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Shortly be appointed to the Folk Art Theater of Liaoning Province, specializing in carved work shadow, where the four disciples, Professor of the Northeast contributed to the development of shadow.

不久被聘到辽宁省民间艺术剧院，专事刻皮影工作，并在那里教授了4个徒弟，对东北皮影发展作出了贡献。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Zao's work in the 80's concludes his forty-year long expedition on art with a mature style towards perfection.

赵无极80年代以来的作品，展现了画家经历40年的艺术探索后的圆熟风格，这一阶段的作品，我们看到的是一种藉由抽象所展现的圆融自在，纯熟和谐，极致完美。

His existence and the energy overflowing from his spirit transcend distance to fill the frame, making their photos an instant work of art.

大野自身的存在感及那澎湃而来的灵魂浪涛，充满了整个画面，远远超越了与被写体之间的距离。

People leverage their blogs in order to write books, write for magazines or newspapers, pursue art or photography, go work for Gawker, Mediabistro, or Weblogs Inc., get jobs at startups, do freelance design, start a software company, or as a vehicle to sell advertising.

人们借他们的blog来写书，为杂志报纸撰稿，追求艺术或摄影，为Gawker、Mediabistro或者Weblogs Inc。打工，找工作，自由职业设计，创建一家软件公司，或者作为广告载体。

With its swirling contours of gloopy, E-number orange, Magma Architecture's temporary installation to house an exhibition of the practice's work looks as though Angel Delight has been pumped into a room in the Berlinische Galerie, Berlin's museum of contemporary art, photography and architecture.

以它打旋的等高gloopy， E 数字桔子，岩浆建筑学的临时设施安置实践的工作的陈列看好像天使欢欣抽了入一个屋子在Berlinische Galerie，柏林的博物馆当代艺术、摄影和建筑学。

Grapheme is a work from the artist's Technostalgic project which features electronic and visual art pieces based on obsolete hardware and technologies as critical responses to various social and technological issues.

Grapheme属於作者一个名叫「科怀旧技」项目其中一件作品，此项目主要利用过时电子硬件及科技，创作视觉及电子艺术作品，批评性地回应现今社会及科技的发展。

She is dedicated to the social work since 1997. She is enthusiastic about human rights and social justice documentary promotion. Her first social documentary,"Left Them Behind", was commissioned by "Local DocuPower 2007" and got the Audience Award. Her 2nd short documentary film,"HERstory Jeritan", has been also selected for "2008 Taiwan International Video Art Exhibition Dwelling Place?"

近年移居澳门，与友人创立澳门拉阔网络协会并积极身体力行将社会行动结合纪录片媒体，透过录像纪录提升社会大众对弱势社群的关注。2007年获澳门文化中心「澳门纪录新势力2007」资助执导拍摄首部纪录片《被遗弃的针筒》并在《澳门国际电影及录像展2008-澳门制造》获得最受观众欢迎奖。

She is dedicated to the social work since 1997. She is enthusiastic about human rights and social justice documentary promotion. Her first social documentary,"Left Them Behind", was commissioned by "Local DocuPower 2007" and got the Audience Award. Her 2nd short documentary film,"HERstory – Jeritan", has been also selected for "2008 Taiwan International Video Art Exhibition – Dwelling Place?"

近年移居澳门，与友人创立澳门拉阔网路协会并积极身体力行将社会行动结合纪录片媒体，透过录影纪录提升社会大众对弱势社群的关注。2007年获澳门文化中心「澳门纪录新势力2007」资助执导拍摄首部纪录片《被遗弃的针筒》并在《澳门国际电影及录影展2008-澳门制造》获得最受观众欢迎奖。

Hooters was a work of art- naughty but not too naughty, an elaborate

Hooters餐厅是件艺术品--它有情色的成分，但又并非是色情之物，它就像一则

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。