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black bass相关的网络例句

查询词典 black bass

与 black bass 相关的网络例句 [注:此内容来源于网络,仅供参考]

Instead of calling on some scholar, I paid many a visit to particular trees, of kinds which are rare in this neighborhood, standing far away in the middle of some pasture, or in the depths of a wood or swamp, or on a hilltop; such as the black birch, of which we have some handsome specimens two feet in diameter; its cousin, the yellow birch, with its loose golden vest, perfumed like the first; the beech, which has so neat a bole and beautifully lichen-painted, perfect in all its details, of which, excepting scattered specimens, I know but one small grove of sizable trees left in the township, supposed by some to have been planted by the pigeons that were once baited with beechnuts near by; it is worth the while to see the silver grain sparkle when you split this wood; the bass; the hornbeam; the Celtis occidentalis, or false elm, of which we have but one well-grown;some taller mast of a pine, a shingle tree, or a more perfect hemlock than usual, standing like a pagoda in the midst of the woods; and many others I could mention.

我并没有去访问哪个学者,我访问了一棵棵树,访问了在附近一带也是稀有的林木,它们或远远地耸立在牧场的中央,或长在森林、沼泽的深处,或在小山的顶上;譬如黑桦木,我就看到一些好标本,直径有两英尺:还有它们的表亲黄桦木,宽弛地穿着金袍,像前述的那种一样地散发香味,又如山毛榉,有这样清洁的树干,美丽地绘着苔藓之色,处处美妙呵,除了一些散在各地的样本,在这乡镇一带,我只知道有一个这样的小小的林子,树身已相当大了,据说还是一些被附近山毛榉的果实吸引来的鸽子播下的种子;当你劈开树木的时候,银色的细粒网闪发光,真值得鉴赏;还有,椴树,角树;还有学名为Celtis occidenta lis的假榆树,那就只有一棵是长得好的;还有,可以作挺拔的桅杆用的高高的松树,以及作木瓦用的树;还有比一般松树更美妙的我们的铁杉,像一座宝塔一样矗立在森林中;还有我能提出的许多别的树。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术;第二首是赋予了肖邦典型技术特征的指法;第三首与第六首是多声部织体的演奏;第四首是以其速度和音乐进行的尖锐性而独具难度;第五首是"黑键"练习曲;和声的创新手法在第七、第十以及第十一首里都有明显地体现;第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律;第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

The first one and the eleventh one are concentrate to the tensibility of finger,the second one are famous of it"s fingering techri-ique which is the typical fingering of Chopin,the third and six one are experience the layer of multi voice parts,the fourth one is difficult at it"s sharp-- pointed music proceeding and the fifth one are playing almost all black keys,humorousness is performance in the bass field in the eighth one,the ninth and the twelfth one are training stretching and running technique of left hand,harmonic innovate are visibly reflected at the seventh,the tenth and the eleventh one.

在分析其技术特征的同时,为了体现肖邦钢琴语汇的实用价值及练习的目的性,还采用对比比较分析的方法,有针对性地列举谱例,比较肖邦练习曲及其与肖邦其他钢琴作品典型技术课题的对应关系;还在演奏技术方面稍作探讨并在艺术性与美学方面略有探究,论述了肖邦练习曲的音乐个性和宝贵练习价值。

The tolerance of seawater fish Japanese sea bass and black rockf ishto pH and alkalinity is studied through the experiment of acute toxicity. The median lethal concentration values are obtained by the method of probability unit. The safe concentrations of alkalinity, C032- and HC03- are obtained. The signification of pH and alkalinity is estimated with analysis of variance.

本文应用急性毒性试验方法研究了海水鱼类鲈鱼黑鲪对pH、碱度、二氧化碳体系各分量的耐受性,应用概率单位法求得半致死浓度,并得到了碱度、碳酸根、碳酸氢根等的安全浓度,应用方差分析评价了pH和碱度致毒作用的显著性,探讨了不同pH、碱度范围的主要致死因子。

Additionally, it appears that the black sea bass may also be suffering from toxin poisoning.

此外,看来黑鲈鱼可能也会患毒素中毒。

Black sea bass mature at seven to ten years.

在七至十年成熟的黑鲈鱼。

The croaked Black Metal narrative is carried on the shields of the twin guitar attack, I抎 point to early SETH for how they sound, there is the warmth in tone on one of the guitars, something that the French band employed, however the other guitar is more incisive and has that touch of ice. There is an audible bass which provides some depth for the trebly guitars to race above and there is some fine clatter-tat-tat blasting from the skins department. Tracks like 揊rom My Throne OF Winter?are a cavalry charge into the soft flank of the enemy, the pace letting up from time to time as they breach a line of defence. All of the Metal tracks on the album benefit from this mix of breakneck speed and more mid paced sections. The production is typically lo-fi but as usual that is part of the appeal, there is no point recounting tales of past Pagan glories if you have a crisp digital production to spoil the ambience.The 揚rologue?and 揈pilogue?

而最吸引耳朵的还是尖叫部分,而且我敢打赌你以前从未在碾核音乐里听过这种嗓音,但我很难用合适的语言给你形容出来那究竟是怎样一种动静,粗略一点说它就像是受到惊吓的女人所发出的尖利声音,这样一来可能会让大家把他们和INTESTINAL DISGORGE混淆,那么再补充一句,主唱发出的声音并不是一个单音,那样未免就太枯燥无味了,而是有着跳跃性的节奏,我的能力只能形容到此,具体还要大家自己去体会了,而最令人不可思议的是主唱一人包揽了这两种唱腔,而这两种嗓音之间就像是天与地的差别,如果可能的话我还真想研究一下这位仁兄嗓子的构造。

The first one and the eleventh one are concentrate to the tensibility of finger, the second one is famous of it"s fingering technique which is the typical fingering of Chopin, the third and six one are experience the layer of mufti voice parts, the fourth one is keenness which carries on by its speed and music the alone difficulty , the fifth one is the"black keyetude , harmonic innovate are visibly reflected at the seventh, the tenth and the eleventh one, humorousness is performance in the bass field in the eighth one, the ninth and the twelfth one are training stretching and running technique of left hand.

第一首与第十一首是针对手指的伸张技术;第二首是赋予了肖邦典型技术特征的指法;第三首与第六首是多声部织体的演奏;第四首是以其速度和音乐进行的尖锐性而独具难度;第五首是&黑键&练习曲;和声的创新手法在第七、第十以及第十一首里都有明显地体现;第八首最大的特点在于它用左手在低音区表现出谐谑式的旋律;第九首与第十二首在单纯手指技术上是分别训练左手的伸张及快速均匀的跑动。

Asked a bass voice, fit for a head deacon, and hoarse from hallooing, and a pair of flashing black eyes glanced up from under their brows at the silent young master.

他用那副由于呼唤猎犬追捕野兽而嘶哑的嗓子,发出执事长的男低音,问道,他皱着眉头并用两只闪闪发言的乌黑眼睛看了看默不作声的老爷。

That's the illest rapper choppin' and screwin' it couldnt snatch the game that's what they told me, so i'm provin it put the truth in texas with scott storch and you got you a hit hittin never miss rep yo click and throw 'em high because chamillionaire's the anwser to the game like allen i middle fingaz to the sky, if they don't like that reply cause any dj that deny is a mother fu errrwwwee lie so give the ladies what that want got 'em racin' to the front of the stage to feel the bass and tell the dj turn it up yeaah sound of revenge saying universal to go get my plaque rappin's dead so i'ma bring it back, like dj's do when they hear my track check out my track record, they'll say i'ma track wrecka hotter than a black pepper now that i am back nigggga (he's baaack) you can't get mad if you feel that you and cap fit ya drop the biggest stat's ever so don't let that bbback hit ya i'ma show you how to get your shine on turn it up the dj playing my song everybody keep on calling my phone which one of y'all am i gone take home i'ma show 'em how to get the club crunk give 'em something thats goin' rattle that trunk tip ya cups up until ya get drunk tell the dj to play it loud and turn the beat up..

这就是illest说唱choppin'和screwin'它 couldnt抓举比赛,这是他们告诉我,所以我是普罗万把与斯科特斯托奇得克萨斯真理,你有你一打 hittin不会错过代表处溜溜点击并抛出'时间高因为南方说唱歌手Chamillionaire的,对像艾伦i游戏anwser 中间fingaz向天空,如果他们不这样的答复造成任何DJ否认是母亲富errrwwwee谎言所以让女人想要什么了'时间racin'到台前感受到低音,告诉道琼斯把它 yeaah说,健全的报复普遍去让我的牌匾 rappin死所以我是一个带回来,像DJ的不当他们听到我的轨道检查我的记录,他们会说我是跟踪wrecka 热比黑胡椒现在我回来了nigggga 你不能发火,如果你觉得你的帽子适合亚下降最大的Stat公司有史以来所以不要让这样的bbback击中亚我是告诉你如何获得把它的DJ打我的歌大家继续叫我的电话你们中的一个我拿回家了我是一个展示'时间如何让俱乐部旷课让'时间的东西多数民众赞成goin'摇铃的干线提示亚杯,直到亚醉告诉道琼斯发挥大声扭转殴打。。

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