查询词典 background music

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

The work was popular with its deep emotion and created quite a sensation among the audience by its characteristics and power of poetic picture and fresh simplicity.Through the portrayal of the rise of the European romantic music and artistic songs and the introduction of Schumann's life and about the composer Cham...更多isso, this paper examines the background of the creation of the divertimento Frauenlieb und leben op.42. It give an analysis of the combination of music and poetry, full of the musical style of romanticism, stressing the expressiveness of piano and connection between music and daily life, bearing the air of German folk music and showing the bright artistic features.

论文通过阐述欧洲浪漫主义音乐的兴起与艺术歌曲的产生和舒曼生平简介以及对词作者沙米索的情况介绍，考察了声乐套曲《妇女的爱情与生活》创作背景；分析了这部声乐套曲与诗融为一体，充满浪漫主义的音乐风格，歌曲旋律与钢琴伴奏完美结合，突出丰富的钢琴表现力；重视音乐与生活的联系，而且具有德国民歌的气息，呈现出鲜明的艺术特色；在套曲的演唱研究方面，论文通过对演唱中德语元音的发音和辅音的发音分析，介绍了在演唱中发音的常见问题，并提出自。。。

Four peripheries of aesthetics of music are as follows:(1) the cultural background of the time under which musical beauty exists;(2) the traditions about aesthetics of music, namely diachronic experiences in clinique of music;(3) aesthetic experiences jointly owned or shared by human beings; and (4) the effective association of aesthetics of music with the value system of the society as a whole.

内容提要：音乐美学研究的中心是对现代音乐美存在与之所以存在的积极接受，它的第一道边界是音乐美存在的当下文化背景，第二道边界是音乐美学传统即历时的临响经验，第三道边界是人类共同的审美经验，第四道边界是音乐美学与整个社会价值系统的有效关联。

Four peripheries of aesthetics of music are as follows:(1) the cultural background of the time under which musical beauty exists;(2) the traditions about aesthetics of music, namely diachronic experiences in clinique of music;(3) aesthetic experiences jointly owned or shared by human beings; and (4) the effective association of aesthetics of music with the value system of the society as a whole.

杨赛内容提要：音乐美学研究的中心是对现代音乐美存在与之所以存在的积极接受，它的第一道边界是音乐美存在的当下文化背景，第二道边界是音乐美学传统即历时的临响经验，第三道边界是人类共同的审美经验，第四道边界是音乐美学与整个社会价值系统的有效关联。

Discuss the main body of a book and study with regard to Russia music and Russia musician Tchaikovsky development, the characteristic has been used for creation , background , population that the nation sends happily to 19 centuries detailed introduce that, emphasizing Russia music together, from Tchaikovsky's all one's life , aspect such as creating , affecting having some nations in analysing whose music work, and combining concrete music example analysis finally in article.

本文就俄罗斯音乐和俄国音乐家柴科夫斯基展开讨论与研究，对于19世纪民族乐派的产生、背景、总体特征做了详细介绍，并以俄罗斯音乐为重点，从柴科夫斯基的生平、创作、影响等方面分析其音乐作品中带有的民族性，并在文章最后结合音乐实例具体分析。

It has the same interface as the first Coloring Book with large buttons that make it easy to use for children, but there is new background music.

它具有相同的界面的第一本书着色与大型按钮，使之更容易使用孩子，但是有一些新的背景音乐。

It has the same interface as the first Coloring Book with large buttons that make it easy to use for children, but there is new background music.

它具有相同的界面的第一本书著色与大型按钮，使之更容易使用儿童，但新的背景音乐。

It has the same interface as the first Coloring Book with large buttons that make it easy to use for children, but there is new background music.

它具有相同的界面的第一本书着色与大型按钮，使之更容易使用儿童，但新的背景音乐。

It has the same interface as the first Coloring Book with large buttons that make it easy to use for children, but there is new background music.

它具有相同的接口第一著色书，大型按键，使其易用子女，但有新的背景音乐。

The mood, which deliberately refers back to the frozen yoghurt heyday of the 1980s, is reinforced by the use as background music of remixed hits by bands of the period such as Spandau Ballet.

情调特意参考20世纪80年代冷冻酸奶全盛时期，以Spandau Ballet等当代乐队重新混音的音乐为背景，强化了这种情调。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。