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This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Not only in i-D, but also in London Fashion Week where fresheners are active and famous designers are barely seen.

把个人品牌的07秋冬发布会的Marc Jacobs不算，他既不是英国人，也不在英国毕业。

Her husband sold his land to pay off his gambling debt and barely came home.

她丈夫卖了地去还赌债而且很少回家。

They are so noisy that I can barely distinguish if they are talking to me or some robber or hunter in the game.

看这部片子最大的乐趣在于，不难从中发现自己或身边人的影子，比如看到SHELDON几乎无处不在的格子衬衫，裤子，睡袍时，不禁想起曾经的自己有多么的喜欢格子，为了买一条完全是格子或者条子的床单跑遍整个商场，最后在老妈无奈的劝说下，勉强接受了一条带了一点点小圈圈的床单；比如将所有能归类的东西进行归类，包括电脑上的文件，所以经常为了某一文件是应该归类为A还是B而头疼；比如小野马和斌斌窝在沙发里魔兽世界，不停的叫嚣，以至于我经常分不清楚她们是在和我说话还是在和某个盗贼或猎人说话；比如当手机收不到信号时，会讨论此时手机是否会因为要不停地搜索信号而增加辐射，所以思考放在身旁是否安全等等

A decent stack of grenadiers and trebuchets lands next to a barely protected city.

一堆相当数量榴弹兵和投石车在我几乎没有防守的城市旁登陆了。

China's capital stock is barely half as big as Japan's in relation to output; capital per person is only 5% of that in Japan.

中国的资本积累只不过是日本的一半；人均资本只有日本的5%。

China's capital stock is barely half as big as Japan's in relation to output; capital per person is only 5% of that in Japan.

中国的资本存量产出规模仅仅是日本的一半，而人均资本则只有日本的5%。

The bank is barely gaining market share in the hard-fought investment-banking markets, but it is cutting costs.

瑞士信托并不仅仅是在打得头破血流的投资银行市场中抢占份额，它是在降低成本。

Besides that, we barely got up to head-high for the rest of the month.

在这之后，我们机会没有超过头高的浪了。

The Chinese characters are barely visible etched into the headstones and burial bricks.

刻在墓碑上的汉字几乎已经无法辨认。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！