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I am very important. Nobody can replace me as I can not replace, like others, but I would say that as long as I am alive, I will for the bright striver, I will certainly live in exciting, I was very important to live!

我很重要。没有人能够代替我，就像我不能代替别人一样，但我要说，只要我活着，我就会为光明奋斗者，我一定会活的精彩，我就是要无比重要的活着！

And in the hallucinatory Molière-period costume orgy at the end, Knightley rises from the ashes of her wrecked name not so much like a phoenix as like an incorrigibly shameless languorous lizard who can suborn anyone with her manipulative sexiness.

在最后的引起幻觉的回到莫里哀年代的服装设计，KK像个随时都有可能用她的性感勾引任何人的小妖精。

Growing old is not exactly pleasant for people in youth-oriented American culture. Most Americans like to look young, act young and feel young. As the old saying goes,"You're as young as you feel."

在美国这个以年轻人为中心的社会中，老化对人们而言并不是一件愉快的事，大部份的美国人都希望自己看起来年轻、行动年轻、并且感觉年轻，如一句古老的名言说：「你感觉自己有多年轻，你就有多年轻。

Growing old is not exactly pleasant for people in youth-oriented American culture. Most Americans like to look young, act young and feel young. As the old saying goes,"Youre as young as you feel."

在美国这个以年轻人为中心的社会中，老化对人们而言并不是一件愉快的事，大部份的美国人都希望自己看起来年轻、行动年轻、并且感觉年轻，如一句古老的名言说：「你感觉自己有多年轻，你就有多年轻。

Growing old is not exactly pleasant for people in youth-oriented american culture.most americans like to look young,act young and feel young.as the old saying goes,"you are as young as you feel."

在以年轻人为中心的美国文化氛围里，变老就不会令人感到愉快。大多数美国人喜欢让自己看上去年轻，也喜欢像年轻人一样的去做事，去感知。

F- n7 | 2 X; _( x L Growing old is not exactly pleasant for people in youth-oriented American culture. Most Americans like to look young, act young and feel young. As the old saying goes,"You're as young as you feel."

X0 h！ K7 J。 a5 Y- R R 在美国这个以年轻人为中心的社会中，老化对人们而言并不是一件愉快的事，大部份的美国人都希望自己看起来年轻、行动年轻、并且感觉年轻，如一句古老的名言说：「你感觉自己有多年轻，你就有多年轻。

But Aliyah Hadashah, like most parties in the Yishuv, was not haunted by the demographic danger as much as members were fascinated by new ideas for development such as the Lowdermilk plan.

但是和伊休夫里的大多数党派一样，Aliyah Hadashah并没有担心越来越多的人着迷于如Lowdermilk plan这样的新方案而带来的统计学上的危险。

In a word, mass! Recently undeliberated NB was popular, like old saying of making all clear without mention a word, using Beijing dialect it's much easier --"B-Pretending", represented by part small star blogs and strange name blogs, more over the writing is, the better it can up to people's demands, just like Taiwan entertainment programs, but it cannot be formal, as it's not necessary to collect and publish a book. Talk about Taiwan entertainment programs I had to mention Jacky Wu, this man who was characterized by A use his own power saved many programs, and it's really funny. Recently I always view "People in the Pan", it stands for another Taiwan entertainment character -- imitation, it makes me laughing a lot, and I can refer a sentence from Dong Lu's blog "If Li Yong comes to Taiwan he must lose his job." Fortunately ordinary family cannot see these Taiwan TV Stations, or CCTV cannot defend its market share, in fact it's forced by a loose competitive atmosphere, the fact that Hunan TV is so hot now in China reminds me what an ancester said: a kid became famous only because of there is no hero in world.

这两 年流行的网络文字是不经意间的NB，就像古话说得&不着一字尽得风流&，拿北京话说就简单多了叫&装B&，以部分小明星的博和名字怪异的为代表，文字越潇洒或者越俗越能迎合大家的需求，就像台湾的娱乐节目，不过上不了台面，如果硬要出个书什么的我看大可不必，说起台湾娱乐节目，不能不提吴宗宪，这个活跃舞台几十年的以A为特点的全才中年男子以一己之力养活了很多节目，而且确实很好笑，最近我看的比较多的是全民大闷锅，代表台湾娱乐的又一大特点－－模仿，常常能让我前仰后合，不由想到董路 BLOG上的一句话，&如果让李咏去台湾肯定会失业&，还好现在台湾的这些台普通家庭还看不到，不然CCTV一定招架不住，其实说白了都是一个宽松的竞争环境逼的，湖南卫视现在在大陆这么火，让我想到一句话：世无英雄，遂使竖子成名。

This is enough to make Fantasia better as an album and a statement of purpose than Free Yourself, but no matter how good tracks like "Uneligible" sound - and with its fuzz-toned instrumental breaks and skeletal beats, this track does sound pretty great — it's hard not to wish that there were hooks as memorable as the production.

就这点已足以使Fantasia质量优于且目的强于前专辑Free Yourself。像&Uneligible&这样的歌如此地好听——它柔和的曲调，精粹的乐队演奏和独敲的鼓点——的确让该曲非比寻常——你很难不期望该制作不给你难忘的印象。

It suggests therefore that people should follow their instinct and"man-as-consumer considers the experience of pleasure an obligation, like an enterprise of pleasure and satisfaction; one is obliged to be happy, to be in love, to be adulating/adulated, seducing/seduced, participating, euphoric, and dynamic"Baudrillard believes that the ideology of consumption is"presented under the guise of gratification, of a facilitated access to affluence, of a hedonistic mentality, and of'freedom from the old taboos of thrift" The Titan is Dreiser's representation and encouragement of hedonism and consumerism Here, women become a subject consuming as well as an object being consumed In The Financier, we see what is promised for Cowperwood is"a world of mansions, carriages, jewels, beauty, a vast metropolis outraged by the power of one man, a great State seething with indignation over a force it could not control, vast halls of priceless pictures, a palace unrivaled for its magnificence, a whole world reading with wonder, at times, of a given name"Throughout The Trilogy, Cowperwood indulges in his pursuit of women, mansions and art objects I think Dreiser's representation of the hero's pursuit of women, mansions, objects of art indicates the inherent ideology--consumerism.

消费文化旨在诱导或鼓励人们摆阔性的挥霍浪费。这种文化所倡导的道德标准是，有钱建豪宅，买昂贵服装，吸引和占有最美的女人在道德上就是正确，有价值的。这时的物品就象鲍德里拉所说的那样已经成为地位的象征，而不是仅仅满足基本的需要。因此，人们应该听从本能的驱使，&作为消费者的人将享乐看成是自己的义务，享乐和满足就象是一种事业&。鲍德里拉指出消费意识形态的欺骗性在于其&倡导的满足、富裕、享乐和'冲破节检的旧樊篱'&。德莱塞在《巨人》中正是表现了这种消费意识形态。妇女、服装和豪宅已成为地位和权力的象征。《金融家》所预示给柯帕乌的是&公寓、四轮马车、珠宝和美物；整个大都会都要被一个人的权力所激怒；一个伟大的国家也要因为一种不能控制的力量而愤怒填膺；充满了无价珍宝的大厅；无与伦比的豪华宫殿；整个世界都惊叹地阅读着一个熟悉的名字&。当然，在整部小说里我们很少发现柯帕乌有抽烟饮酒的嗜好，但他却始终沉溺于性乱交之中。

Now, however, all children continue in "comprehensive" schools, and the eleven-plus determines which courses of study the child will follow.

然而现在，所有的孩子都要在综合学校继续学习，所以这次考试只是决定他们将要学习哪些课程。

Cultivatable land , and led to a general recognition that development must not be carried at the cost of agriculture .

城区的迅速扩大在很多情况下侵占了宝贵的可耕地，使人们普遍认识到发展不能以牺牲农业为代价。