fish on my Hook, I would not pull them up, that he might not see them; I said to the Moor, this will not do, our Master will not be thus serv'd, we must stand farther off: He thinking no harm agreed, and being in the head of the Boat set the Sails; and as I had the Helm I run she Boat out near a League farther, and then brought her too as if I would fish; when giving the Boy the Helm, I stept forward to where the Moor was, and making as if I stoopt for something behind him, I took him by Surprize with my Arm under his Twist, and tost him clear over-board into the Sea; he rise immediately, for he swam like a Cork, and call'd to me, begg'd to be taken in, told me he would go all over the World with me; he swam so strong after the oat that he would have reacht me very quickly, there being but little Wind; upon which I stept into the Cabbin and fetching one of the Fowling-pieces, I presented it at him, and told him, I had done him no hurt, and if he would be quiet I would do him none; but said I, you swim well enough to reach to the Shoar, and the Sea is calm, make the est of your Way to Shoar and I will do you no harm, but if you come near the Boat I'll shoot you thro' the Head; for I'm resolved to have my Liberty; so he turn'd himself about and swam for the Shoar, and I make no doubt but he reacht it with Ease, for he was an Excellent Swimmer.

我们钓了一会儿鱼，一条也没有钓到；因为即使鱼儿上钩，我也不钓上来，免得让那摩尔人看见。然后，我对他说，这样下去可不行，我们拿什么款待主人呢？我们得走远一点。他一想这样做也无妨，就同意了。他在船头，就张起了帆；我在船尾掌舵。就这样我们把船驶出了约三海里，然后就把船停下，好像又要准备捕鱼似的。我把舵交给摩尔小孩，自己向船头摩尔人站的地方走去。我弯下腰来，装作好像在他身后找什么东西似的。突然，我趁其不备，用手臂猛地在他裤裆下一撞，把他一下推入海里。这个摩尔人是个游泳高手，一下子就浮出海面。他向我呼救，求我让他上船，并说他愿追随我走遍天涯海角。他在水里像鱼，游得极快，而这时风不大，小船行驶速度很慢，眼看他很快就会赶上来。我走进船舱，拿起一支鸟枪。我把枪对准了摩尔人，并对他说我并没想伤害他，如果他不胡闹，也不会伤害他。我说：&你泅水泅得很好，你完全可以泅回岸去。现在海上风平浪静，就赶快泅回去吧。我是不会伤害你的。要是你靠近我的船，那我就打穿你的脑袋！我已决心逃跑争取自由了！&他立即转身向海岸方向游回去。我毫不怀疑，他必然能安抵海岸，因为他游泳的本领确实不赖。

The problem of philosophy usually can not "conceptualize" into a "thema", but this is by no means to say it has not a "subject." As a "science","philosophy" still makes "Being" its "subject" of study and its "object" of thinking, while this "Being" as the "object" is not to be understood completely in the exact "objective" sense, but remains as a "subject", which presents not only as a thing, an "attribute", but as a "meaning." In a word, the "subject-object" of philosophy is not "beings", but a "temporal historical free""Being."

哲学&作为一门&学科&，仍以&存在&为研究&主题&，仍以&存在&为思考&对象&，只是这个&存在&作为&对象&，并非完全在&客体&意义上来理解，而仍是一个&主题－主体&，该存在不仅展示为一物，展示为一&属性&，而且展示为一种&意义&，一句话，作为哲学&主题－对象&的不是&诸存在者&，而是&时间性的－历史性的－自由的&&存在。

I have me my summer vacation in a town last year.since whose are there.some of my relations,there have a good view for the mountain and river,I think it's a great place be to rest,one day when i ride my bike on the small path,this river catch my eye for very clearly but like very deeply,becauese i can't see the end of the water,then.some chap shouting make me look at,they catch a a short boy and thow he in the water with a heavily,waiting for a moment yet the boy not up the water,i'm very worry and jumping in the river,i want float out but some watergrass be enteine my leg and the body is deeper at every movey,i don't know past how long time,i feeling one small hand help me break up the watergrass and push me to the surface of the rive,after that i just kown they are hvae a playing who can sit in the swim and make a long time in deep water,but i want cry for the joking,becauese i couldn't swim but i have a forget.

去年我在一个小镇上度暑假，因为那里有我的亲戚，我认为那里有好山好水是一个静休的好地方。一天当我在小路上骑着自行车时，一条非常清澈但好像也挺深的小河吸引了我的视线，因为我好像看不到河的底端，这时，一些小孩的叫喊声因起了我的注意，他们抓住一个矮小的小男孩然后重重的扔进了水里，待了一小会这个男孩没有露出水面，我非常担心就跳进了水里，我想浮出来，但一些水草缠住我了的腿，我每动一动身体就会越往下沉，我不知道过了多常时间，我感觉有一双小手帮我弄掉腿上的水草并往水面推着我的身体，后来我才知道他们是在玩看谁在水底呆的时间长的游戏比赛，但我对于着样的笑话想哭因为我忘记自己了不会游泳。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankind's necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankinds necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

I not only thought these the pure Productions of Providence for my Support, but not doubting, but that there was more in the Place, I went all over that Part of the Island, where I had been before, peering in every Corner, and under every Rock, to see for more of it, but I could not find any; at last it occur'd to my Thoughts, that I had shook a Bag of Chickens Meat out in that Place, and then the Wonder began to cease; and I must confess, my religious Thankfulness to God's Providence began to abate too upon the Discovering that all this was nothing but what was common; tho' I ought to have been as thankful for so strange and unforseen Providence, as if it had been miraculous; for it was really the Work of Providence as to me, that should order or appoint, that 10 or 12 Grains of Corn should remain unspoil'd,(when the Rats had destroy'd all the rest,) as if it had been dropt from Heaven; as also, that I should throw it out in that particular Place, where it being in the Shade of a high Rock, it sprang up immediately; whereas, if I had thrown it anywhere else, at that Time, it had been burnt up and destroy'd.

当时，我不仅认为这些谷类都是老天为了让我活命而赐给我的，并且还相信岛上其他地方一定还有。于是，我在岛上搜遍了我曾经到过的地方，每个角落，每块岩石边我都查看了一遍，想找到麦穗和稻秆，可是，再也找不到了。最后，我终于想起，我曾经有一只放鸡饲料的袋子，我把里面剩下的谷壳抖到了岩壁下。这一想，我惊异的心情一扫而光。老实说，我认为这一切都是极其平常的事，所以我对上帝的感恩之情也随之减退了。然而，对发生这样的奇迹，对意料之外的天意，我还是应该感恩戴德的。老鼠吃掉了绝大部分谷粒，而仅存的十几颗竟然没有坏掉，仿佛从天上掉下来似的，发生这样的奇迹难道不是天意又是什么呢？再说，我把这十几颗谷粒不扔在其他地方，恰恰扔在岩壁下，因而遮住了太阳，使其很快长了出来；如果丢在别处，肯定早就给太阳晒死了，这难道不是天意吗？

The US electoral system this kind of Americanizing characteristic, is we said its special voting way, is USs election although is the general election system, but voters direct voting is not throws for presidents candidate, but is throws to us said, US from 1784, his constitutionalism conference already determined, we said called ElectoralCollege to be called the elector to roll the system, then this elector rolled the system, meant said USs presidential election, in essentially was one kind, was not the direct general election, but was one kind of indirect general election, then each voter voted gives Honshus thisWe said the elector, finally acts according to this state, two political party candidates, who attains this state in all voter ticket most, then this state all elector ticket, directly for this presidential candidate, therefore we said this kind of system in the voting way, calls WinningTakeOver, who is in which state achievement, then he is only possibly simple most, but he can attain this state all elector ticket.

美国选举制度这种美国化的特点，就是我们说它的特殊的投票方式，就是美国的大选尽管是普选制，但是选民的直接投票不是投给总统的候选人，而是投给我们说，美国从1784年，他的立宪会议就已经确定的，我们说叫ElectoralCollege叫选举人团制度，那么这个选举人团制度，就意味着说美国的总统大选，在本质上是一种，并不是直接的普选，而是一种间接的普选，那么每个选民投票给本州的这个，我们说选举人，最后根据这个州，两个政党候选人，谁拿到这个州的所有选民票中的多数，那么这个州的所有的选举人票，就直接给这个总统候选人，所以我们说这样一种制度在投票方式上，叫WinningTakeOver，就是谁在哪一个州获胜，那么他可能只是一个简单的多数，但是他会拿到这个州的所有的选举人票。

She is a typical "charming chinese old-style woman" who accepted a little "new education".through our analysis,we can find when she was giving in to her husband,she wanted to react against him inside of her;she loved her son ,but she took all she could do to let him give up his true love at the same time; she did pursue her love,but meanwhile shed rather let herself be in chains in this rich family and play a painful role between "mother" and "lover"; she looked down up working-class people ,but meanwhile she commiserated working-class women.all above,prove that fan is a double-personality female.she could stand for all contemopany chinese young women who were influenced by "new education": lovely but unreasonable.the author of "the thunder storm" expressed how contemopany chinese young women should face the challenge from life through creating her.meanwhile,it can prove the value of "the thunder-storm".

她是1个具有特殊魅力的&中国旧式女人&，同时又是受了点&新式教育&影响的女性。她是1个有着双重性格的女子。她对丈夫既表现出软弱地屈从又表现出怨恨和反抗；她既关爱儿子又要以世俗的等级观念来干涉儿子的感情；她敢于追求自己的爱情却又把自己束缚在1个狭小的空间；她鄙视下等人的生活同时又对处于社会底层的女性表现出真诚的同情。蘩漪是54时期中国青年知识女性的1个时代缩影。通过对她的分析，我们可以看到特定时期中国知识女性的可爱之处以及时代赋予给她们的缺陷，从而进1步阐述当代中国女性应该以什么样的姿态站在人生的舞台上，也更进1步确定了《雷雨》所具有的社会价值和时代意义。

The respected teacher who protected four students using his body but himself died finally; the female teacher who convoyed the students to the safety zone and then went back to the classroom to find the losing students, but she was buried under the building which was broken down suddenly; a little strong boy names Lanxin gave a military-like salute to the soldiers when he was rescued from the debris; the injured survivors don't want to be sent to the safety place but to leave to help any others; the most loved soldiers who rescued two hundreds victims after climbing two mountains to the quake zone tired and hungry, but they refused to accept any food and water that the victims sent to them; an old grandma who was suffered in the Tangshan earthquake donated half of her whole family's cost of living and several quilts etc.

用自己的身躯护住四位学生而牺牲的敬爱的老师；将大部分学生安全转移后发现砂了两位学生又重返教室寻找而被突如其来的楼房倒塌掩埋的女老师；从瓦砾中救出来向武警官兵敬了一个军礼的坚强的兰星小朋友；被救出来后不愿意离开，带着伤痛留下来继续营救其他人的受难群众；在饥渴中翻越两座大山营救了两百多名灾民而不喝灾民一滴水、不吃灾民一口饭的最可爱的武警战士

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。