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It being in the springtime and the small birds they were singing Down by yon shady harbour I carelessly did stray The thrushes they were warbling, the violets they were charming To view fond lovers talking, a while I did delay She said, my dear don't leave me all for another season Though fortune does be pleasing I'll go along with you I'll forsake friends and relations and bid this Irish Nation And to the bonny Bann banks forever I'll bid adieu He said, my dear don't grieve or yet annoy my patience You know I love you dearly the more I'm going away I'm going to a foreign nation to purchase a plantation To comfort us hereafter all in America Then after a short while a fortune does be pleasing Twill cause them for to smile at our late going away We'll be happy as Queen Victoria, all in her greatest glory We'll be drinking wine and porter, all in America If you were in your bed lying and thinking on dying The sight of the lovely Bann banks your sorrow you'd give o'er Or if were down one hour, down in yon shady bower Pleasure would surround you, you'd think on death no more Then fare you well, sweet Craigie Hill, where often times I've roved I never thought my childhood days I'd part you any more Now we're sailing on the ocean for honour and promotion And the bonny boats are sailing, way down by Doorin shore

那是在春天的时节，小鸟儿们在歌唱沿着远处婆娑的海港，我不经意间竟迷失了方向画眉鸟柔和的唱着歌，还有那娇媚的紫罗兰竞相开放看着多情的恋人们低语，我停下了脚步她说，亲爱的请不要在任何季节离我而去虽然命运将我们捉弄，我还要与你在一起我会放弃亲友放弃爱尔兰民族的祝愿我对神发誓，我永远都不会说再见他说，亲爱的请不要悲伤，否则会困扰我的耐心你要知道即使离开，我只会更强烈地爱你我要去一个遥远的国度，去寻觅一片土地来抚平灾难给我们带来的所有创伤不久以后当一切都已经平息我将让所有人都因我们这次离别而幸福我们将像维多利亚女皇一样快乐，有着她最伟大的荣耀我们要在这废墟上品尝美酒佳肴如果你躺在床上正思考着死亡爱之神的目光，将你的忧伤带到我身旁或许瞬间就会降临，降临在那幽暗的凉亭快乐将围绕着你，你将不会再想到死亡所以永别了吧，我可爱的克雷吉山峦，我曾漫游数次的地方我以为从我孩童时期起就不会再和你分开而如今我们却航行在荣誉和重生的海洋里沿着多里安海岸，美丽的船儿在航行

Craigie Hill 歌词: It being in the springtime and the small birds they were singing Down by yon shady harbour I carelessly did stray The thrushes they were warbling, the violets they were charming To view fond lovers talking, a while I did delay She said, my dear don't leave me all for another season Though fortune does be pleasing I'll go along with you I'll forsake friends and relations and bid this Irish Nation And to the bonny Bann banks forever I'll bid adieu He said, my dear don't grieve or yet annoy my patience You know I love you dearly the more I'm going away I'm going to a foreign nation to purchase a plantation To comfort us hereafter all in America Then after a short while a fortune does be pleasing Twill cause them for to smile at our late going away We'll be happy as Queen Victoria, all in her greatest glory We'll be drinking wine and porter, all in America If you were in your bed lying and thinking on dying The sight of the lovely Bann banks your sorrow you'd give o'er Or if were down one hour, down in yon shady bower Pleasure would surround you, you'd think on death no more Then fare you well, sweet Craigie Hill, where often times I've roved I never thought my childhood days I'd part you any more Now we're sailing on the ocean for honour and promotion And the bonny boats are sailing, way down by Doorin shore

那是在春天的时节，小鸟儿们在歌唱沿着远处婆娑的海港，我不经意间竟迷失了方向画眉鸟柔和的唱着歌，还有那娇媚的紫罗兰竞相开放看着多情的恋人们低语，我停下了脚步她说，亲爱的请不要在任何季节离我而去虽然命运将我们捉弄，我还要与你在一起我会放弃亲友放弃爱尔兰民族的祝愿我对神发誓，我永远都不会说再见他说，亲爱的请不要悲伤，否则会困扰我的耐心你要知道即使离开，我只会更强烈地爱你我要去一个遥远的国度，去寻觅一片土地来抚平灾难给我们带来的所有创伤不久以后当一切都已经平息我将让所有人都因我们这次离别而幸福我们将像维多利亚女皇一样快乐，有着她最伟大的荣耀我们要在这废墟上品尝美酒佳肴如果你躺在床上正思考着死亡爱之神的目光，将你的忧伤带到我身旁或许瞬间就会降临，降临在那幽暗的凉亭快乐将围绕着你，你将不会再想到死亡所以永别了吧，我可爱的克雷吉山峦，我曾漫游数次的地方我以为从我孩童时期起就不会再和你分开而如今我们却航行在荣誉和重生的海洋里沿着多里安海岸，美丽的船儿在航行！

Craigie Hill It being in the springtime and the small birds they were singing Down by yon shady harbour I carelessly did stray The thrushes they were warbling, the violets they were charming To view fond lovers talking, a while I did delay She said, my dear don't leave me all for another season Though fortune does be pleasing I'll go along with you I'll forsake friends and relations and bid this Irish Nation And to the bonny Bann banks forever I'll bid adieu He said, my dear don't grieve or yet annoy my patience You know I love you dearly the more I'm going away I'm going to a foreign nation to purchase a plantation To comfort us hereafter all in AmericaThen after a short while a fortune does be pleasing Twill cause them for to smile at our late going away We'll be happy as Queen Victoria, all in her greatest glory We'll be drinking wine and porter, all in America If you were in your bed lying and thinking on dying The sight of the lovely Bann banks your sorrow you'd give o'er Or if were down one hour, down in yon shady bower Pleasure would surround you, you'd think on death no more Then fare you well, sweet Craigie Hill, where often times I've roved I never thought my childhood days I'd part you any more Now we're sailing on the ocean for honour and promotion And the bonny boats are sailing, way down by Doorin shore

中文大意：那是在春天的时节，小鸟儿们在歌唱沿着远处婆娑的海港，我不经意间竟迷失了方向画眉鸟柔和的唱着歌，还有那娇媚的紫罗兰竞相开放看着多情的恋人们低语，我停下了脚步她说，亲爱的请不要在任何季节离我而去虽然命运将我们捉弄，我还要与你在一起我会放弃亲友放弃爱尔兰民族的祝愿我对神发誓，我永远都不会说再见他说，亲爱的请不要悲伤，否则会困扰我的耐心你要知道即使离开，我只会更强烈地爱你我要去一个遥远的国度，去寻觅一片土地来抚平灾难给我们带来的所有创伤不久以后当一切都已经平息我将让所有人都因我们这次离别而幸福我们将像维多利亚女皇一样快乐，有着她最伟大的荣耀我们要在这废墟上品尝美酒佳肴如果你躺在床上正思考着死亡爱之神的目光，将你的忧伤带到我身旁或许瞬间就会降临，降临在那幽暗的凉亭快乐将围绕着你，你将不会再想到死亡所以永别了吧，我可爱的克雷吉山峦，我曾漫游数次的地方我以为从我孩童时期起就不会再和你分开而如今我们却航行在荣誉和重生的海洋里沿着多里安海岸，美丽的船儿在航行自己看下吧，翻译的还不错~快乐将围绕着你，你将不会再想到死

It being in the springtime and the small birds they were singing Down by yon shady arbour I carelessly did stray The thrushes they were warbling, the violets they were charming To view fond lovers talking, a while I did delay She said, my dear don''t leave me all for another season Though fortune does be pleasing I''ll go along with you I''ll forsake friends and relations and bid this Irish nation And to the bonny Bann banks forever I''ll bid adieu He said, my dear don''t grieve or yet annoy my patience You know I love you dearly a more I''m going away I''m going to a foreign nation to purchase a plantation To comfort us hereafter all in America y Then after a short while a fortune does be pleasing ''Twill cause them for to smile at our late going away We''ll be happy as Queen Victoria, all in her greatest glory We''ll be drinking wine and porter, all in America y If you were in your bed lying and thinking on dying The sight of the lovely Bann banks your sorrow you''d give o''er Or if were down one hour, down in yon shady bower Pleasure would surround you, you''d think on death no more Then fare you well, sweet Craigie Hill, where often times I''ve roved I never thought my childhood days I''d part you any more Now we''re sailing on the ocean for honour d promotion And the bonny boats are sailing, way down by Doorin shore

那是在春天的时节，小鸟儿们在歌唱沿着远处婆娑的海港，我不经意间竟迷失了方向画眉鸟柔和的唱着歌，还有那娇媚的紫罗兰竞相开放看着多情的恋人们低语，我停下了脚步她说，亲爱的请不要在任何季节离我而去虽然命运将我们捉弄，我还要与你在一起我会放弃亲友放弃爱尔兰民族的祝愿我对神发誓，我永远都不会说再见他说，亲爱的请不要悲伤，否则会困扰我的耐心你要知道即使离开，我只会更强烈地爱你我要去一个遥远的国度，去寻觅一片土地来抚平灾难给我们带来的所有创伤不久以后当一切都已经平息我将让所有人都因我们这次离别而幸福我们将像维多利亚女皇一样快乐，有着她最伟大的荣耀我们要在这废墟上品尝美酒佳肴如果你躺在床上正思考着死亡爱之神的目光，将你的忧伤带到我身旁或许瞬间就会降临，降临在那幽暗的凉亭快乐将围绕着你，你将不会再想到死亡所以永别了吧，我可爱的克雷吉山峦，我曾漫游数次的地方我以为从我孩童时期起就不会再和你分开而如今我们却航行在荣誉和重生的海洋里沿着多里安海岸，美丽的船儿在航行。

It being in the springtime and the small birds they were singing, Down by yon shady harbour I carelessly did stray, The the thrushes they were warbling, The violets they were charming To view fond lovers talking, a while I did delay. She said, my dear don't leave me all for another season, Though fortune does be pleasing I 'll go along with you, I 'll forsake friends and relations and bid this Irish nation, And to the bonny Bann banks forever I 'll bid adieu. He said, my dear don't grieve or yet annoy my patience, You know I love you dearly the more I'm going away, I'm going to a foreign nation to purchase a plantation, To comfort us hereafter all in Amerika y. Then after a short while a fortune does be pleasing, T'will cause them for smile at our late going away, We'll be happy as Queen Victoria, all in her greatest glory, We'll be drinking wine and porter all in Amerika y. If you were in your bed lying and thinking on dying, The sight of the lovely Bann banks, your sorrow you'd give o'er, Or if were down one hour, down in yon shady bower, Pleasure would surround you, you'd think on death no more. Then fare you well, sweet Craigie Hills, where often times I've roved, I never thought my childhood days I 'd part you any more, Now we're sailing on the ocean for honour and promotion, And the bonny boats are sailing, way down by Doorin shore.

是在春天，小船在歌唱划到绿荫的凉亭下下，疏忽着迷失了方向那有画眉在唱紫罗兰繁盛的开放因为看着两个恋人在倾诉，所以我耽搁了她说："别离开我，亲爱的，一年的时间太长"尽管有丰足的财富生活安详我仍会随你一起飞翔我会放弃所有的朋友，搁置所有的关系，离开爱尔兰这个国家去到bonnie Bann banks 永远祝愿着他他说道："哦，亲爱的，别让我哀伤，也别折磨我的耐心吧"你知道，尽管我离去，但我仍然爱你啊我将去一些别的过度购买一处农场为了使我们离开后去美国安逸的生活地主和他们的代理商，房租和他们的各项欺压我们被迫着要放弃祖辈的地方为了荣誉和更好的生活我们必须要远航和曾经心爱的倾心的人分别如果你躺在床上想着死亡 bonny Bann 岸的一道光芒射来，你悲伤着那样的永远的放下如果你去了，在那凉亭里呆片刻时光或许愉悦将会围绕着你身旁你不会在想着死亡不在害怕，想着那美丽的Craigie 山，那个我时常游荡的地方童年的时候从来没有想过会离开那但是，为了荣誉以及更好我们将要航行这漂亮的小船正从Doorin 海岸一直向远方驶航

It being in the springtime and the small birds they were singing Down by yon shady harbour I carelessly did stray The thrushes they were warbling, the violets they were charming To view fond lovers talking, a while I did delay She said, my dear don\\\\'t leave me all for another season Though fortune does be pleasing I\\\\'ll go along with you I\\\\'ll forsake friends and relations and bid this Irish Nation And to the bonny Bann banks forever I\\\\'ll bid adieu He said, my dear don\\\\'t grieve or yet annoy my patience You know I love you dearly the more I\\\\'m going away I\\\\'m going to a foreign nation to purchase a plantation To comfort us hereafter all in America Then after a short while a fortune does be pleasing Twill cause them for to smile at our late going away We\\\\'ll be happy as Queen Victoria, all in her greatest glory We\\\\'ll be drinking wine and porter, all in America If you were in your bed lying and thinking on dying The sight of the lovely Bann banks your sorrow you\\\\'d give o\\\\'er Or if were down one hour, down in yon shady bower Pleasure would surround you, you\\\\'d think on death no more Then fare you well, sweet Craigie Hill, where often times I\\\\'ve roved I never thought my childhood days I\\\\'d part you any more Now we\\\\'re sailing on the ocean for honour and promotion And the bonny boats are sailing, way down by Doorin shore

中文翻译是在春天的时节，小鸟儿们在歌唱沿着远处婆娑的海港，我不经意间竟迷失了方向画眉鸟柔和的唱着歌，还有那娇媚的紫罗兰竞相开放看着多情的恋人们低语，我停下了脚步她说，亲爱的请不要在任何季节离我而去虽然命运将我们捉弄，我还要与你在一起我会放弃朋友和爱尔兰民族的祝愿我对神发誓，我永远都不会说再见他说，亲爱的请不要悲伤，否则会困扰我的耐心你要知道即使离开，我只会更强烈地爱你我要去一个遥远的国度，去寻觅一片土地来抚平灾难给我们带来的所有创伤不久以后当一切都已经平息我将让所有人都因我们这次离别而幸福我们将像维多利亚女皇一样快乐，有着她最伟大的荣耀我们要在这废墟上品尝美酒佳肴如果你躺在床上正思考着死亡爱之神的目光，将你的忧伤带到我身旁或许瞬间就会降临，降临在那幽暗的凉亭快乐将围绕着你，你将不会再想到死亡所以永别了吧，我可爱的克雷吉山峦，我曾漫游数次的地方我以为从我孩童时期起就不会再和你分开而如今我们却航行在荣誉和重生的海洋里沿着多里安海岸，美丽的船儿在航行

To pay attention, some girls buy the foreign trade clothes clothes, clothes look like fundamentally do not have the problem, but puts on the upper body to be able to discover, two side shoulders not equally high, sleeve not equally uneven, chest too width very sloppy, either Sleeve puts on for a morning to be able upwardly to hemstitch, these goods also all are the slight defect, this kind cannot see the slight defect at least needs to put on for several hours only then to be able to discover, but very many girls on-line buy clothes, either trial time too happy, only turns and look at the design and the color, looks for the end of a thread, either is busy is chopping the price, how doesn't have pays attention, And so on went home has put on a day discovery problem, also has been late, therefore everybody bought clothes time wanted careful to try oh!!

如了解该资讯相关课程或报读，请联系我们的课程顾问或网上留言◆如需要报读或了解更多的资讯，请点击"深圳专业英语培训网"关于选购衣服注意的是，有的女孩买外贸衣衣，衣服看起来根本没毛病，可是穿上身就会发现，两边肩不一样高，袖子不一样齐，胸口太宽很邋遢，或者衣摆穿一上午就会向上卷边，这些货也全都是瑕疵品，这种看不出的瑕疵至少要穿几个小时才会发现，但是很多女孩在网上买衣服呀，或者试的时候太高兴，只顾看款式和颜色，找找线头啦，或者忙着砍价，就没怎么注意，等回家穿了一天发现毛病，也晚了，所以大家买衣服的时候要仔细一点的试哦！！

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

D..In case the seller's late execution of the b,d,f stipulations of the sixteenth clause, the buyer shall be able to loge claim for losses with exception of the enlarged loss for his late effort to minimize the possible loss.e.

因卖方没有及时履行本合同第十六条第b ，d ，f 三项时，卖方承担由此产生的一切损失责任。买方应尽全力采取措施避免损失的扩大，否则卖方有权拒绝对扩大部分的损失进行赔偿

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。