查询词典 artistic works

This thesis adopts the viewpoint of artistic criticism put forward by M 〓 H 〓 Abrams in his The Mirror and the Lamp. It sorts out and sets forth the character and diversity of feminism from the angles of works and world, works and artists, works and appreciator, and works themselves.

本论文采用艾布拉姆斯在《镜与灯》中所提出的艺术批评诸坐标的观点，分别从作品与世界、作品与艺术家、作品与欣赏者、作品自身等角度，梳理、阐述女性主义的特质及多元性。

H. "Work" means the literary and/or artistic work offered under the terms of this License including without limitation any production in the literary, scientific and artistic domain, whatever may be the mode or form of its expression including digital form, such as a book, pamphlet and other writing; a lecture, address, sermon or other work of the same nature; a dramatic or dramatico-musical work; a choreographic work or entertainment in dumb show; a musical composition with or without words; a cinematographic work to which are assimilated works expressed by a process analogous to cinematography; a work of drawing, painting, architecture, sculpture, engraving or lithography; a photographic work to which are assimilated works expressed by a process analogous to photography; a work of applied art; an illustration, map, plan, sketch or three-dimensional work relative to geography, topography, architecture or science; a performance; a broadcast; a phonogram; a compilation of data to the extent it is protected as a copyrightable work; or a work performed by a variety or circus performer to the extent it is not otherwise considered a literary or artistic work.

h。 「本著作」指本授权条款下提供的文学及艺术著作，包含但不限於以任何方式或形式表达之文学、科学及艺术范围之制作物，例如：书籍、小手册及其他撰著；演讲、演说、布道及其他类似同性质之著作；戏剧著作或歌剧著作；舞蹈著作或默剧；含歌词或不含歌词之音乐作曲；电影著作及其他藉由与电影摄影技术类似之程序表达之同类著作；素描、绘画、建筑、雕塑、雕刻或版画之著作；摄影著作及其他藉由与摄影技术类似之程序表达之同类著作；应用艺术著作；插图、地图、设计图、素描及地理、地形、建筑或科学相关立体著作；表演；广播；录音物；和可受著作权保护的著作同样受保护的资料编辑物；或种种表演人或马戏团表演人表演的不被视为文学或艺术著作的著作。

This text passes the writing background of divertimento and analysis of the works of"""""""" tour in winter"""""""" to romanticism composer Schubert, Propose that this structure is huge, and has all achieved the artistic characteristics of the divertimento of very high achievement in characterization and psychology portrayed: Expressing the deep thought with the tactics that suggest, development music and ideal of the literature poesy are combined ; The creative development piano accompanies on the functional function of art, the artistic conception of making every effort to portray the musical image and playing up the song from many aspects; The song is tuneful and smooth naturally, has folk song and succinct and simple; It is quiet and symmetrical that the whole divertimento has dramaticism but a magnum opus of a romanticism remains classicism throughout.

本文通过对十九世纪奥地利浪漫主义作曲家舒伯特《冬之旅》套曲之写作背景与作品分析的研究，总结出这部结构庞大、而且在人物塑造和心理刻画上都达到极高艺术造诣的套曲的艺术特色，即：用暗喻的手法表达作品深刻的思想内含，并在很大程度上完成了音乐与文学诗词之间的理想结合；创造性地发展了钢琴伴奏艺术的功能性作用，力求从多方面刻画音乐艺术形象和渲染歌曲的意境；转调频繁，特别是同名大小调转调运用巧妙；歌曲的旋律优美、自然、流畅，有民歌的简洁和朴素；全套曲具有戏剧性，是一部浪漫主义力作，但仍始终保持着古典主义的静谧与对称。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

The main body revolves around the fictionalization of the text, humanization and liveliness in portraying characters, the formless narrative, the formal of spiritual subject and the meaning of Dong Xi"s works to the contemporary fiction creating, exploring the characteristic of complete fiction in the artistic ontology, concentrating his attention on life content in portraying characters, the narrative pattern of the formless, the formal pursuit in spiritual subject, and its distinctiveness comparing to other "Late Generation""s works, what artistic elements he uses and how his texts that the whole human share are organized by using these artistic elements.

正文主要围绕小说文本的虚构化，人物塑造的人本化、生命化，形而下的叙事，形而上的精神主题和东西的小说艺术对当代小说创作的意义五个问题，探讨了东西小说在小说艺术本体论上的全虚构特性；在人物形象塑造上的生命含量的倾注；在叙事层面上的形而下形态；在作品精神主题上的形而上诉求以及东西的小说文本在晚生代作家中的独特性、它采用了哪些艺术元素以及如何把这些艺术元素组织成一种全人类所"共享"的文本等问题。

Her particular artistic realm of perfect artistic conception is a union of dream and reality, finiteness and infiniteness, She, in her works, sincerely displays her life and soul to stimulate an universal human being's permanent sentimental experience, only to shape her particular writing style.

她特有的"意与境浑"的艺术境界，乃是梦想与现实的统一，无限与有限的统一。

Is a kind artistic school, Modern artistic embroidery advocate fully is not embroidery do not enter a picture, All a picture have embroidery to be completed; A little use, even not using outside ornaments, Unless as a last resort, can develop to bring the painted dragon to life in the pupils of its eyes role; color line is covered a picture, Pursue the combination of line and color piece is artistic true, The combination of plane and convex has the impact on vision; Changeful needle law, line a picture, Make works very durable to see.

作为一种艺术流派，现代艺术刺绣主张非刺绣莫上画，形象设计和氛围烘托全部由刺绣来完成；尽量少用甚至不用非刺绣饰物；色线布满画面，线条和色块的组合追求艺术的真实，平凸的组合具备视觉上的冲击力；多变的针法、细腻的画面，把作品在各种情况下的观赏性推向极至。

For printing every works, an artist does not conduct simple repeated act, but changes its color according to his/her creative thought to enrich the works and enhance its artistic expression. Every works is irreproducible and unique. Meanwhile, continuous probe and creation are paid to the application of pigment and paper.

艺术家在印制每一幅作品时不是简单的重复，而是根据自己的创作想法变换其颜色，使画面更为丰富多彩，增强了艺术表现力，其每幅作品都具有不可复制性和唯一性。

Dostoevsky's contradictory understanding of the world and his outstanding artistic ability determine him to adopt the artistic conception of"dialogue"and the artistic form of"polyphonism" in his works.

陀思妥耶夫斯基对世界的矛盾认识和独特的艺术才能决定着他在创作中必然会采用&对话&的艺术构思和&复调&的艺术形式来构造自己的作品。

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐