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axle相关的网络例句
与 axle 相关的网络例句 [注:此内容来源于网络,仅供参考]

Key or 6 key square serration axle is the traditional structure of starter armature shaft for auto and tractor and has been replaced by cold rolling multi key involuting serration axle.

铣削加工的四键或六键矩形花键是汽车、拖拉机用起动机电枢轴上的传统结构,已逐渐被用冷滚轧加工的多键渐开线螺旋花键所代替。

5S-111GPA has 9 forward speeds, 4 forward speeds of main case shift by ZF-BK short travel synchronizer, auxiliary case shift by lock ring synchronizer, the reverse and crawler shift by joint sleeve. The differential drives front axle and rear axle simultaneously. The output shaft and input shaft swivel in the same direction.

变速器具有九前一倒档,主变速器4个前进档采用ZF-BK型短行程同步器换档,副变速器采用锁环式同步器换档,爬档和倒档采用接合套换档,差速器同时驱动前后桥,其输出轴与输入轴旋向相同。

The first axle housing type is a unitized carrier construction, commonly referred to as a Salisbury or Spicer type axle assembly.

第一桥壳型是一个单元载体建设,通常称为梳士巴利或斯派塞类型桥总成。

I received the star axle from the star old hand, I discovered that the star axle's body has been shivering, what she was really a take pity on child.

我从星旧手中接过星轨,我发现星轨的身体一直在颤抖,她真的是个让人怜惜的孩子。

In addition, stiffer rear axle bushes deliver better axle control and turn-in response.

此外,更严厉的后轴轴衬套提供更好的控制和响应开启。

Attention, before stop, maintain the front axle drive and unlink the front axle only after release the sub-actuator resistance.

注意必须在停车时,接近前桥后才能挂分动器抵挡,在未推出抵挡时不得脱开前桥驱动。

Points C , D and E are the nose wheel axle and right and left main wheel axle positionsrespectively.

点, C , D和E是鼻子轮轴和左,右轮轴的主要阵地。

The usage and management of wheel and axle are very important for improving transportation efficiency and guarantee transportation safety. The widely application of computer and information technology will be the trend in the usage and maintaining of wheel and axle.

轮轴运用管理对提高运输效率、保障运输安全是十分重要的,计算机和信息技术的广泛应用将成为今后轮轴运用与检修中的趋势。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义?对於上述疑惑,查既有研究成果,不消没有论述者,具体提即「京调排场」现象的可说没有,基於此,有必要对台南市及其周边之民俗性京调排场,不管是语汇来由或者其现象本身,做一番研究。本研究透过文献、访谈、口述史、参与观察等方法,以文化有机体之纵的发展概念为经,以民俗表演之横切面各主客要素为纬,试图先对此文化现象调查并推论出一概貌:台南市民俗性京调排场的形成,是在京调传入台南,台南本地北管子弟改习或兼习京调后,结合北管音乐文化所固有的排场表演型态及民俗演出传统,融合而成,形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友,和中国大陆琴师等等),也曾透过与当地子弟的接触,而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时,对其有义务或交陪的庙宇及子弟间做酬酢性的演出,不收报酬;聆赏者多是京调同好与邻近民众,也有少数路过者;演出模式包括节目安排、乐队编制皆有一定;表演意涵上以「扮仙」祈求神明赐福人间最为重要,因此排仙必不可少,且一定先於京调演唱。随著时间推移,京调排场表演活动的各要素都有变动,惟变迁速度不一,大体而言,业余表演者锐减,人们对酬神娱神节目的需求仍在,因此一些过往的业余表演者遂逐渐转型为职业表演者。此外,虽然表演意涵不变,但在职业表演人员少、又要适应市场的情况下,表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中,而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者,据此概貌,在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象,可视为京剧研究与民俗研究的一环,然而对於台湾文化研究,除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型,进一步扩充整体台湾文化研究的内容外,更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史,其文化自然容易随社会环境改变而弹性适应变迁,呈现多元纷呈、多重覆叠的特色,因此展望未来,从事台湾文化研究应秉除单一观点,保持一定程度之开放与客观胸襟,方不忽视或误识更多重要的文化现象。

Once, we entered a mountain valley, arrives at the middle time, the star axle struggles suddenly is being called us to retrocede loudly, when the Queen of night last withdrawal mountain valley time, the summit heavy snow sudden avalanche, the entire mountain valley is buried, in the heavy snow avalanche's sound loudly, the star axle rapid breath appears that weak, must be cut off likely, she is really similar to the crystal butterfly is the same, cannot withstand including any wind and snow.

有一次,我们走进了一个山谷,走到中间的时候,星轨突然挣扎着起来大声叫着我们后退,当月神最后一个退出山谷的时候,山顶的大雪突然崩塌,整个山谷被埋葬,在大雪崩塌的轰然之声中,星轨急促的呼吸显得那么微弱,像要断掉,她真的如同水晶蝴蝶一样,连任何风雪都承受不住。

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