查询词典 be contemporary with

During the Expo, there will be dozens field with contemporary art exhibition in Beijing in the whole of Phnom Penh into a Beijing city of Contemporary Art.

博览会期间，将会有几十场当代艺术展览配合在北京开展，把整个北京装点成一座当代艺术之城。

The study shows, the study on Shao-lin Wushu should be based on the combination of "Zen" and "Wu";"respect the tradition, but not blind worship over it " is the main principle in inheriting the tradition, besides, we should maintain an open mind to heritage and development of the Shao-lin Wushu; The innovation should be based on the contemporary virtue, advance with time and combine with our country's development tactics.

本研究认为：少林武术的研究应立足于"禅"与"武"的融合；"尊重传统、不迷信传统"是少林武术的继承原则，并以开放性心态进行少林武术的继承和发展；创新应从文化的当代价值出发，与时俱进，同我国武术发展战略紧密结合。

Through the classification and analysis of contemporary oil paintings with an tendency of complanation, this paper explains a phenomenon in Chinese contemporary oil painting which cannot be ignored, and demonstrates the reality of complanation that it is an approach to reflect social life.

本篇论文通过对当代平面化倾向油画作品的梳理和分析，发掘和阐释了当代中国油画创作中的一个不可忽略的艺术现象，并论述了平面化作品也是反映社会生活真实性的途径之一。

The contemporary writer Su kid speak without fear of enounce "the wife Qie become a cluster is each men inside of dream", late Ching dynasty loose the parable"only a few cup go together with teapot, have no a few teapot to go together with cup" that the old Gu Hong Ming talk big, classic Zhao 《Three Kingdoms historical novel 》of the theories be "brothers is brothers, the wife be like clothes", the idea that is under the speech is who have no several clothes for substitute.

当代作家苏童直言不讳的宣称"妻妾成群是每个男人骨子里的梦想"，清末遗老辜鸿铭大言不惭的比喻"只有几个茶杯配茶壶，没有几个茶壶配茶杯"，古典名著《三国演义》的理论是"兄弟是手足，妻子如衣服"，言下之意是谁没几件替换的衣服呀。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Look be like all using up to be in people is expected, however, the person of history of course of study of act on one's behalf of twilight China goods knows, walk out of the carry outside the China that come from inside harships course of 50 years, still can shed industry group stride to the contemporary and integrated content of modern, internationalization with steady pace up to now, still can walk to shed the market at domestic and international content with the figure with bright, abundant vigor, its successful backside, have logic one time oneself.

看似一切尽在人们意料之中，然而，略知中国货代行业历史的人知道，从50年的风雨历程中走出来的中国外运，至今仍能以稳健的步伐向现代化、国际化的现代综合物流企业集团迈进，仍然能够以鲜亮、活力充沛的形象行走于国内外物流市场，其成功的背后，是自有一番逻辑的。

And Soka Contemporary Space (will be launched on May 2007) will play as a gateway of China classical and contemporary art works with influence to crucial Art institutions in Asia.

2007年成立台北索卡当代空间，经营亚洲当代艺术，成为中国首家跨度中国经典和当代艺术作品，影响力涵盖亚洲的国际性艺术机构。

As the rapid development of contemporary biochemistry technology, new-style beautiful breast cosmetic is increasing also, apparent to beautiful breast effect biochemistry additive appears ceaselessly, if placenta extracts albumen of content, royal jelly, collagen, serum to wait, curative effect of product of these biology beautiful breast is apparent and safety does not have side-effect; Product of the natural plant that is a delegate with Chinese herbal medicine beautiful breast its characteristic is safety, effect good, cost is low; Have already in product of a few series can make make the same score pectoral ridgy abundant breast element, have again in the light of Female The bounce elite element with flabby, flagging breast, still have gel of be good at bosom, agent of sparge of be good at bosom.

随着现代生化技术的迅速发展，新型的美乳化妆品也越来越多，对美乳效果明显的生化添加剂不断出现，如胎盘提取物、蜂王浆、胶原蛋白、血清等，这些生物型美乳产品疗效明显且安全无副作用；以中草药为代表的天然植物型美乳产品其特点是安全、效果好、成本低；一些系列产品中既有可使平胸隆起的丰乳素，又有针对女性乳房松弛、下垂的弹力精华素，还有健胸凝胶，健胸喷雾剂等。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

And I must again emphasise the contemporary flavour of his imagery - note that many contemporary artists love to resort to the externalisation of self-image, but in Zhu's work, its handling has become a symbol of the times. Many years later, the images in his painting shall be the visual code with which people can distinguish our era.

我仍得强调他在造型上生活气息，实际上，有很多当代艺术家喜欢利用自我形象的外化，但是在朱伟那里，形象的处理已成为一个时代符号，在若干年以后，他画中的那些形象将是人们认识我们时代的视觉代码。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失