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Major brands new emulsion-like and liquid-like sunscreen really care about is nourishment to the skin effect, either "full effect sun", but also "persistent protection" is very easy to smear them, there is no sticky feeling the burden of to make skin smooth breathing.

各大品牌新推出的乳液状和液体状防晒品讲究的是对皮肤的滋养效果，既可&全效防晒&，又可&持续保护&，涂抹起来非常轻松，完全没有黏腻负担感，令肌肤呼吸顺畅。

The use of specific enrichments and selections can reduce the burden of screening by avoiding common actinomycetes, and can be coupled with high-throughput fermentation, an approach that holds much promise, but is receiving little attention.

虽然土壤中筛选出了制药行业的大约50年，只有一小部分，地球已经被采样，只有一小部分放分类群中发现了[ 2，7 ] 。使用特定的富集和选择可以减少负担的检查，避免常见的放线菌，并且可以加上高吞吐量的发酵，这种做法持有许多承诺，但很少注意接收。

He tried to cope with the everincreasing burden of his work , but finally he broke down and had to take a complete rest .

他设法应付日益加重的工作负担，但最后身体垮了，不得不全休。

The fury and cruelty of this battle is quite revealed in the figure's complexion and body, or we say that to create these faces and bodies, Yin retrospected the genealogy from Goya to Francis Bacon, including many expressionists, such as Van Gogh, Munck, Oskar Kokoschka. All these artists painted 'anxious people', their brush touches looked intense and sensitive, their paints gave a horrible sense of solidity. The faces and bodies they painted are distorted and twitched under the burden of mental nightmare, so the organs are deformed, or even blurred; in 'Myth', the mental nightmare is incarnated as a stone, a battle between man and stones. Therefore, the deformed and distorted bodies look more vivid, when man strives to raise up a stone, all his muscles and expression are in an intense condition.

这种搏斗的激烈与残酷也充分表露画中人的表情和肌体之中，不妨说，在对这些面孔和身躯的塑造中，尹朝阳回顾了一个从戈雅到弗朗西斯·培根的谱系，其中应该包括了众多的表现主义者们，例如凡高、蒙克、奥斯卡·科柯施卡，所有这些画家都绘制了&焦虑的人&，他们的笔触显得激烈而敏感，颜料有一种可怕的实体感，他们所绘制的人物面孔和身躯，都具有精神梦魇的重负之下引发出的扭曲和抽搐感，器官因此而变形，甚至模糊不清；在《神话》之中，精神梦魇具化成了石头，具化成了人与石头之间的搏斗，人体的扭曲和变形的理由因此来得更为具体，当人奋力地举起一块石头时，他全身的肌肉和表情都自然地处在极度紧张的状态之中。

In most legal proceedings, one of the parties has the burden of proof, which requires that party to present prima facie evidence of all facts essential to its case.

在多数法律诉讼，党的当中一个有提供证据的责任，要求那个党提出初步印象所有事实的证据根本对它的情况。

In most legal proceedings, one of the parties has the burden of proof, which requires that party to present prima facie evidence of all facts essential to its case.

在大多数的诉讼程序中，一方当事人有这样的证明责任，这方当事人基于关有于这个案子的所有必要事实中提交初步证据。

For example, in a criminal prosecution, the Government has the burden of presenting prima facie evidence of each element of the crime charged.

例如， 在邢事诉讼，政府有提出初步印象各个罪行的元素的证据的负担被充电。

This paper gives a framework of formulations and interface definitions that ease the burden of 3D data analysis.

给出了旨在减小3D数据分析负担的各种表达公式和接口定义的系统方法。

Women's reproductive tract infections and other gynaecological disorders, are an enormous global health burden.

妇女生殖道感染和其他妇科疾病，是一个巨大的全球卫生负担。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

" I' d like to get some rough idea about music in the baroque ear, please."

请简要介绍一下巴罗克时期的音乐，好吗？

The results showed that the peak latency and pattern of SEPs elicited by electrical needling in LI-l1 and MP were similar. The amplitude of SEPs elicited by electrical needling in LI-l1 was higher than that of MP. There was no obvious SEPs generation when MM was electrical needling.

结果显示，电针刺激曲池穴和其邻近桡侧伸腕长肌运动点诱发性脑电波的波形和波峰时间是类似的，只是穴位的诱发性脑电波波幅较大，而电针刺激非穴位点并没有明显的诱发性脑电位。