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We gratefully admit a co-operation as well as courtesies furnished by Princess Cruises as well as a offices as well as staff of a Sun Princess.

我们感激地承认一个合作，以及提供礼遇由公主游轮以及一个办事处，以及工作人员的太阳公主。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

The second, so far as the text is concerned, might be considered as merely a different wording of the first, were it not that the history of the council shows that Wyclif had directly opposed the Scholastic doctrine of "accidents without a subject" as absurd and even heretical (cf, De Augustinis, De re sacramentari, Rome, 1889, II, 573 sqq.), Hence it was the intention of the council to condemn the second article, not merely as a conclusion of the first, but as a distinct and independent proposition; wherefore we may gather the Church's teaching on the subject from the contradictory proposition;"Accidentia panis manent sine subjecto," ie the accidents of bread do remain without a subject.

第二，相对於文而言，可被视为仅仅是一个不同的措辞第一，如果不是被认为安理会历史表明wyclif直接反对学术上的理论，&如果没有意外的一个主题&一样荒谬甚至异端（比照，德奥古斯蒂尼斯，德重sacramentari ，罗马， 1889年第一，二， 573 sqq ），因此这是安理会打算谴责第二篇文章，而不是仅仅作为一种结论的第一，但作为一个独特和独立命题；哪，我们可以搜集教会的教学主题，从相互矛盾的命题&； accidentia潘尼斯manent正弦subjecto &，即事故的面包做的仍然是一个课题。

The second, so far as the text is concerned, might be considered as merely a different wording of the first, were it not that the history of the council shows that Wyclif had directly opposed the Scholastic doctrine of "accidents without a subject" as absurd and even heretical (cf, De Augustinis, De re sacramentari, Rome, 1889, II, 573 sqq.), Hence it was the intention of the council to condemn the second article, not merely as a conclusion of the first, but as a distinct and independent proposition; wherefore we may gather the Church's teaching on the subject from the contradictory proposition;"Accidentia panis manent sine subjecto," ie the accidents of bread do remain without a subject.

第二，相对于文而言，可被视为仅仅是一个不同的措辞第一，如果不是被认为安理会历史表明wyclif直接反对学术上的理论，&如果没有意外的一个主题&一样荒谬甚至异端（比照，德奥古斯蒂尼斯，德重sacramentari ，罗马， 1889年第一，二， 573 sqq ），因此这是安理会打算谴责第二篇文章，而不是仅仅作为一种结论的第一，但作为一个独特和独立命题；哪，我们可以搜集教会的教学主题，从相互矛盾的命题&； accidentia潘尼斯manent正弦subjecto &，即事故的面包做的仍然是一个课题。

Besides the main significators, Lilly tells us to consider the Sun as a general significator for the man and Venus as a general significator for the woman. Some texts, such as the 16th century work of Dariot, also advise using the planet from which the Moon has last separated as a co-significator for the querent and the planet to which she next applies as a co-significator for the quesited.

除了主要象征星，Lilly认为应以太阳代表所询问的男性，金星为所询问的女性，16世纪的Dariot则建议使用月亮刚离相位的行星，作为询问者的次要象征星，而月亮将要入相位的行星为被询问者的次要征象星。

When in senior high school ,it left behind so many regret for me,at first,for the junior high school failure exam,I went to a unliked school to continue my student time,at the same time ,I also left dad's words to behind my head,everyday,I just look at the surrounding teachers and classmates ,I can't adapt me into that serious atmosphere ,more serious it that I more hated that environment ,in order to avoid it ,I started to skip classes ,as the time of skiping classes grew,some teachers and classmates began to think me as a bad student,honestly,in that school,there were so many this kind guys,however,it seemed to me that all teachers just had a couple eyes of caring of me .subsequently,in order to go on my studying,I had to make some promise of it for teachers,as a matter of fact ,I wrote it fully and also read it to the class.at the bottom of my hear,I apparently had the feeling that would like to stay to the class to keep my normal studying,but everytime,it seemed that something was not under my controul.but just now for me ,it may be just a little depressed.so that written guarantee didn't take some effect for me,as usual ,I also choosed to skip classes,at last ,related teachers had to call for my dad to school and required him to write some words to promise something in order to keep me in school ,at that momment,I refused all ,I can' t eudure dad do it as so.

上高中了，是我这辈子遗憾最多的日子。起先，在那所我极不愿去的学校里，我没有记住爸爸的话，看着身边的老师、同学，都找不着感觉，并且越来越讨厌那种环境，后来干脆开始逃课。逃课的日子多了，就成了老师眼中的坏孩子，其实在那所学校里逃课的学生多的是，但是老师好象长了一双只可以看到我逃课的眼睛。后来，老师要我来写保证书，保证我以后不再逃课，否则就走人。我写了，并且在班上念了。因为从心里我是真的想读书，可是每次总是管不住自己，有一种想逃走的感觉。现在想来，我那时应该是或多或少有些郁忧症了。所以保证书过后，我又逃课时，老师叫来了我的爸爸，并且要求爸爸写保证书，保证我以后不再逃课，而且要当着班上的同学念。我马上拒绝了，只说了句：&我自己走吧。&

That this would justify the Conduct the Spaniards in all their Barbarities practis'd in America, and where they destroy'd Millions of these People, who however they were Idolaters and Barbarians, and had several bloody and barbarous Rites in their Customs, such as sacrificing human Bodies to their Idols, were yet, as to the Spaniards, very innocent People; and that the rooting them out of the Country, is spoken of with the utmost Abhorrence and Detestation, by even the Spaniards themselves, at this Time; and by all other Christian Nations of Europe, as a meer Butchery, a bloody and unnatural Piece of Cruelty, unjustifiable either to God or Man; and such, as for which the very Name of a Spaniard is reckon'd to be frightful and terrible to all People of Humanity, or of Christian Compassion: As if the Kingdom of Spain were particularly Eminent for the Product of a Race of Men, who were without Principles of Tenderness, or the common Bowels of Pity to the Miserable, which is reckon'd to be a Mark of generous Temper in the Mind.

我若这样做，无异于承认那些西班牙人在美洲的暴行是正当的了。大家都知道，西班牙人在美洲屠杀了成千上万的当地土人。这些土著民族崇拜偶象，确确实实是野蛮民族；在他们的风俗中，有些仪式残忍野蛮，如把活人祭祀他们的偶像等等。可是，对西班牙人而言，他们都是无辜的。西班牙人这种杀人灭种的行为，无论在西班牙人自己中间，还是在欧洲各基督教国家中谈论起来，都引起极端的憎恶和痛恨，认为这是一种兽性的屠杀，一种人神共恨的残酷不仁的暴行。&西班牙人&这个名词，在一切具有人道主义思想和基督徒同情心的人们中，成了一个可怕的字眼，就仿佛只有西班牙这个国家才出这样的人：他们残酷不仁，对不幸的人竟毫无怜悯之心；而同情和怜悯正是仁慈品德的标志。

On a consultation held in our printing-office among his friends, what he should do in this conjuncture, it was proposed to elude the order by changing the name of the paper; but my brother, seeing inconveniences in this, came to a conclusion, as a better way, to let the paper in future be printed in the name of BENJAMIN FRANKLIN; and in order to avoid the censure of the Assembly, that might fall on him as still printing it by his apprentice, he contrived and consented that my old indenture should be returned to me, with a discharge on the back of it, to show in case of necessity; On a consultation held in our printing-office among his friends, what he should do in this conjuncture, it was proposed to elude the order by changing the name of the paper; but my brother, seeing inconveniences in this, came to a conclusion, as a better way, to let the paper in future be printed in the name of BENJAMIN FRANKLIN; and in order to avoid the censure of the Assembly, that might fall on him as still printing it by his apprentice, he contrived and consented that my old indenture should be returned to me, with a discharge on the back of it, to show in case of necessity; and, in order to secure to him the benefit of my service, I should sign new indentures for the remainder of my time, which was to be kept private.

他的许多朋友，在印刷所中开会讨论，这件案子该怎样办。有人建议改变名称来规避这个命令；但是我的哥哥认为这个方法不大合适，最后决定一种较好的办法，让未来的这张报刊发行时用拜雅明富兰克林的名字；但是为避免议会的责罚，如果仍旧以他的学徒刊行还是不行，最好办法是暗地里把旧合约给我，合约的后面注明作废，这样一旦有事就可以给人家看了。他的许多朋友，在印刷所中开会讨论，这件案子该怎样办。有人建议改变名称来规避这个命令；但是我的哥哥认为这个方法不大合适，最后决定一种较好的办法，让未来的这张报刊发行时用拜雅明富兰克林的名字；但是为避免议会的责罚，如果仍旧以他的学徒刊行还是不行，最好办法是暗地里把旧合约给我，合约的后面注明作废，这样一旦有事就可以给人家看了。但是为保护我为他工作的利益，剩下的年限我再签一张新合约，这是私自保存的。这是一个下等的计策；但不论怎样，这个计策立即执行了，而这份报依此刊行，用我的名字已有几个月了。

In fact, most interactive story experiences built to date have either been highly episodic (generally those narrative experiences built by the game industry, e.g., adventure games), have employed a hypertextual logic of association rather than a logic of dramatic probability and causality (generally those experiences built by fine artists and writers), or have focused on story not as a highly structured experience created by an author for consumption by an audience, but rather as a shared social construction facilitating human communication (e.g., multiuser worlds such as MUDs, MOOs,and avatar spaces ; massive multiplayer games such as Everquest and Ultima Online ; and games such as Purple Moon's Rocket series or Will Wright's The Sims).

实际上，目前大多数的互动故事经验都是高度段落化的（一般这些故事性体验来自于游戏产业，例如，冒险游戏），有意或无意使用超文本的组成逻辑而不是戏剧的逻辑（一般这种体验都由艺术家和作家营造）；聚焦到一个并非由作家为观众消费而创造的高度结构化的故事上，而是一种社团式的共同创造的公共结构（例如多用户系统 MUDs， MOOs 或者替身空间；大型多用户游戏 Everquest 和 Ultima Online ；或者 Purple Moon 公司的 Rocket 系列、 Will Wright 公司的 The Sims 游戏）。

In this dissertation, first, based on theory of cutting tooth about the gleason spiral bevel gear, the equation of meshing in the process of cutting tooth, the surface equation of generating gear as well as the general tooth surface equation of the double circular arc spiral bevel gear, using GB12759-1991 type of double circular arc gear as a basic gear profile, a three-dimension solid model of double circular arc spiral bevel gear which has the good adaptability was carried out by used of Unigraphics software;Second, by researching of the algorithm about contact and collision as well as various contact types based upon Contacting Finite Element Method, a foundation was laid for selecting the contact type in analyzing contact stress of double circular arc spiral bevel gearing;Finally, through the connection port of PARASOLID between UG software and ANSYS/LS-DYNA software, the three-dimension solid model of double circular arc spiral bevel gearing obtained above in UG was imported into ANSYS/LS-DYNA, a finite element analyzing about contact stress of double circular arc spiral bevel gearing was carried out by applying new loading method.

本文首先基于格利森弧齿锥齿轮加工原理及切齿啮合过程中的啮合方程、产形轮齿面方程以及双圆弧弧齿锥齿轮的齿面方程，选用GB12759-1991型双圆弧齿轮基本齿廓为基准齿形，利用Unigraphics软件的建模功能，绘制了有较好适应性的双圆弧弧齿锥齿轮传动三维实体模型。其次，描述了应用有限单元法进行实体接触与碰撞问题算法的公式，研究了有限元分析中的各种接触类型以及双圆弧弧齿锥齿轮接触应力分析中所选择接触类型的依据。最后，通过UG软件和ANSYS/LS-DYNA之间的PARASOLID接口工具包，将UG软件中得到的啮合齿轮模型导入ANSYS/LS-DYNA有限元分析软件，给出一种新的加载方法，进行了双圆弧弧齿锥齿轮传动的接触应力的有限元分析。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。