查询词典 bass fly

Bass don't move great distances largemouth bass fishing in most situations.

加州鲈鱼别动地排列在大多数情况下低音捕鱼。

In North America, Bass Fishing is the pursuit of the fish known primarily as Largemouth, Smallmouth and Rock Bass.

在北美，追求的是低音捕捞鱼类主要已知加州、低音smallmouth和岩石。

The bass sounded just a little slow, the repeated bass-guitar notes on the Metheny lacking definition.

低音听起来很有点慢，反复低音关于梅思尼缺乏定义吉他笔记。

One of Mexicos hottest bass fishing lake is known as Agua Milpa, which opened in the fall of 1997.the 70,000 acre lake, one of the most easy to get to of Mexicos hot bass fishing lake can get to by paved road in 3 hours, either your heading from Guadalajara or Puerto Vallarta or by air to Tepic, Nayarit then a short 45 minute ride to the lodge.

低音湖捕鱼mexicos热门之一，被称为阿瓜支配、6000年秋季有1997万英亩湖泊其中最抢手的地热低音mexicos湖捕鱼，可在3个小时的路铺好，无论你来自瓜达拉哈拉或标题或空特皮克巴亚尔塔、短短45分钟纳亚然后乘车前往加州鲈鱼lodge.the湖鱼捕捞到僻静从秋天97。

If the mixing desk has a bass feed or subwoofer output, the integrated subwoofer can be individually amplified for maximum bass output and control.

如果调音台有一个低音饲料或低音输出，集成低音扬声器可以单独最大低音输出和控制放大。

If you can't be a muskie then just be a bass—— But the liveliest bass in the lake!

如果你不是大梭鱼就做一尾鲈鱼吧，但要做湖里最活泼的小鲈鱼！

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

Two analytical approaches are proposed: to view a seventh chord as a combination of a triad with its transformation when the bass line descents by step, and to view the seventh chord as an entity when the motions of the bass line in the circle of fifths.

文中发明两种分析论点：一是在低音级进下行时，把上声部的七和弦视为三和弦与它的转换的总合，使两种独立的体系以横向交替或并置的形式结合；二是低音做五度循环运动时，把七和弦视为一个整体，使两种独立的体系以纵向重叠的形式结合。

For quality smallmouth bass fishing in Canada, you will find it at … smallmouth bass fishing in Canada.

优质pf3r0202.cap低音捕鱼，在加拿大，你会发现，在… pf3r0202.cap低音捕鱼，在加拿大。

If you colorado bass fishing are looking for big smallmouth bass then youll probably want to visit this lake.

如果你正在寻找钓鱼科罗拉多低音大提琴那么大smallmouthyoull大概要到这座湖。

The work of this paper is as follows: 1. Looking back the progressing history of the linear motor, introducing the features of the elevator driven by linear induction motor, radicating the topic of this paper "the digital frequency variable control of the elevator bi-side direct driven by linear induction motor". The research of this paper covers the conventional VVVF control, space vector based VVVF control, vector control and DTC.

本文主要开展了以下几个方面的工作： 1 回顾了直线电机发展历史，电机的驱动技术演变，特别是针对直线电机的驱动，简要介绍了直线感应电机驱动电梯的优点和不同结构类型，对传统的v／f控制，基于空间矢量法的v／f控制，矢量控制，和基于电压空间矢量的直接转矩控制进行了比较，确立了本课题的研究主题：直线感应电机双边直推式驱动电梯的全数字变频控制。

The article combines with the treatment of a superficial civil air defense work to introduce how the grouting method to improve the performance of the backfill soil.

文章从治理漂浮人防工事的角度提出了注浆技术在改善回填土性质方面的应用，并详细阐述了注浆技术的施工流程。