查询词典 atonal

Mann's protagonist cannot create, so out of rancor sets out to "take back" the works of Ludwig van Beethoven, by writing atonal lampoons of them that will destroy the listener's ability to hear the original.

托玛斯曼笔下的主角没有创作能力，恼怒之下，他以无调性的风格戏仿贝多芬，以此破坏听众欣赏原作的能力，从而「收回」了乐圣的作品。

After a brief instrumental drone interlude, Sin Nanna offers up another bizarre blast, the drums WAY up in the mix this time, the same sheet of hiss, and again the whirling ghostly keyboards, but this time, the sound is much more atonal, tense and jagged, an almost suspense full horror movie feel, a strange but sonically sound balance for the strange beauty of the first track.

在一首短小的纯氛围及音效构成的插曲之后，Sin Nanna献出了另一首怪异的曲子，鼓声瞬间加快了速度，同时嗡嗡作响的吉他和诡异邪恶的键盘紧跟其后，但这次，所有声音似乎显得更加无调性、紧张与突兀，一种类似恐怖电影般的恐惧感瞬间袭来，充满陌生感的声响仿佛与首曲如出一辙。

After a brief instrumental drone interlude, Sin Nanna offers up another bizarre blast, the drums WAY up in the mix this time, the same sheet of hiss, and again the whirling ghostly keyboards, but this time, the sound is much more atonal, tense and jagged, an almost suspense full horror movie feel, a strange but sonically sound balance for the strange beauty of the first track.

鼓声稍作调整，键盘紧紧跟进……整首曲子始终在颤抖的效果中行进，直到它再次回到起始时的哀婉凄凉……在一首短小的纯氛围及音效构成的插曲之后，Sin Nanna献出了另一首怪异的曲子，鼓声瞬间加快了速度，同时嗡嗡作响的吉他和诡异邪恶的键盘紧跟其后，但这次，所有声音似乎显得更加无调性、紧张与突兀，一种类似恐怖电影般的恐惧感瞬间袭来，充满陌生感的声响仿佛与首曲如出一辙。

The fifth piece, Napoli suite, created by French composer, F. Poulenc, is performed to the acme of the shift within the sound and tone of pianoforte. The perfect composition skillfully harmonizes tonal and atonal music with multiple thought and material in Modernism.

第五首，法国作曲家浦朗克为钢琴创作的《拿坡里组曲》，将现代钢琴的音色及声响变化发挥到极致，并巧妙地在调性音乐、非调性音乐之间取得极佳的平衡，是一组融合多种理念及素材的现代乐派小品。

Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R.

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

"Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R. Strauss and the French group Les Six continued in a more traditional vein in reaction to nineteenth-century Romanticism."

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。