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bel canto相关的网络例句

查询词典 bel canto

与 bel canto 相关的网络例句 [注:此内容来源于网络,仅供参考]

The popularity of the style of bel canto faded in mid 18th century Italy in favor of a heavier dramatic approach (although not anywhere near as heavy as in German opera) most associated with Giuseppe Verdi .

的流行风格美声唱法消失在18世纪中期意大利,取而代之的是重戏剧性的办法(虽然不是任何地方附近重如在德国歌剧)最相关的朱塞佩威尔第。

The significance of legato in Bel canto is reiterated and its fundamental position in singing and teaching is also emphasized.

指出legato对于美声唱法的重要作用。以及在歌唱与教学中的基础性地位。

Mathilde Marchesi (1821–1913), a famous teacher of bel canto repertoire.

玛蒂尔德迈凯( 1821年至1913年),一位著名的老师美声唱法曲目。

Prominent vocal pedagogues from the bel canto era include: Manuel García , Mathilde Marchesi , Julius Stockhausen , Francesco Lamperti , and his son Giovanni Battista Lamperti .

著名的声乐教师从美声唱法的时代包括:曼努埃尔加西亚,玛蒂尔德迈凯,朱利叶斯豪森弗朗切斯科蓝佩蒂女士,和他的儿子乔瓦尼巴蒂斯塔蓝佩蒂女士。

First, based on the research of vocality art and vocalization, I discuss how to set up reasonable aesthetics concept on tenor"s voice, then expatiate on the characteristics,of the tenor"s voice in bel canto and the theoretic significance of setting up reasonable sound aesthetics concept. This essay is mainly on the way and key point of constructing tenor" s voice, especially solving the core problem of alt skill. The essay argues that the construction of tenor" s voice is based on the mediant and undertone sections; finding the phonate source, practice step by step, surrounding the point , string and side of the voice; train the students using suitable vowels according to the students with different characteristics ; emphasizing that ten essential words are the golden key to solution of the core problem in the "closing " method.

首先从研究声乐艺术和发声方法的指导思想和出发点着手,探讨了如何建立科学的男高音声音审美观;进而阐述了美声唱法中男高音的声音特点及建立科学审美观的理论指导意义;本文着重提出了构建男高音声音的方法与要领(特别是解决高音技术这一核心问题),本文认为男高音声音构建先以中、低声区为基础,从找发声点开始,围绕声音的点、线、面逐一训练,同时根据不同特点的学生选择合适的母音进行训练,强调了"关闭"唱法中十字要领是解决核心难点的金钥匙。

Even so, the term bel canto remains ambiguous and is often used nostalgically in its application to a lost singing tradition.

即便如此,长期美声唱法仍然含糊不清,往往是用来nostalgically适用於失去唱歌的传统。

We may compare the Queen's English to the bel canto songs and the American English to the popular music.

我们可以把英语普通话比作美声,而把美国英语比作流行。

Finally, I use a large amount of words to elaborate how the famous recitative and aria in West Side Story and The Phantom Of The Opera are shown by Bel canto.

文中先指出了这两部音乐剧所表现的古典歌剧风格,进而引出其唱法主要运用了美声唱法,接着用大量笔墨论述了《西区故事》和《歌剧魅影》中的著名咏叹调是如何用美声唱法来表现的。

Rossini said in a conversation that took place in Paris in 1858,"Alas for us, we have lost our bel canto".

罗西尼说,交谈发生在巴黎於1858年,唉!对我们来说,我们失去了我们的美声唱法。

Today some of the most frequently performed operas, such as Rossini's The Barber of Seville and Donizetti's Lucia di Lammermoor , are from the bel canto era.

今天的一些最常见的演出剧目,如罗西尼的塞维利亚的理发师和多尼采蒂的露契亚拉美莫尔,是从美声唱法的时代。

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