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I used to leave with my friends in the morning all summer and only come home for meals, and no one could call me unless we were at another friend's house - usually we were out somewhere and completely incommunicado but these days it seems no one wants that.

我以前早上常常和我的朋友们出去，整个夏天都是这样，只有在吃饭的时候才回来，这样，除非是我们在另一个朋友的家里，否则就没有人会打电话给我了——通常情况下我们都是在外面，而且是完全的与别人没有联系。但是这样的日子，好像现在已经没有人会想要这样过了。

Place no such thing as etiquette, there is no so-called self-cultivation; the place you are a transparent person, a man can take off your coat; that place, even if cold and windy, it makes infinite warmth, that place is at home!

那个地方没有所谓的礼节，没有所谓的修养；那个地方你是一个透明的人，可以脱下外套做人；那个地方，纵使寒风凛冽，也让人无限温暖，那个地方便是家！

The results showed that callus started forming at root segments from buds of potato cultivar: Ingush No.5 and Ingush No.8 in greenhouse cultured 45d after placement on culture medium: MS+2,4-D 2mg/L+BAP 3mg/L+NAA 0.5mg/L+sucrose 30g/L+agar 7g/L and diffused light.

结果表明，青薯5号和青薯8号温室生长幼芽根组织接种MS+2，4-D 2mg/L+BAP 3mg/L+NAA 0.5mg/L+蔗糖30g/L+琼脂7g/L培养基上散光条件下培养45~90d产生愈伤组织，诱导率为0.024%；青薯5号愈伤组织接种1/2MS+2，4-D 0.5mg/L+BAP 2mg/L+KT 2mg/L+GA30.5mg/L+ZT0.2mg/L+蔗糖20g/L+琼脂7g/L培养基上培养80d分化出再生植株，分化率为6.25%，再生植株切成一叶茎段接种于MS+BAP 0.1mg/L+IAA 10mg/L+GA30.1mg/L+白糖30g/L+琼脂6g/L培养基上培养3周长成株高8~10 cm、叶7~10片、叶色深绿和根系发达的小植株。

I made no doubt that I could readily displace the at this point, insert the corpse, and wall the whole up as before, so that no eye could detect anything suspicious.

我可以不费什么手脚的把这地方的墙砖挖开，将尸首塞进去，再照旧把墙完全砌上，这样包管什么人都看不出破绽来。

I made no doubt that I could readily displace the bricks at this point, insert the corpse, and wall the whole up as before, so that no eye could detect any thing suspicious.

我可以不费什么手脚的把这地方的墙砖挖开，将尸首塞进去，再照旧把墙完全砌上，这样包管什么人都看不出破绽来。

But, my good friend, reflect whether that which is noble and good is not something different from saving and being saved; for as to a man living such or such a time, at least one who is really a man, consider if this is not a thing to be dismissed from the thoughts: and there must be no love of life: but as to these matters a man must intrust them to the deity and believe what the women say, that no man can escape his destiny, the next inquiry being how he may best live the time that he has to live.

我的好朋友，且想想那高贵的和善的事情是不是某种与拯救和得救不同的事情；因为对一个生活这么长或那么长一段时间的人、至少是一个真正的人来说，考虑一下，是否这不是一件脱离这种思想的事情：那儿一定不存在对生命的任何爱恋，但关于这些事情，一个人必须把它们托付给神，并相信命运女神所说的，没有谁能逃脱自己的命运，接着要探究的是：他如何才能最好地度过他必须度过的这一段时间。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

John Woo's ages, river lake friendship day, the day is big and ruthlessness because of having a Chow Young Fat Leslie Cheung Tony Leung Jacky Cheung's many red-blooded brotherses together life and death, drawing on juniority of we have a boiling passion, taking a carton revolver to pull out in the home every day into pull out, study of the idea had no not to say, think on every occasion at family in addition to suddenly and violently Anne is good, having no place to let out youth hormone, see a parents' elder brother bad egg perhaps rebel, toward their Hey Hey sneer to throw down classic stage dialogue:"This world is so a hideous mess, having greatly to rob greatly, small is small to rob, if start malicious, the ants all can kill elephant!"

吴宇森时代，江湖情义天，天大的残酷因为有周润发张国荣梁朝伟张学友一众热血兄弟同生死，吸引了年少的我们热血沸腾，天天在家里拿个纸板手枪拔进拔出，学习的心思没有了不说，动不动就想在家门口除暴安良，没地方发泄青春荷尔蒙，就把父母兄长看成坏蛋或者叛徒，对着他们嘿嘿冷笑丢下经典台词："这个世界是这么乱七八糟，大有大抢，小有小抢，要是发起狠来，蚂蚁都能杀大象！"

No matter where = wherever do whatever you want stay where there is water 语法:语法被动语态 Unit 10 know of/ about in danger lead to act as take turns doing sth get started keep…from……… take sb on a tour of…… die out live a better life take measures for different reasons be used to the environment use…for… be used to do used to do adapt to the change learn more about create more space for make a big difference make no difference devote…to……… at present set free live in the wild

依赖/靠……相信…………与……不同生活方式使得赚钱有可能不仅仅是电话把……用作……上网花时间或金钱做某事有必要做某事不论哪里做任何你想做的事呆在有水的地方第十单元听说过，知道有在危险中，病危通向，导致充当，担任轮流做某事开始阻止/不使…做…带领某人参观…灭绝生活得更好采取措施由于不同的原因习惯于这种环境用……来…………被用来做……过去常常适应变化对…了解得更多为…开辟更多的空间有很大影响/关系没有区别，没关系献身于…专论于…现在，目前释放生活在自然环境下 1。

Your generosity knows no bounds. That is to say, it will know no bounds when those bundles get restocked several months from now, with the added bonus of games we definitely know we won't want at that point.

你的慷慨是没有回报的，也就是说，那些捆绑套装其实没有任何实惠可言，那些附加捆绑的游戏对我们来说根本就是垃圾！

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。