查询词典 beat-out

We must never deduct the metric value of the grace note from that of the main note and shorten it; instead we should add the value of the grace note to the value of the beat.

我们决不从主音中扣除倚音，而且也不将其缩短；相反，我们还要增加倚音拍长的时值。

This musical anomaly stems from the valid rule that grace notes are to be played on the beat and not before it so that the value of the note that precedes the grace note is not shortened.

这些音乐的破例发生于与节拍同步的正确规则的装饰音上而并不是早于节拍。

A grace note that belongs to a beat is usually characterized by a slur tying it to the next note; a grace note that connects two notes is printed between them, usually without a slur and sometimes before the bar-line.

属于节拍的装饰音其表征是用连线将下一个音符系在一起；连接二音符的装饰音是在两音符之间印刷好了的，通常没有连线，有时在小节线以前。

Cold cheese is harder to beat and you can end up with graininess.

冷战奶酪是难以击败，你可以最终粒状。

I am no grandmaster, but I cannot beat the application at its toughest setting.

我不是大师，但是我不能打败该应用软件的最高难的设置。

However, if we think of beauty, durability and maintenance, nothing can beat Marble and Granite.

然而，如果我们认为秀丽、耐久性和维护，什么都不可能打大理石和花岗岩。

The our country tang dynasty scholar LI3 ZHAO4 of 《 the history of a nation repair 》 spoke thus a story in one book, between the mountain of the rugged gravamen small way up, a car of 驮 that carries the tile jar beat slippery not ex-, make several ten trucks of behind get difficulty.

我国唐朝学者李肇的《国史补》一书中讲了这样一个故事，在崎岖不平的山间小道上，一辆载着瓦瓮的驮车打滑不前，使得后面几十辆货车受阻。

Also, think of how impossible it is for your gremlin to beat you up, if you are busy celebrating yourself!

同时，想怎么不可能是你打你的小鬼，如果你是忙碌的庆贺自己！

Ken beat Joe there, his hands over his ears, a grimace on his face.

肯恩在那里难倒乔，在他的耳朵上的他手，在他的脸上一个面部的歪扭。

What he knew of that under-world where grovel the beat-men of society had hardened his nature.

他自己的太太已养成了一种冷漠和庸俗的品性，这一点是绝对不会讨人喜欢的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。