查询词典 art work

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is somethingthat happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves,which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly,altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

The necessity that he shall conform, that he shall cohere, is not one-sided; what happens when a new work of art is created is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.

他之必须适应，必须符合，并不是单方面的产生一件新艺术作品，成为一个事件，以前的全部艺术作品就同时遭逢了一个新事物现存的艺术经典本身就构成一个理想的秩序，这个秩序出于新的作品被介绍进来而发生变化这个已成的秩序在新作品出现以前本是完整的，加入新花样以后要继续保持完整，整个的秩序就必须改变一下，即使改变得很小；因此每件艺术作品对于整体的关系、比例和价值就重新调整了；这就是新与旧的适应。

Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

海德格尔的分析，一开始就试图表明，艺术作品不是什么，以与惯常的认识相区分；基于此，本文分析了物性、器具与艺术作品的复杂关联；之后，揭示了海德格尔关于艺术与艺术作品和艺术家三者之间的关系的思想，在这种关系中，艺术成为了艺术作品与艺术家的本源性基础。

If his previous work could be categorized by being in between illustration and Contemporary art, his recent work can be described as shifting and committing completely to the presets of Contemporary art. Deva Loka, an epic project Amano eagerly created with much drive. Deva Loka, a work that was crystallized through much time and imagination, carries significance because it encompasses Amano's world of art. The main concept for this project is the Big Bang, a phenomenon that brought about all the planets in space.

如果说之前的作品是游走於动画与现代艺术的中间地带，那麼，2008年创造的 Ddeva Loka＜天界＞则是开天辟地的艺术史诗，充满形而上的美丽华滋和未来主义的斑斓表现，天野喜孝发挥了他前所未有的想像力，倾注了大量的心血和时间，淋漓尽致呈现他的艺术观，创造一个过去与未来并存，存在各种不可预知的可能与光怪陆离持续在酝酿变化的奇异想像空间，那是一个充满无限生机和爆发力的混沌空间，是宇宙万物的源头，天神的居所，未来的寄托，更是梦幻的渊薮。

Spirity and materiality is attribute of art and work of art.Art can not get away from spirit and materiality,which results in artists and make out work of art.

艺术离不开物质性与精神性，这二者都与现实相联，共同铸成艺术品，共同促成艺术家对现实生活由内而外，把精神物化的这种独特的反映。

When I said earlier that Euripides had brought the spectator on the stage in order to enable him to judge the play, I may have created the impression that the older drama had all along stood in a false relation to the spectator; and one might then be tempted to praise Euripides' radical tendency to establish a proper relationship between art work and audience as an advance upon Sophocles.

我们在上文说过，欧里庇德斯曾把观众带上舞台，同时使观众确实有能力评判戏剧；这种说法，会使人误解，以为以前悲剧艺术对观众的关系，是不正确的，也会使人贸贸然赞扬欧里庇德斯这一急进的倾向，认为他建立了艺术作品对观众的正确关系，比索福克勒斯向前迈进一步。

Who bows the knee to the art work of the Apollo Belvedere in the Vatican now?

现在谁还向梵蒂冈的阿波罗·贝尔维迪艺术品顶礼膜拜呢？

The critic Bernard Berenson went as far as to say that people need a whole new set of responses to look at an art work with understanding .

批评家怕纳德·贝伦森甚至说人们需要一套全新的反应来理解欣赏一件艺术作品。

For an artist as Gibran who have a dual status, to break the obstruct between literature language and painting language and study the relation between his literary works and his painting may be a new way to approach Gibrans spirit and to explain his literary and art work.

对于纪伯伦这样有着双重身份的艺术家来说，打破文学话语与绘画话语的隔膜，对他的文学与绘画的关系加以探讨，可能是我们接近纪伯伦的心灵世界，解读他文学和绘画作品的一个新颖的角度。

They also saw small art work made by Peking Man.

他们还看见北京人所留下的小的艺术作品。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。