查询词典 bare-footed

Putting in comparison the life of this leading novels author, J. R. R Tolkien along with the milieu of the creation of the trilogy as well as its plots and the characterization and the counterparts of Gothic novels, we can find evident similarities between them and the plain impact on the novel from Gothicism. It is within the framework of Gothicism that the novel presents the persistent religious issues and technophobia that most Gothic novels lay bare.

通过对小说原著作者托尔金的生活背景，以及小说的创作背景和小说中情节和人物的分析，可以看出指环王系列小说的创作背景与哥特小说的背景有明显的相似处，而小说本身也受到传统哥特风格的影响，并且在这个风格框架下，小说继续体现了典型的哥特小说中的宗教问题和对现代技术的恐惧。

SCULLY: This kind of gouging didn't happen with anybody's bare hands. Not without the use of some kind of an implement.

史考利：这样的沟痕，不可能是任何人用空手弄的，没有用工具是不可能的。

Upon the grass of the great plains the crooked bare old thorn-trees were scattered, and the grass was spiced like thyme and bog-myrtle; in some places the scent was so strong, that it smarted in the nostrils.

而树木的边缘，有一种奇怪的现象，看起来好像整个树木在微微颤动。

Upon the grass of the great plains the crooked bare old thorn trees were scattered, and the grass was spiced like thyme and bog-myrtles; in some places the scent was so strong that it smarted in the nostrils.

从树林的外部看，又有些古怪的感觉，整座林子在轻微颤动。广袤的草原上四处遗落带刺的灌木，虬曲的枝干看上去光秃秃的。

City underlying surface includes water area、holt、grassplot、hard ground、farmland and bare ground in the city, which is the summation of city land using.

城市下垫面包括城市范围内的水域、林地、草地、硬地面、农田和裸地，是城市土地利用的总和。

It was a bare slope,and the soldiers were exposed tO the enemy's gunfire.

那是光秃秃的山坡，士兵们都暴露在敌军的炮火之下。

A child hanged to death by a whole night's cold waves Bare, his body has not been Contaminated or filled by dusts Now wholly frozen One night of waiting Is like a century of chaos and loneliness Waiting for the sun to come out And touch him, touch--- Till he slowly and renewedly Turns into water drop by drop Like a candle burned into ashes Inch by inch The stone's aperture Is his end-result Like my hungry and cold childhood Always under mother's eaves Being fed and warmed And now, my heart Like a piece of hailstone Like pieces of hailstone From the hazy sky Falls directly onto the cemented earth 'cause I have no eaves any more

被一夜寒潮吊死的孩子赤裸着尚未被尘埃污染或塞满的身子整个儿已经僵硬那等待中的一夜像混乱而又孤独的一百年就等着太阳出来抚摩他、抚摩——直到他缓缓地一滴滴地重新化成水像蜡烛一寸寸地被烧成灰石头的缝隙是他的归宿像我饥寒的童年总是在母亲的屋檐下被喂养、被温暖而如今，我的心像一颗冰雹像一颗颗冰雹从烟雾弥漫的空中直直地摔到水泥地上因为我已没有屋檐

His leg jigs up and down, a bare heel tapping in the dust, still only half sitting on the flip-flop sole.

他的双腿上下舞动，赤裸的脚跟掀起尘土，挂着摇摇欲坠的鞋底。

That evening Rosicky drove the car the half-mile down to Rudolph's new, bare little house.

那天晚上，罗西基开的汽车半英里到鲁道夫新的，裸露的小房子。

Twilight reigns over it. We perceive vast fluctuations in that fog, a dizzy mirage, paraphernalia of war almost unknown to-day, pendant colbacks, floating sabre-taches, cross-belts, cartridge-boxes for grenades, hussar dolmans, red boots with a thousand wrinkles, heavy shakos garlanded with torsades, the almost black infantry of Brunswick mingled with the scarlet infantry of England, the English soldiers with great, white circular pads on the slopes of their shoulders for epaulets, the Hanoverian light-horse with their oblong casques of leather, with brass hands red horse-tails, the Scotch with their bare knees plaids, the great white gaiters of our grenadiers; pictures, not strategic lines--what Salvator Rosa requires, not what is suited to the needs of Gribeauval.

com 。黄昏将近，千军万马在暮霭中往复飘荡，那是一种惊心动魄的奇观，当时的军容今日已经不可复见了，红缨帽，飘荡的佩剑，交叉的革带，榴弹包，轻骑兵的盘绦军服，千褶红靴，缨络累累的羽毛冠，一色朱红，肩上有代替肩章的白色大圆环的英国步兵和几乎纯黑的不伦瑞克步兵交相辉映，还有头戴铜箍、红缨、椭圆形皮帽的汉诺威轻骑兵，露着膝头、披着方格衣服的苏格兰兵，我国羽林军的白色长绑腿，这是一幅幅图画，而不是一行行阵线，为萨尔瓦多·罗扎①所需，不为格里德瓦尔②所需。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。