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Errico's independent spirit, combined with his observations on the current state of music, inspired him to form Tallboy 7, the company that provides a home for his creative work, including All In. Artists on every level need to navigate an increasingly unstable industry. Most of the artists I've spoken with are either taking control of their own business, or wishing they could.

Mike Errico的独立精神，和他对当今音乐市场的分析让他成立了Tallboy 7，一个可以说是他的创作之家的公司，在那里创作了All In，不同层面的每个音乐家都想在不稳定的音乐市场上找到方向，和我谈过每个艺术家不是自己已经有了公司就是自己想有个。

They lose themselves in the titillation of language and form; they are infatuated with fragmentary appropriations of the classics; they are infatuated with the emptiness of decline and the passion of desire. As with the Western artists Jan Saudek and Joel-Peter Witkin, 'real-world objects should give up any idea of entering my pictures,' unless they undergo restructuring—by the artist's own taste and proclivities, by an amalgam of memory and fantasy, by a tone of pensive irony, or by seemingly absurd but in fact accurate imagination, thus restructuring the individual's relation to reality. It does not hurt to call these artists' work realism, but it is a kind of 'psychological realism' which 'extracts a deeper level of genuineness from fictive objects.

他们迷恋于语言与形式的快感，迷恋于对文化经典的片断性挪用，迷恋于衰朽的虚无或色欲的激情，与简·索德克、乔·彼得·威金（Joel-Peter Witkin）那样的西方艺术家相似，"现实中的事物永远别想进入画面"，除非是经过了他们的重构——以其个人的趣味与癖好，以混合着追忆与幻想、伤感与反讽的语调，以看似荒诞其实准确的想象力，重构了个人与现实之间的关系，你也不妨将他们的作品称之为现实主义，但那是一种"心理现实主义"——"从虚构的事物之中抽取出更深层的真实。"

In fact, there are many problems faced by the contemporary artists, which are difficult to be solved. The contemporary artists of China have no ground to hug themselves on their achievements except he/she is mediocre and unambitious.

其实，中国当代艺术家面临的问题多多，而解决这些问题的难度也是很大的，中国当代艺术家没有理由沾沾自喜，除非他是一个庸碌之辈。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

Art Beatus Gallery will show its artists in the Art Hong Kong 08 (Booth C07), and its exhibition space at 35-39 Graham Street will take the opportunity to have a review on the works of past exhibitions as well as up-dating visitors with new available works from those artists.

精艺轩在〈香港艺术博览会2008〉的参展位置在 C07，将展出一系列艺术家们的作品，并在画廊位于嘉咸街的展示空间内延续展示曾经被推介的艺术家们的新作，让观众多一个重新体验的机会。

When those days elapsed, adidas classic's theme is based on Playground. Adida Classic is known for its cloth's color and chidren's clothes. Its main color is infused with 1993 Old Millfun. When rotating Trojans, slides and clover ice cream inadvertently arouse childhood memories, playful avant-garde artists such as Delaware, Bob Foundatio, MEWE, Markus Hofko and Gaston Caba also attended the exhibition. Markus Hofko and Gaston Caba are taking photos and clipping video slips for the exhibition while artists expressed their creative ideas through the design of adidas Originals by Diesel. Adidas fully completely neglected the atmosphere of the current mainstream fashion enabling the guests to play to the core.

就在童年的一切在步履匆乱的时代似乎将要被掩埋，adidas三叶草经典系列以『游乐场』为主题，凭借五彩斑斓的色泽及童趣十足的线条为1933 老场坊原本冷色调的空间注入了一派生机盎然而又童趣十足的玩乐意味――当旋转木马、滑梯与三叶草冰淇淋不经意间唤起童年的记忆，更有童心未泯的前卫艺术家Delaware、Bob Foundation、MEWE设计联盟、Markus Hofko和Gaston Caba等为今次派对所特别拍摄的视频短片及摄影作品点缀其间，而艺术家们亦在adidas Originals by Diesel牛仔裤的设计中表现出了个性张扬的创意思考……adidas完全抛却了时下主流时尚派对过于凝重的气氛，令嘉宾们忘情而轻盈地玩耍其间。

Dedicated to the innovation on traditional Chinese Paintings for a new approach of"traditional Chinese painting with thick calor"with his works being collected in the Treasured Directory of Famous Chinese Artists in History, dictionary of Famous Chinese Artists in History etc.

数十年来，致力于中国画创新，探索出一条&重彩水墨画&，作品编入《中国历代书画名家宝典》、《中国历代书画名家大辞典》等。

Christos Alevras was born in Larisa of Greece on September 2nd, 1950, graduated from the Thessalomiki University, has participated in the "Exhibition of 100 Artists of the Visual Artists Association of Northern Greece" in 2005; the exhibition in the State Museum of Contemporary Art in 2005; has held solo exhibitions in Paris, Greece and so on.

简介：克里托斯·艾里瓦斯 1950年9月2日生于希腊。毕业于塞萨洛尼基大学。曾参加2005年&希腊北部视觉艺术家协会百人展&、2005年国立当代艺术博物馆画展，曾于巴黎、希腊等地多次举办个展。

Through their individual strategies, artists take into consideration how the works will circulate within the art market; how a project that strategically includes other artists and works might extend beyond the existing scope of art market activity: engaging with issues such as notions of collectability and new ways of collecting; material preservation and conservation, and other possibilities for such; new channels within the art market that go beyond existing gallery services; and new proposals for gallery and institutional systems.

通过艺术家独立的策略及概念化的作品，艺术家必须考虑到作品将如何进入艺术市场流通，或者一个艺术项目将如何有策略地包含其它可能超越现有艺术市场活动尺度的艺术家作品。展览试图探讨如下议题：收藏性和新的收藏方式；物质保存和其他的可能性；艺术市场现有画廊服务的新的渠道；画廊和机构系统的新提案。

I select the two artists who have the commeasurable from the multitudinous outstanding vocal music performing artists to analyze and compare.

然而，她们却在声乐作品演唱方面表现出了不尽相同的理解，并形成和确立了截然不同的个人演唱风格。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。