查询词典 baffle painting

In ink usage we may combine both the rich moistness of a heavily watered brush with the dry rubbing effect of a parched brush . in composition , depending on the nature of each painting , we may have majestic mountains filling up the central space , a device favoured in the northern sung period , or we may place elements off to one corner , leaving space in the centre of the painting , evocative of southern sung painting

所以一画之中，在用笔方面固然可有北宗斧劈皴的苍劲，亦可同时有披、牛毛皴的离披；用墨可有拖泥带水的润泽，亦可有无墨求染的虚灵；在经营位置上更因每一画作主观情致的不一，可有中央处绵密绘写，或边角景物罗列而中央处留空。

The question Feng Bin and his postgraduates raise in Morphosis is how to push forward the development of Chinese Painting and open up the new possibilities of it in contemporary times. As a result, they face up to the challenge or risk that their art be questioned if it is still Chinese Painting as they introduce to their works the visual experience of images for the purpose of deviating from the established forms, methods and concepts of Chinese Painting since the 20th century.

冯斌及其研究生的"图变"所提出的问题，所面临的挑战和危险主要表现在：引进图像的视觉感受的目的，就是为了要偏离20世纪以来已经建构起来的中国画的形态和方式，以及因此而形成的中国画的观念，所以，他们的艺术就会受到人们的质疑：它还属于中国画吗？

The issue mentioned in this paper is related with modeling of Chinese painting, it starts from "To perceive object voluntary and paint it" and discuss the modeling rule of Chinese traditional painting, meanwhile analyze the modeling of ancient scholars' painting based on this rule.

本文研究的问题与中国画造"形"有很大的关系，从"应物象形"入手，探讨中国传统绘画的造"形"法则，并以这个法则来分析文人画的造"形"。

During the detailed dissertation in this paper, it explains the meaning of the conception of "To perceive object voluntary and paint it" from the history and ideological background that make it be produced and considers that it is the principle of Chinese traditional painting ,relationship of main body and object which contained in it effect each other and being dialectic unity; Secondly, in the text it analyzes the characters of ancient scholars' painting between main body and object, then concludes that the characters of ancient scholar's painting are "not in pursuit of the similitude of appearance ","simple" and "formality".

在具体的论述中，本文从"应物象形"产生的历史条件与思想背景入手，还原"应物象形"概念的涵义，认为"应物象形"是关于中国传统绘画造"形"的准则，其中所包含的绘画创作主客体之间的关系是两相并举，互渗互化，辨证统一的；其次，文章对于文人画造"形"的特点和主客体进行分析，将文人画的造"形"特点归纳为："不求形似"、简约、程式化，并认为文人画造"形"严重偏向于主体，轻视客体；最后，文章分别将文人画造"形"的主客体与"应物象形"的主客体进行比较，得出结论：文人画造"形"不同于"应物象形"。

Basic Materials: Crayons and paper Des alternative materials: Alcohol, non-transparent tape, scissors, knife art, palette, brushes, painting knives, a clay, washcloth, the first paper Oil painting stick basic techniques Cai-point method Oil painting stick with one end of the paper in light colored dots to form a hit.

基本材料：油画棒和纸德替代材料：酒精，非透明胶带，剪刀，刀艺术，调色板，画笔，画刀，一个粘土，面巾中，第一篇论文油画棒基本技巧彩点法油画棒的一端纸浅色点，以形成一个打击。

As we know, the "bone" means the concrete pencil lines of a painting,"cover the bone" means negate. It's a colorful painting skill of covering the pencil lines and highlighting the painting by applying colors to it. This skill is mainly used in flower-bird paintings and what it shows to us is the attitude to the works and the world of Hong JI-yoon.

就像所了解的那样，"骨"指的是绘画成立的一个具体的笔线，没骨的笔线意味着"否定"，是不把线条表现出来而使用渲染来提高画面效果的彩色主义画法，主要使用在花鸟画中，其技法所表现的是画家洪志伦对作品的态度和人生观。

In western painting it came from the primitive society when a few space factors appeared in the mural paintings sketched out by single line, the Greek bottle picture with the simple perspectivity, the Rome mural painting in which the perspectivity was originated, the Middle Ages when the perspectivity develop relatively slowly, the Renaissauce when the perspectivity highly developed, the Post Impressionism when Cezanne reformed the structure of space subjectively and orderly to open the gate of Modern Art, the 21 Century when the space was des-constructed and the idea of space developed pluratislically, at last the beginning of Actionism , to reach the end of the development of the space in painting, so to achieve the return from the three-dimensional illusion to the reality.

西方绘画由原始社会单线勾勒的壁画中极少的空间因素的运用，继而希腊瓶画中简单的透视。罗马时期透视法的萌芽，中世纪的相对滞缓的发展，文艺复兴时期对自然完善的表现至塞尚，则开启了现代艺术中空间主观化、秩序化的先河，进而出现二十世纪绘画空间解构、重组、多元化发展的状况，行为艺术的产生，实现了绘画空间由三维幻象到真实的还原，成为西方绘画的空间发展历程的终结点。

Company's main products are: plug-in line, belt assembly line, wave soldering, hot air reflow, tooling plate differential chain assembly line (the General Armament Department, the Department installed), the hoisting of transmission lines, transmission lines linked board, roller conveyor line, painting bake A section of line, conveyor belts, turn conveyor, climbing conveyor, conveyor chain plate, hoist; white non-toxic food industry conveyor belt through the FDA testing; electronics industry, from the PCB plug-in automatically on the board → automatic →→ wave plate → detection → product assembly, electronic automation equipment higher color TV sets, refrigerators, air conditioners, washing machines, water heaters, VCD, DVD, LCD, speakers, computers and other home appliances, electronic products整机assembly, with the Department of , The General Armament Department, aging, testing, packaging, complete sets of production lines, whole plant logistics transportation; parts material handling industries, climbing, hanging chain and improve delivery of materials between floors; motorcycles, electric bicycles, scooters linked the board assembly line ; Pieces of metal, plastic, pieces of the surface coating paint systems, liquid of paint systems, automatic painting system, water-lim painting

公司主要产品有：插件线、皮带装配线、波峰焊、热风回流焊、工装板差速链装配生产线、悬挂输送线、板链输送线、滚筒输送线、涂装烤漆线、皮带输送机、转弯输送机、爬坡输送机、链板输送机、提升机等；食品行业白色无毒输送带通过FDA检测；电子行业，从PCB插件→自动上板→全自动波峰焊→下板→检测→产品装配，电子设备自动化较高；彩电、冰箱、空调、洗衣机、热水器、VCD、DVD、LCD、音箱、电脑等各种家电、电子产品整机装配、部装、总装、老化、检测、包装成套生产线、整厂物流输送；各行业零部件物料输送、爬坡、悬挂链及楼层间物料输送提升机；摩托车、电动自行车、滑板车的板链装配线；金属件、塑料件的表面处理涂装烤漆系统、液体涂装系统、自动喷漆系统、水廉喷漆

This was also capable of reflecting economic and political aspects of the society at that time. President Lin Chun-shin pointed out that judged from Western art history, the painting before the eighteenth century would clearly delineate an object but there was a lack of the element of light. In the nineteenth century, Impressionist would raise the brightness of a painting through pointillism using three primary colors and come up with a feeling of light. Despite of the fact Vincent van Gogh's works had been systematically manipulated by painting dealers on the art market, the real reason for his paintings to excel after 100 years were his capability to apply pointillism techniques with distortion to express feelings, which could not be done by other painters.

林俊兴董事长表示，以艺术史的角度来看，十八世纪以前的绘画是将物体清楚描绘出来，但却缺乏光的元素，而十九世纪的印象派画家，却能运用三原色的点描提高画作中的明度，画出光的感觉；虽然梵谷的作品被画商有系统地於艺术市场推波助澜，但真正使其作品百年后脱颖而出的理由，是梵谷能把点描技法加上扭曲，表现出其他画家无法绘出的情绪。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成"戏剧之光"、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

But this is impossible, as long as it is engaging in a market economy, there are risks in any operation.

但是，这是不可能的，只要是搞市场经济，是有风险的任何行动。

We're on the same wavelength.

我们是同道中人。