查询词典 beating of wings

Midmorning like a deserted room, apparition Of armoire and table weights, Oblongs of flat light, the rosy eyelids of lovers Raised in their ghostly insurrection, Decay in the compassed corners beating its black wings, Late June and the lilac just ajar.

上午如弃置的房间，大衣橱的魅影掺和着餐桌的沉重，平光里的椭圆，情人玫瑰色的眼睑在幽灵般地悸动变幻着，腐烂在四个角落里拍打着黑色的翅膀，这是六月之末，丁香花微开之时。

He heard the beating of great wings and silently made his declaration again.

他听到翅膀拍打的声音并静静地重复着心中的宣誓。

The Angel of Death has been abroad throughout the land, you may almost hear the beating of his wings.

死亡天使在这块土地上四处飞翔，你几乎可以听见他翅膀的拍击声。

He heard the beating of great wings and silently made his declaration again.

他听见巨大翅膀鼓腾作响。默默地，他再一次宣告自己的信仰。

Did I not tell thee that I had heard in the palace the beating of the wings of the angel of death, and hath he not come, the angel of death?

我不是告诉过妳，我听到宫廷里有死亡天使振翅的声音，他不是已经来临了吗，那死亡天使？

To the faint far-off beating of his wings...

他挥动翅膀的声音那么微弱，来自远处

They were on the verge of flying—beating their wings and screaming as they jumped up and down, never daring to take off.

它们就快飞起来了——不停地扇动翅膀，尖叫着跳上跳下，但总不敢飞起来。

He heard the beating of great wings and silently made his declaration again. Dying for the faith meant he got all kinds of virgin brides in Paradise.

他听见了巨翅拍打的声音，他又默默的开始他的宣言：为信仰而死意味着他在天堂可以得到世间最纯真的。

"Their restless activity," Anderson writes, like unto the beating of the wings of an imprisoned bird, had given him his name.

& &他们焦躁不安的活动，&安德森补充道：&像你们殴打的翅膀的监禁鸟，给他自己的名字。

It was pitch black now. Jason wasn't alone though. He heard the beating of great wings and silently made his declaration again.

现在天已漆黑，但杰森并不孤独，他听到了翅膀拍打的声音，静静地，再次祈祷。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。