查询词典 audio-visual

"Interactive" is key component in digital art, through interactive, artists asked participants through the active or passive, hands or body to control interface, driven objects, video and audio response, to complete the works.

互动」是数位艺术创作中重要的表现手法，透过互动，艺术家要求观者透过主动或被动的行为，以手或身体操控装置介面，驱动物件、影像与声音的回应，来完成作品。

A distributed amplifier of the low-pass type can easily be constructed to have a uniform frequency response from audio frequencies to fr...

由实验结果证明，采用m导出式低通滤波器所构成的仿真线的分布式放大器，实较用常K式者，具有更佳的相移特性和频率特性，这与理论上的分析是一致的。

A distributed amplifier of the low-pass type can easily be constructed to have a uniform frequency response from audio frequencies to frequenc...

由实验结果证明，采用m导出式低通滤波器所构成的仿真线的分布式放大器，实较用常K式者，具有更佳的相移特性和频率特性，这与理论上的分析是一致的。

Forty-millimeter speakers deliver studio-quality audio with maximum bass response.

毫米扬声器具有最高的低音响应。

Once the scene has played, the results of the choice (i.e. whether it was the right decision or the wrong decision) could then be revealed as either a talking head video, an audio response or simply a text box.

一旦场景开始播放，选择的结果（例如，这是正确的还是错误的决定）将会以说话头视频，语音答复或者一个简单的文本框来呈现。

The major difference between these two schemes is that a phase modulator has a 6 dB per octave rising audio response (i.e. pre-emphasis is inherent in PM systems with no added circuitry).

调频和调相的主要区别是：相位调制有一个6dB/OCT的上升音频响应（也就是，预加重是调相的内在特性，不需要加另外的电路

Since the audio response fell off at the low end, phase modulators had a hard time when it came to modulating them with PL tones.

因为在低端音频响应下降，当调制PL同步音调时，调相PM调制器就困难了。

The ampltfier was to have low distortion, reasonably linear response over the audio range, a maximum input of 2.5 volts, and output taps of 4, 8, and 16 ohms.

不仅如此，该放大器还可以在音频范围内获得低失真以及合理的线性频响。改放大器最大输入2.5V，输出阻抗 4/8/16欧。

With an equalizer (such as a dbx 20 Series or 30 Series EQ) inline ahead of the SIDECHAIN INSERT, the equalization settings do not shift the timbre or frequency response of the audio signal.

将一个均衡器（如DBX 20系列或30系列EQ）放入SIDECHAIN INSERT前面。均衡器设置不转换音色或音频信号的频率响应。

I have the audio tape to prove it.

我有磁带为证。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。