查询词典 be moved

After analyzing and processing the grating reticle image collected by CCD, the mapping coefficient can be accurately calculated from grid size to pixels. Comparing the fore-and-aft two grating reticle images after the worktable moved. Adopting phase difference ratio arithmetic based on Lissajous figures,the phase difference of two images will be figured out. The displacement of the worktable can be further calculated by the mapping coefficient.

调整光路使CCD获取清晰的光栅图像，对图像进行分析处理，计算出栅距与像素之间的映射关系，再对工作台移动前后的光栅图像进行对比，采用基于李萨如图的相位差比率算法获取它们的像素位置差，从而计算出工作台的实际运行位移。

The results show that the microstructure of ventra1 scale for python was composed of micro-convex and plank structure that was periodically arranged, it was mensurable and could be described by 9 characteristic parameters. Its surface was different in their forward and backward lean angle. The frictional coefficient of the ventra1 scale had closely relationship with moving direction, it decreased with the increasing load. The value of the frictional coefficient was about 0.07. The frictional coefficient while python moved backward and laterally were equal, and that was 33% more than that moved ahead. The frictional force of the ventra1 scale surface was caused by mechanical tooth function of micro-convex, acting intermolecular force and material's elastic hysteresis. The difference of forward and behind bevel for micro-convex was the anisotropy reason of frictional force.

结果表明：腹鳞表面的微观结构由指状微突体和板结构部分周期排列而成，其结构可用9个特征参数定量描述；腹鳞表面摩擦力由分子作用力、表面微突体的犁沟力、楔形作用力以及材料弹性滞后共同引起；腹鳞表面的摩擦系数在0.07左右并与运动方向有关，摩擦系数随载荷增加而减小；后向运动及左、右侧向运动时摩擦系数基本相等，比前向运动时高33%左右；腹鳞表面微突体不同方向上倾斜角度的差异是引起摩擦各向异性的主要原因。

Three kinds of chromosome morphology could be observed under oil immersion lens. The first type was condensed, which could be counted in total, but the band could not be seen. The second type was chromatosome that spread completely in the center of equatorial plate and were in metaphase. In this phase, total numbers and band were seen clearly. Last type-chromosomes had already folded and moved towards two poles and concentrated gradually, the total number of chromosomes could be counted, but banding could not be seen clearly.

在油镜下镜检可见3种染色体形态，一种呈高浓缩状态的染色体，可计数染色体总数，但不能显出带纹；第2种是已完全展开并铺于赤道板上的处于分裂中期的染色体，染色体总数和带纹显示都非常清楚；第3种是染色体已折转并向两极移动，并逐渐开始浓缩，染色体总数可以计数，带纹不能清楚显示。

Richard was then an SERC IT research fellow at Cambridge until taking up a lectureship in physics at the University of Bath in 1990. In 1996 he moved to the University of Bristol as a lecturer in electrical and electronic engineering subsequently being promoted to a readership and finally to be Professor of Photonics. In 2001 he moved to the Cambridge University Engineering Department.

随后任SERC IT剑桥大学研究员，直到1990年担任巴斯大学物理学讲师。1996年他加入布里斯托大学并任电气和电子工程学讲师，随后被晋升为高级讲师、光子学教授。2001年他加入剑桥大学工程学院。

Began as a moving, and then humming and singing, self-moved, their tragic atmosphere, soul-stirring goes without saying that, in the next hearing in the passive or even forced, it moved to repeat that even East facilities will be impatient.

一开始是感动，然后哼着唱着，进行自我感动，其悲情大气、荡气回肠自不待言，在接下来的被动乃至被迫的听觉中，这感动重复得连东施都会不耐烦。

How many years have passed How many times have the walls been brushed Like clothes, and more like skins Testifying for former residents Furnishings get along well with each other Though they are covered with dust They are not in any disorder And still stiffly remember the past The fingers for the piano have been remarried The keys are still disseminating fragrance Love has moved to other eaves Whose face is still shimmering in the album The world map is like a holy saint Holding his ground at a distinct corner While covert walks and windows Will never be able to line out Solitude is accompanying meditation There is not a single book leaf left Friends have come to deliver complaints and wishes And have taken ashtray and flagon Other seasons will descend Smiles will be fresh in the rain And fill the whole half-old vase While covers are inhabiting all the walls There will be mirrors to consume beauty There will be shoulders to lift the brain Behind cleaning milk and vanishing cream There will be face half hidden The age of sail has gone Yet there are new routes to be inaugurated Glass will gain masks Vacant rooms will gestate once again

经过了这么多年墙壁刷了多少遍像衣服，更像皮肤证明以往的住户家具们相处很和睦尽管有灰尘披覆却一点也不见凌乱顽固地记着从前弹琴的手指已改嫁琴键仍飘散着芬芳爱情已在别的屋檐下像册里谁的脸在闪光世界地图像圣徒坚守在显著的一隅隐秘的小路和窗户永远不可能标出孤独与沉思做伴没有留下一页书朋友们来诉苦和祝愿带走了烟缸和酒壶别的季节会来临微笑会鲜艳在雨里插满半旧的花瓶而封面占据着四壁会有镜子消受美貌会有双肩扛着头脑在洗面奶和雪花膏后面会有面孔半隐半现帆的时代已经过去但还有航线要开辟玻璃将得到面具空房也将再孕育

We may realize it may not be a bad idea of current a few articles, anyhow character is not to attract you, perhaps be interviewed the object may be told a few cannot stimulate your nerval thing, they can stimulate nerve to me, above all I am an author, this content moved me, I move again you, of course the experience that the net buys gives me more discounts, such likelihoods sell a few.

我们可能了解到目前的一些文章也好，总之文字是吸引不到你，或者被采访对象可能讲一些刺激不了你神经的东西，他们可以给我刺激神经，首先我是作者，这个内容打动了我，我再打动你们，当然网购的经验给我更多的折扣，这样可能卖几本。

It's true that we have been leading a difficult life, for we need not only to be under variou***ternal pressures, but also to be in the face of internal perplexities.you would be affected by the warmth of life if someone gives you an understanding look during your bitter struggle.even a mere glance would make you moved and inpired.

我们确实活得艰难，一要承受种种外部的压力，更要面对自己内心的困惑。在苦苦挣扎中，如果有人向你投以理解的目光，你会感到一种生命的暖意，或许仅有短暂的一瞥，就足以使我感奋不已。

The basic dimensions and shapes are accurate, with a few exceptions: I moved the gun turrets to be flush with the forward edge of the barbettes, the wooden deck was extended forward of the gunwale, which itself had its support fins moved to the front side.

除少数例外情况，基本的尺寸和形状是准确的：我把炮塔移动到barbettes的前缘，木制甲板向前延伸到船舷的上缘，自有的支持鳍移至前端。

I've never had a dream come true Till the day that I found you Even though I pretend that I've moved on You'll always be my baby I never found the words to say You're the one I think about each day And I know no matter where life takes me to A part of me will always be with you * Somewhere in my memory I've lost all sense of time And so my road can never because yesterday is all that fills my mind There's no use looking back or wondering How it should be now or might have been Oh this I know but still I can't find ways to let you go You'll always be the dream that dills my head Yes you will, say you will, you know you will Oh baby, you'll always be the one I know I'll never forget There's no use looking back or wondering Because love is a strange and funny thing No matter how I try and try I just can't say goodbye No no no no

从未有过梦想成真的感觉直到我那天发现了你虽然，我假装毫不在乎朝前走你却永远是我的最爱我的心里话无法用语言表达你是我朝思暮想的人我知道无论爱把我带到何方我的一部份永远与你同在在我记忆的某个地方时间已不复存在似乎永远没有了明天因为昨天占据了我全部的思想回头何用，假设何用假设终究只是一场空这些，我全明白，但我无法和你分开你永远是我心中全部的梦想是的，你就是，说吧你就是，你知道你就是，噢宝贝我知道你是我永远不会忘记的恋人回头或是假设都无用因为爱是一件奇怪而有趣的东西无论我如何努力又努力我就是无法说分离，不，不，不，不 http：//www.ben4.com/html/3/200510/30/343.html

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。