查询词典 big-ticket

Small aspect change will lead to a big change of the complex amplitude, since, although the variation of the range of each scatterer to radar is very small, it is still large enough compared to the small wavelength and may cause a big phase change.

当视角有微小变化时，虽然各散射点到雷达的距离变化并不大，但相对于微波波长，其相位差的变化相当大，从而使各分辨单元到复振幅有大的起伏，即一维距离像的方向敏感性十分敏感。

Her figure looked blocked and heavy in her gardening costume, a man's black hat pulled low down over her eyes, clod-hopper shoes, a figured print dress almost completely covered by a big corduroy apron with four big pockets to hold the snips, the trowel and scratcher, the seeds and the knife she worked with.

她头上戴着一顶男式的黑帽子，拉得很低，直到她的眼睛。脚上是一双粗笨的鞋子。下面穿的印花裙子几乎全给那个大号的灯心绒围裙遮盖了起来。围裙上有四个大口袋，用来放她干活时用的剪刀、泥铲、刮管器、种子和刀。

After arriving at Australia, uses the lunch, latter tours Macao each big scenic spot, including the Sao Paulo church vestige big three Pakistan memorial arch, Macao's origin and the most ancient temple Mazu Chinese style pavilion, Macao gambling establishment, the prosperous times lotus flower, looks at the sea Goddess of Mercy elephant, the Venice person resort and so on.

抵澳后用午餐，后游览澳门各大名胜，包括圣保罗教堂遗迹大三巴牌坊、澳门的起源及最古老的庙宇妈祖阁、澳门赌场，盛世莲花、望海观音像、威尼斯人度假村等。

And one day when the river meets the sea, I will finally fight in the big big ocean to prove myself.

终有一天当河流汇入海洋，我将要在大海中继续拚搏出我的一片天地。

In both ancient and contemporary China, the Small Self and the Big Self formed a dual concept. Although throughout the history of thought, connotation of the Altruistic Self has modified many times, the Small Self could only be realised when placed in the framework of the Big Self.

无论在古代还是近代中国，都有一种小我与大我的二元观念，虽然在思想史之中大我的内涵多有变迁，但一直认为小我的价值唯有放在大我的意义框架之中方能实现。

However, from recent to contemporary period, along with the paradigm shift, dissimulation and decline of the Big Self, the Small Self has lost stipulation and restraint of the Big Self, and transformed into egoistic individualism.

不过，从近代到当代，随着大我的嬗变、异化和逐步解体，最终小我失去了大我的规约，变异为唯我式的个人主义。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

If you use a too big plate you run the risk of eating too big servings.

如果你用的是大的餐盘的话，你将冒吃过量的风险。

We had ordered a big meal – we didn't know that the servings were going to be that big!

我们预订了一份大餐——但是我们不知道那份大餐是那么的大。

After Qingdao Shina District Ningxia road peasant family garden 3 room of 1 hall 700 Yuan/month of big Run sends, the first building, the agricultural market fair less than 50 meters, are away from big Run to send about the supermarket 30 meters, hotel, snack, fitness location .....

个人 青岛市市南区宁夏路田家花园 3室1厅 700元/月大润发后第一栋楼，农贸市场不到50米，距离大润发超市30米左右，饭店，小吃，健身场地。。。。。

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新