查询词典 born of

Secondly, the nature, as the metaphor of mother, enjoys a gentle body. Maybe because of this, Liu Ming's utilization of pen and ink is of very essential characteristics, namely a reduction in the use of various vigor of painting, for example the use of wrinkled method, while an addition of research and exploration on ink besides the traditional literator painting, for example, the large amount of use of no-born, as well as the correct control of handwriting, enabling his pen and ink to wonderfully match with the feminity of matrix.

其次，自然作为母体的隐喻，其身体是温柔的，也许是由于这一原因，刘鸣在笔墨的运用上也具有非常重要的特点，即在笔墨上减少了各种笔法，如各种皴法的使用，而在传统文人画之外，加大了对墨的试验和探索，如没骨的大量运用，以及笔势的准确把握，使他的笔墨与母体的温柔极其相匹配。

This remark struck a panic terror into several who were present, insomuch that one or two of the ladies were going to leave the room; but a friend of mine, taking notice that one of our female companions was big with child, affirmed there were fourteen in the room, and that, instead of portending one of the company should die, it plainly forebode one of them should be born.

席上的几个人顿时大惊失色，有一两位女士竟欲起身离席而去。此时艾迪生的一位朋友注意到席上有一位身怀六甲的女客，便说同席的不是13人，而是14人；这不是一位客人要死的凶兆，而是一位客人要出生的吉兆。

His hat a silk one was inadvertently knocked off and, as a matter of strict history, Bloom was the man who picked it up in the crush after witnessing the occurrence meaning to return it to him (and return it to him he did with the utmost celerity) who panting and hatless and whose thoughts were miles away from his hat at the time all the same being a gentleman born with a stake in the country he, as a matter of fact, having gone into it more for the kudos of the thing than anything else, what's bred in the bone instilled into him in infancy at his mother's knee in the shape of knowing what good form was came out at once because he turned round to the donor and thanked him with perfect aplomb , saying: Thank you, sir , though in a very different tone of voice from the ornament of the legal profession whose headgear Bloom also set to rights earlier in the course of the day, history repeating itself with a difference, after the burial of a mutual friend when they had left him alone in his glory after the grim task of having committed his remains to the grave.

他的帽子冷不防被碰掉了，看到这副情景并在混乱中拾起帽子以便还给他的正是布卢姆。这是确凿的历史事实。巴涅尔气喘吁吁，光着头，当时他的心已飞到距帽子不知多少英里以外。敢情，这位先生生来就是注定要为祖国豁出命去干的。说实在的，首先就是为了荣誉而献身干事业的。他幼小时在妈妈腿上被灌输的周全礼节已渗透到他骨子里，这当儿突然显示出来。他转过身去，朝递给他帽子的那位十分镇定地说了声："谢谢你，先生。"当天早晨布卢姆也曾经提醒过律师界一位名流，他头上的帽子瘪了。巴涅尔的声调可跟那人大不一样。历史本身重复着，但反应并不尽同。那是在他们参加一位共同朋友的葬礼，完成了把他的遗体埋入墓穴这桩可怕的任务，并让他孤零零地留在荣光中之后。

Man being born, as has been proved, with a title to perfect freedom, and an uncontrolled enjoyment of all the rights and privileges of the law of nature, equally with any other man, or number of men in the world, hath by nature a power, not only to preserve his property, that is, his life, liberty and estate, against the injuries and attempts of other men; but to judge of, and punish the breaches of that law in others, as he is persuaded the offence deserves, even with death itself, in crimes where the heinousness of the fact, in his opinion, requires it.

如已经证明的，人一生下来就拥有完全的自由，并不受控制的享有自然法的所有权利，与世界上的其他任何人或人群相同，从而自然的拥有一种权力，不仅可以保护他的所有物——他的生命，自由和财产——免遭他人的伤害和侵犯；而且可以审判和惩罚违反自然法的其他人，让犯罪的人罪有应得，在他认为极其重大的罪行当中甚至可以将其处死。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

We will show how the ridiculousness of actions is born from the likening of the best to the worst and vice versa, from arousing surprise through deceit, from the impossible, from violation of the laws of nature, from the irrelevant and the inconsequent, from the debasing of the characters, from the use of comical and vulgar pantomime, from disharmony, from the choice of the least worthy things.

我们将举例证明，行为的可笑来自把最好的比作最坏的，反之亦然。它还来自以欺瞒而产生的惊愕之感；来自不可能发生的情况；来自违背自然法则；来自无关宏旨与不合情理的因素；来自对人物的贬低；来自滑稽的运用与动作的粗俗；来自不和谐的因素及选择最无价值的事物。

Passerby armour: Everybody good afternoon, we are very glad today to ask the old K that comes from phlogistic yellow network: Guan Peng Http://www.guanpeng.net/ comes to our interactive space, guanpeng was born 1982, living Anhui Hefei, have the IDC work experience that is as long as 7 years, hold the post of phlogistic yellow network (operation of responsible project of China35.com) vise general manager, accumulated rich industry experience and good technology, have pretty good communication and negotiation ability, engineer each IDC activity to obtain inside course of study for many times reputably, hold the position of some famous community leader for a long time to judge edition advocate of the site inside the course of study such as network of the world that reach IT keep a hand, have rich carry dimension experience to IDC industry.

路人甲 ：各位下午好，今天我们很高兴请到来自炎黄网络的老K：管鹏http：//www.guanpeng.net/来到我们的互动空间，管鹏生于1982年，居住安徽合肥，拥有长达七年的IDC工作经验，任炎黄网络(china35.com)副总经理负责项目运营，积累了丰富的行业经验和良好的技术，具备不错的沟通和谈判才能，多次在业内策划各项IDC活动获得好评，长期担任某知名社区主机评版主及IT世界网等业内站点的写手，对IDC行业拥有丰富的运维经验。

He was on the round the world tour with two of his colleagues, arranged by one of the members of the International Federation of Anti-Leprosy Associations, The Damien Foundation of Belgium I think. His host in Hawaii was Dr. Olaf Skinsness, world known leprologist, who was born and worked in China for most of his life.

在抗麻风国际联合会的一位成员--比利时达明恩基金会的安排下，他和他的两个同事一起周游世界，在夏威夷的主人是施钦仁博士，一个世界知名的麻风专家，他出生在中国并在中国生活工作了很长时间。

The Celtic peoples were among the western-most settlers of Europe, and occupied some of the bleakest yet most starkly beautiful land in Europe — the Romans, in particular, couldn't understand why any sane race would want to live in those places; but, of course, the Romans are gone, buried, and seldom discussed save for their language and a handful of literary works and historical figures; by contrast, hardly anybody born outside of Scotland or Wales can speak those native languages (or would want to — and the last native speaker of Manx died some years ago), but their music is still played, and their culture exerts a pull on people the world over.

凯尔特人是早期欧洲最西部的定居者之一，他们占据了欧洲最荒凉但又最美丽的土地——罗马人尤其不能理解为什么这个民族想要住在那种地方；然而，罗马人都已灭亡，他们的尸体被埋葬，而他们的语言、文艺作品和历史遗迹的挽救也嫌少被人谈及；相反的，对于那些出生在苏格兰和威尔士以外的人却能讲这些当地的语言，而他们的音乐仍流传至今，他们的文化也影响着世界各地的人们。

This thesis takes the strenuous search for cultural identity of the Dead family in Song of Solomon as the main line, embarks on the cultural identity of blacks in different periods, connects the pursuit of identity with their history in American society, outlines a vivid historical picture of blacks from the evolution of their identity (from the enslaved black to the emancipated freedman, to the northern migrator and then the youth born in the north), further explores the efforts made by the blacks on their way to seek their national outlets and build their cultural identity in different periods, points out the advantage and disadvantage of their choice, and finally draws to the conclusion that African American should not abandon their national tradition but at the same time they must stand on American society and find a sound integrity of the two cultures.

本论文以托妮·莫里森的第三部小说《所罗门之歌》中戴德家族寻求文化身份认同的艰难历程为主线，以黑人在不同的历史时期的文化身份的选择为切入点，把黑人对身份的探寻与他们在美国社会中的历史文化联系在一起。从黑人身份的演变(从奴隶到被解放的自由人到北方移民者到出生在北方的新一代黑人青年)勾勒出一幅美国黑人百年历史的生动画面，分析在不同时期黑人为寻求民族出路和构建文化身份时所做出的艰苦卓绝地努力和探索。同时也指出了他们所选择道路的利与弊。最后的结论是：在寻求种族出路时既要立足美国现实又不能抛弃种族传统，而应该努力找到二者的最佳结合点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。