查询词典 before the world

3 Naked before him is the nether world, and Abaddon has no covering.

阴府在他前面显露，死域也无所遮掩。

Just like before World War 2,European also look Hitler as a leader of anti-communism,but you know,in fact the Europeans are wrong.

就象在二战前，欧洲人曾经相信希特勒会成为领导欧洲人抵抗共产主义的领袖，但事实证明你们错了。

Before he joined the Backstreet Boys, he joined at Walt Disney World in Florida.

在他加入后街男孩合唱组之前，他在佛罗里达的华特迪斯尼工作。

Three decades later Daniel Boorstin's The Republic of Technology extol television for "its power to disband armies, to cashier presidents, to create a whole new democratic world－democratic in ways never before imagined, even in America."

布尔斯汀的《技术共和国》赞扬电视具有「解散军队、撤免总统、创造一个全新民主世界的力量－即使在美国，这些民主式的方法在之前都未曾被想像过。

Firstly, based on the comparative study between the basic concept of nationalism and Chinese foreign concept, world concept, monarch concept, etc., in ancient China, this article holds that there isn't nationalism or traditional nationalism in China before modern times, namely, Chinese nationalism isn't original. Secondly, since the development of nationalism shows any nationalism have dual nature though the base is rational, it is hard to avoid the negative influence of nationalism though advocating of "rational nationalism". Finally, the author holds that the nationalism ideology and the idea of constructing harmony world are uncoordinated and incompatible.

首先，本文通过对民族主义基本理念和古代中国华夷观、天下观、君臣观等的比较分析，认为近代之前的中国不存在民族主义或传统民族主义，亦即中国的民族主义并非"本民族的"；其次，本文认为，民族主义的发展历史表明，虽然民族主义的基础是理性的，但任何民族主义都具有两面性，因此即使我们提倡"理性民族主义"，也很难避免民族主义的负面影响；最后，通过考察、分析民族主义的两面性，本文指出，民族主义的意识形态与建设和谐世界的理念是不协调和不能兼容的。

Taiwan's authoritarian system began to ease off, a stream of cultural upsurge came after the economical miracle in 1970s, artists, writers and directors expressed the emotion and thought which were oppressed before in their own way, and the identity recognition of as Chinaman was oppugned; then in Mainland, Mao's era of keeping quite out of fear ended, when people saw the outside world, found that they were so poor in substance and spirit, and lived in self-deceiving all the time before, they also were shocked and confused about the tragedy made by themselves when they calmed down.

台湾的威权体制开始松动，经过七十年代的经济奇迹之后，一股文化热潮到来了，艺术家、作家、导演都在以各自的方式来表达之前被压抑的情感与思想，对于中国的身份认同也开始被质疑；而在大陆，噤若寒蝉的毛时代结束了，当看到外部世界后，发觉自己不管是物质上还是精神上都如此匮乏，原来之前一直生活自我欺骗之中，冷静下来的人们也对自己酿造的悲剧既震惊有困惑。

On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front.

在第二次世界大战的前夕，英国的官员再访滑铁卢桥梁和召回他是在第一次世界大战和年轻芭蕾舞女演员开始他遇见在他之前左为前线的年轻人。

The only definite sexual events that I can remember as having occurred before my thirteenth birthday (that is, before I first saw my little Annabel) were: a solemn, decorous and purely theoretical talk about pubertal surprises in the rose garden of the school with an American kid, the son of a then celebrated motion-picture actress whom he seldom saw in the three-dimensional world; and some interesting reactions on the part of my organism to certain photographs, pearl and umbra, with infinitely soft partings, in Pichon's sumptuous Le Beauté Humaine that that I had filched from under a mountain of marble-bound Graphics in the hotel library.

我有记忆的，十三岁生日之前（也就是在认识安娜贝尔之前）有关性方面的事件仅有如下：在学校的玫瑰园与一个美国男孩进行的一次严肃而有分寸的关于青春期反应的纯理论的讨论——那个男孩的母亲是一位当时极其著名的电影演员，他们之间的交流常常不是在三维世界进行的（引申义：只有书信，电话等间接交流，译者注）；还有就是，我从旅馆图书馆中成堆的装订成册的《图形学》底下偷出来皮雄的那本装帧精美的《人性之美》中的有些照片、&珍珠&和有着柔和裂缝的影子引起过我的某些器官的有趣反应。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

How many know that every modern nation that rose to world power did so by sheltering and nurturing its manufacturing and industrial base -- from Britain under the Acts of Navigation to 1850, to protectionist America from the Civil War to the Roaring Twenties, to Bismarck's Germany before World War I, to Stalin's Russia, to postwar Japan, to China today?

有多少人知道任何一个上升成为世界级能量的现代国家，都是通过保护和培养自己的工业和制造基础而实现的－－从1850年前英国航海法的实施，内战到火热的十九世纪二十年代的保护主义盛行的美国，一次大战前的魏玛德国，斯大林的俄国，战后的日本，直至今天的中国。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。