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The mummified rulers were likely to be artificial mummies, but the mummification method of the Inca are not fully known.

被制成木乃伊的统治者很可能是人工制作的木乃伊,不过印加的炮制木乃伊的方法并不完全为人所知。

It can be artificial, such as a arbor or obelisk, or it can be a plant.

它们可以使建筑,例如一个亭子或者石塔,或者也可以使植物景观。

But it turned out to be artificial, oversimplified and inconsistent.

但是,事实证明它是人为的、过于简单的和不连续的。

If you concentrate on every step when you dance, your rhythm will be artificial.

如果你关注每一步舞步那么你的节奏就是不自然的。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中,谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识,为中国画的现代性提供了一种方案;以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索,一直是中国画连绵的努力,在80年代后期汇聚成"现代水墨"(又或曰"抽象水墨"、"实验水墨"),是中国画的又一流向,但是不是没有脱离60、70年代美国的"抽象主义"意义,反而还有了拾人牙慧之嫌,所以始终难以获得更大的认可和成功;很有趣的是,与此"西化"流向同时的,还有以非常传统的方式出现的"新文人画"潮流,或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制,对传统理想的怀念和诉求,但由于已经失去了其语境和环境,"新文人画"显得娇情和造作,而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能;反而是延续传统一脉的国画,由于有巨大的人数基础的本土文化的认同,在中国经济发展后有了更大的市场,所以还是蔚然为中国画的一大潮向,从这也可以看到中国文化承传的保守性的力量。

The same result can also be achieved when optimizing F8 function (Rastrigin's function). Comparing to EGA, KEGA is easy to realize and the increase of computation load can be neglected, but the performance of KEGA can be improved greatly. 2. To enhance the speed of AIA, two new methods of computing the concentration of antibody were developed. Simulation results for F8 and F15 (needle in haystack: type I) functions show that the two methods can improve the running speed of AIA more than 8. 5 times. 3. As to the drawback in defining antibody concentration, a new definition based on Euclidean distance between two antibodies and fitness is proposed. On this basis, a new AIA was constructed. The convergence performance are more better than that of AIA. 4. Combining king crossover with AAIA and DBAIA, two new AIAs, KAAIA and DKBAIA, were proposed.

仿真实验结果表明KEGA实现简单,与EGA相比,其增加的计算开销可以忽略,但性能改善十分明显; 2、针对基于信息熵的免疫算法运行速度慢的缺点,提出了二种能够加快AIA运行速度的新的抗体浓度计算方法,得到两种新的免疫算法,即加速的人工免疫算法(Accelerated Artificial Immune Algorithm,AAIA)和加速的人工免疫算法-2(Accelerated Artificial Immune Algorithm-2,AAIA-2),对测试函数F15(needle in haystack:type I)、F8函数的仿真研究表明,这两种算法的运行速度都是AIA的8.5倍以上; 3、针对AIA的浓度定义存在的缺陷,提出了一种新的基于抗体间欧氏距离和适应度的新的抗体浓度定义,并依据该定义构造了一种基于欧氏距离的人工免疫算法(Euclidean Distance-based Artificial Immune Algorithm,DBAIA)。

To summarize molecular, morphology, chromosome and pollen characters, the conclusion was reached that Epimedium was an nd monophyletic taxon. To divide the genus into any groups would be artificial. It is proposed that the disjunction by space, climate and seas were the main reason of respectively differentiation of each group by the view of geographic and climate changes in the temperate zone of the world. Because of its evolution-conservation, the disjunction did not bring about obvious divergence on the level of molecular and morphology.

综合分子特征和形态、细胞学、孢粉学等性状,提出淫羊藿属是一个进化上极为保守的、自然的单系的植物类群,进行属下任何阶元的划分都将是人为的,从旧世界温带的地质变化及气候变迁的角度推测,空间、气候和海洋的隔离是产生类群各自分化的主要原因,但由于其进化上极度保守,这些隔离尚未产生出类群间形态上和分子水平上的明显趋异。

To be a house and to be a garden, to be open and to be closed, interiorized exterior, exteriorized interior, continuity and discontinuity, domesticity and urbanity. To be natural and to be artificial; to produce a place that incorporates these discrepant antinomies, I propose a telescopic vessel by walls of voids.

为了成为房子与花园,成为开放与封闭,室内式的室外,室外式的室内,连续与不连续,居家生活与都市生活,为了自然与人造,为了创作一个场所包含这些矛盾的元素,我提出一个以虚体的墙构成的伸缩自如的容器。

Historical and Cultural Heritage has three basic characters ,first, Historical and Cultural Heritage is exclusive and not re-creative, it is the testimony of the history affairs and courses; second, the Heritage must be artificial or connect with practice .

它是历史文化遗产中的精华,分&世界自然遗产&、&世界文化遗产&、&世界文化与自然遗产&和&世界文化景观&,以及新近列入的&人类口头遗产和非物质遗产代表作&五种。

In some cases, they can be artificial, man-made barriers, such as the Great Wall of China, which has hindered the gene flow of native plant populations.

在某些情况下,障碍可以是人为的、人造的,如中国的长城阻碍了本地植物种群的基因流动。

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

The new PS20 solar power tower collected sunlight through mirrors known as "heliostats" to produce steam that is converted into electricity by a turbine in Sanlucar la Mayor, Spain, Wednesday.

聚光:照片上是建在西班牙桑路卡拉马尤城的一座新型PS20塔式太阳能电站。被称为&日光反射装置&的镜子将太阳光反射到主塔,然后用聚集的热量产生蒸汽进而通过涡轮机转化为电力