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Taking the Chinese films development course of time as the longitudinal axle, this essay discuss the characteristics and varieties of the photoplay view and its creation practice of Chinese Films in different age. The discussion focused on the characteristics and development countermeasure of photoplay view and its creation practice of Chinese films in new age by analyzing the classic cases. This essay used such methors like historical materials arrangement, induction and comparison during the discussion. Thus conclusions are drawn as follows: In order to guide the Chinese films towards the world, we must carry forward national films vigorously. So the traditional photoplay views, which pay attention to audiences and meeting the aesthetic habits and appreciating ways, should not be abandoned.

本文运用史料整理、归纳、比较等方法，以时间上的电影发展历程为纵轴，探讨不同时期中国电影影戏观及其创作实践的特点及变化，重点通过经典案例探讨新时期中国电影影戏观创作实践的特点与发展对策，从而得出以下结论：要让中国电影走向世界，必须弘扬民族电影，因而重视观众、适应中国观众审美习惯与欣赏方式的传统影戏观在电影实践中仍不能丢弃。

Although the main length of the thesis makes an elaborate dissection of the specific expression problems , it does not attend to each and every aspect like bookkeeping account, but emphasizes on the important analysis of the creative parts of the works, such as the language combination problems of the three forms of plot of a play , record and experiment, the theme selection problem of the creation, and narrative pattern of the works, the basic theory problem related to the thesis is the analysis of the theory problem closely related to creation practice, and make more specific elaboration concerning with how to grasp these theory problems in the graduation creation, such as problem of the relationship between how to grasp the theme idea of the works and humanity in the author's graduation creation "April 20th,2008".

论文所涉及到的基本理论问题，是对与创作实践紧密相关的理论问题做以分析，并就如何在毕业创作中把握这些基本理论问题做了更为具体的阐述，如我在毕业作品《2008年4月20日》中是如何把握作品的主题思想与人性揭示之间的关系问题。

Anyway ,we would like to forget all about it for the sake of cause of anti terrors and have decided to inform you of the above ,hoping that you won't take it as a playgame .in that case ,you will not only ignore your dutr as airport safeguard, committing unpardonable fatal mistake ,but also make our zeal into void ,which will leave us very poor imprexxion on our oriental trip.

希望你这位"超现实世界的中国人"，不要把我们的通报当成儿戏，那样的话，你不光会成为失职的机场安全保卫负责人，犯下不可饶恕的致命错误，也会辜负我们万里奔波的一腔热诚，给我们的东方之行留下令人非常失望的糟糕印象。

For, such banished man is entirely cut off from society; and such a monk, upon his profession, renounces solemnly all secular concerns: and besides, as the popish clergy exclaimed an exemption from the duties of civil life, and the commands of the temporal magistrate, the genius of the English law would not suffer those persons to enjoy the benefits of society, who secluded themselves from it, and refused to submit to its regulations.25 A monk is therefore accounted civiliter mortuus , and when he enters into religion may, like other dying men, make his testament and executors; or, if he makes none, the ordinary may grant administration to his next of kin, as if he were actually dead intestate.

因为，这样被驱逐的人完全的与社会隔绝；这样的修士，基于他的宣誓，庄严的放弃了所有世俗的社会关系：此外，既然天主教神职人员宣称免除世俗生命的责任并免受世俗管理者的命令，英格兰法律的精神便不能忍受这些人再享受世俗社会的好处，他们将自己与社会隔绝开来，并拒绝服从社会的约束。所以，修士被视为法律上的死亡，当他进入宗教，如同其他将死的人一样，可以确定他的遗嘱和遗嘱执行人；如果他没有确定，遗嘱官员可以将财产管理权力授予他最近的亲属，如同实际上未立遗嘱而死亡的情况。

O never say that I was false of heart, Though absence seemed my flame to qualify, As easy might I from my self depart, As from my soul which in thy breast doth lie: That is my home of love, if I have ranged, Like him that travels I return again, Just to the time, not with the time exchanged, So that my self bring water for my stain, Never believe though in my nature reigned, All frailties that besiege all kinds of blood, That it could so preposterously be stained, To leave for nothing all thy sum of good: For nothing this wide universe I call, Save thou my rose, in it thou art my all.

哦，千万别埋怨我改变过心肠，别离虽似乎减低了我的热情。正如我抛不开自己远走他方，我也一刻离不开你，我的灵魂。你是我的爱的家：我虽曾流浪，现在已经像远行的游子归来；并准时到家，没有跟时光改样，而且把洗涤我污点的水带来。哦，请千万别相信(尽管我难免和别人一样经不起各种试诱)我的天性会那么荒唐和鄙*竟抛弃你这至宝去追求乌有；这无垠的宇宙对我都是虚幻；你才是，我的玫瑰，我全部财产。

After all, its not as if I could balance Harry on the rowing machine as I made for the nearest treadmill – I didn't think they'd like that down at the health club.

毕竟如果我能不为自己的平衡亨利划艇机，我就就近跑步--我不认为他们是想生下来的俱乐部。

After all, its not as if I could balance Harry on the rowing machine as I made for the nearest treadmill I didn t think they d like that down at the health club.

毕竟，它不作为如果我能平衡，哈利就划艇机，正如我为最接近的跑步机i没吨认为他们d想下来，在健身俱乐部。

He is declaring his naivete life in Yixing. Those pickled vegetable or uniform size crock filled with water may be his hiding place when he play hide-and-seek childhood or probably is the place to step cabbage for parents, those of which has been frozen, become a sigh looks like a short cut ice tear hung down and insinuate such a scene: piles of crock arrange on the producer---lake of Dingshu town Yixing city, accumulate to wall in rule and great, the majestic spectacle narrate the desolation of current depression market speechlessly. The former prosperity spectacle: fluctuation discharge, ships, such as the of the net, now only laid-off workers broken dream of ceramic music field. Tang wenwei's historical situation description, in fact, is not concerned special purpose, such as people's political mission, etc.

他也在昭示他于宜兴生活的无邪童年，那些腌菜或盛水的大小不一的瓦缸，可能是他和同伴玩捉迷藏的藏身处，可能是他帮父母踩白菜的玩乐点，等等这些了然冰封，化成喟然一叹，如那一短截挂下欲化的冰泪影射出那样一副景象：成堆的缸排列在盛产地——宜兴丁蜀镇温柔的湖畔上，堆积成规则雄伟的墙，宏大的场面无言叙说着当下市场萧条的凄凉，昔日上下卸货、船只如网的繁荣，如今只是下岗陶瓷工碎梦的失乐场……汤文伟的历史情景述说，其实不带有特别的目的，譬如关注民生民情等政治使命。

And he might not, you know, if it was as squalid and shame-driven an encounter as it sounds like it was — you may never hear from him again.

他也可能不会打，如果像你描述的那么杯具—他可能不会再打给你，他多半是不会和你联络了。

Since then, Yi Min started to pay extra attention to this clas*ate self-professing as a stonemason, she took his square face not as an ugliness but an attraction, just like his swarthiness.

自从那天起，伊敏就特别注意这位自称为石匠的同学，不但认为他的方脸不是丑陋，反而觉得是一种美。

My first article for Screen Power Magazine, which is to this day is the official magazine of Jackie Chan, was a DVD review of the Hong Kong actioner Gen-X Cops, starring Nicholas Tse and Daniel Wu.

我的第一篇文章为屏幕力量杂志，在对这天是Jackie Chan 正式杂志，是香港actioner Gen X 警察的DVD 回顾，担任主角Nicholas Tse 和丹尼尔吴。

His lips grazed hirs, Now what are you going to do?

他的唇使吃草了 hirs，现在你将要做什麼？