查询词典 ball-point

A player plays from the teeing ground, searches briefly for his ball and then goes back and tees another ball.

球员在发球区发球，粗略找了一下球后便返回发球台架好另一球。

Q: A player hits his tee shot into heavy rough approximately 150 yards from the teeing ground and, since his ball may be lost outside a water hazard, he plays a provisional ball.

问：一名球员把球打到了距发球区大约150码的长草区，因为他的球可能丢在了水障碍之外，他打了一个临时球。

Q:A player hits his tee shot into heavy rough approximately 150 yards from the teeing ground and, since his ball may be lost outside a water hazard, he plays a provisional ball.

问：一名球员把球发出大约150码，球进入了长草区，因为他的球可能丢在了水障碍之外，他打了一个临时球。

A: If it is tennis ball, I can hold the ball.

答：如果是个网球，我能够抓住它。

It's quite unbelievable that an eye ball is the same size as a table tennis ball.

这是相当令人难以置信的那一球是眼睛同等大小的乒乓球。

ONE OF THE MOST IMPORTANT THINGS FOR PLAYING TENNIS BALL IS STARE AT THE BALL.

打网球最重要的一点就是紧盯着球。

After the ball has been dead,it is put into play by a jump ball,throw-in or free throw attempt.

发球允许发在前场，也允许发在后场，并不等于没有前后场，这是我的理解

Ticky: So to be on the ball means to be able to react quickly to things. There's also another phrase:'to keep your eye on the ball'.

Eric：这个短语意思是在一个变化无常的环境下你必须要保持精神集中不走神儿。

Diagram 7E shows a ball in flight and how your eyes track the ball.

图7E展示了你的眼睛是怎样跟踪飞行中的来球的。

Another problem is that the ball suddenly changes direction – going from you towards the opponent and then back to you. This sudden change of direction makes it difficult to track the ball and you can "lose" it for a split second.

另一个问题是球突然改变了方向—球刚被你击向对手有立即回来了，方向的突然改变使跟踪球的飞行轨迹并得困难而你很可能在瞬间将其看"丢"了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。