查询词典 blacks

This dissertation takes blacks education in the 20〓 century as the research subject. From the standpoint of education equality, and with desegregation and integration in school as the main thread, it explores the dynamics and resistant forces of blacks education in the wider social, political and economic background.

本论文以20世纪的黑人教育为研究对象，以黑人追求教育平等为切入点，以取消学校种族隔离，实现学校种族一体化为主线，在广阔的社会政治经济背景之中探讨了黑人教育发展的动因和阻力。

This dissertation takes blacks education in the 20th century as the research subject. From the standpoint of education equality, and with desegregation and integration in school as the main thread, it explores the dynamics and resistant forces of blacks education in the wider social, political and economic background.

本论文以20世纪的黑人教育为研究对象，以黑人追求教育平等为切入点，以取消学校种族隔离，实现学校种族一体化为主线，在广阔的社会政治经济背景之中探讨了黑人教育发展的动因和阻力。

Rob Poole at Blacks, an estate agent, has found a niche between rivals on the internet and high-street firms.

房产中介公司 Blacks 的罗勃波勒在网络上和繁华商业圈内的竞争对手中找到了一条生存夹缝。

This thesis takes the strenuous search for cultural identity of the Dead family in Song of Solomon as the main line, embarks on the cultural identity of blacks in different periods, connects the pursuit of identity with their history in American society, outlines a vivid historical picture of blacks from the evolution of their identity (from the enslaved black to the emancipated freedman, to the northern migrator and then the youth born in the north), further explores the efforts made by the blacks on their way to seek their national outlets and build their cultural identity in different periods, points out the advantage and disadvantage of their choice, and finally draws to the conclusion that African American should not abandon their national tradition but at the same time they must stand on American society and find a sound integrity of the two cultures.

本论文以托妮·莫里森的第三部小说《所罗门之歌》中戴德家族寻求文化身份认同的艰难历程为主线，以黑人在不同的历史时期的文化身份的选择为切入点，把黑人对身份的探寻与他们在美国社会中的历史文化联系在一起。从黑人身份的演变(从奴隶到被解放的自由人到北方移民者到出生在北方的新一代黑人青年)勾勒出一幅美国黑人百年历史的生动画面，分析在不同时期黑人为寻求民族出路和构建文化身份时所做出的艰苦卓绝地努力和探索。同时也指出了他们所选择道路的利与弊。最后的结论是：在寻求种族出路时既要立足美国现实又不能抛弃种族传统，而应该努力找到二者的最佳结合点。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过"斯芬克斯之谜"典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

Amid the revolutionary fervour of the 1960s, says Mr McWhorter, many blacks learned that "America's racism rendered it unworthy of any self-regarding black person's embrace and that therefore blacks were exempt from mainstream standards of conduct."

麦克沃特说，在60年代革命激情中许多黑人认识到，"美国种族主义对任何尊重自我的黑人的投入不屑一顾，因此把黑人排斥在主流社会的衡量标准之外"。

However, he rightly says that an increasing number of blacks recognize the incongruity between "the vast potential of their lives" since the triumph of the civil-rights movement, and the insistence of many blacks "that America remains a racist purgatory in which all black effort is a Sisyphean affair that renders even just keeping one's head above water a victory."

然而，他正确的指出，越来越多的黑人认识到他们自身的巨大潜能和种族歧视仍旧存在学说（许多黑人坚决主张：美国仍然是一个种族炼狱，在哪里黑人所有的努力都将是徒劳无功的。

Overall, blacks and whites were equally likely to be upwardly mobile, but this was because anyone who starts at the bottom has more room to climb, and more blacks started at the bottom.

总体而言，黑人和白人都有向上的发展趋势，但是在底部的人群往往有更大的向上空间，而有更多的黑人是从底部发展起来的。

Yes, you can get yellows from blacks and blacks from yellows.

你也能发现黄色或黑色的拉拉生出巧色拉拉。

Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

拉尔夫埃利森通过对梅尔维尔、福克纳和马克吐温等19世纪美国经典白人作家的作品解读，赞赏了这些作家在肯定黑人人性时表现出的人道主义精神；同时运用高度象征性和颠覆性的语言，展示了黑人的人性，揭示了白人的非人性；并通过&斯芬克斯之谜&典故的阐释，对普遍意义上的人性作了探讨，体现了作者对所有现代人的生存困境的关注，从而超越了以斯陀夫人小说为代表的注重道义宣传的传统文学，以及以理查德赖特的创作为代表的注重态度强硬的抗议与暴力表达的自然主义文学，体现出回归与提升19世纪人文主义作家人道主义精神的创作倾向。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷