查询词典 art paper

My paper firstly turns on the time of Kaogongji, puts it in axes-age and sums up the characters from our ancient art design which it starts from the analyzing of "Qi" and "Wu".So we can draw our research clue and orientation: manufacture whose core is "Li";And then we will make particularly aesthetic analyse about the text.We will make it clear about the realations between " Li" and "Qi", concept and res, taste and res , and my paper will tell of three part:conceptual design—age idea" s effect on Kaogongji" s taste;human design—human spirit in Kaogongji" s art design;imitate design—accouterment" s taste of Kaogongji. In the text ,I will also tell of the following problems:Li and Kaogongji" s design idea, like-six idea and Kaogongji" s taste ideal, nature-human and Kaogongji s zoology idea.

本论文首先切入《考工记》的时间定位问题，把它放在轴心时代的大背景下，之后从"器"和"物"二字的文字学分析出发，对我国古代艺术设计的总体特征进行了概括，进而以此背景审视《考工记》一书的工艺美学思想，确定本文对该书的研究思路和定位，即以"礼"为核心的器物制造；然后具体进入文本进行细致的美学视角的分析，为廓清"礼"与"器"、观念与器物、审美风尚与器物等关系理顺思路，论文分别从观念化设计——时代观念对《考工记》审美取向的影响、人机化设计——《考工记》艺术设计的人文精神、仿生设计——《考工记》中装饰物的审美追求这三个大方面进行研究，涉及到礼制文化与《考工记》的审美设计理念、"尚六意识"与《考工记》的审美理想、"天人合一"与《考工记》的审美生态观等诸多问题。

Photographic paper texture photos would normally have been developed, the media meet the " ouality business card printing technology " available with photos as realistic as possible, and you can provide a picture size from the General to the A3 + four size, suitable for all levels of user business card printing; kaixin-stick is a unique business card printing medium, the user you can use a business card printing papiermaschinen software provides more than 300 species of colourful background image box and photo overlappedness, the most imaginative, made of very attractive paper kaixin-pastes; ink－jetprinting matte coated paper is a three-metre-long A2 format with oil painting business card printing effect of medium, apply to the business card printing a variety of significant photos, pictures of art and design needs; users can use the t-shirt transfer paper production has its own unique style t-shirt, the effect is quite good; ink－jetprinting transparency can provide the perfect projection effect, apply to the projection, Convention and advertising and lively, images, making 36 0dpi; banner headline in the paper available 360dpi, 720dpi or 1440dpi business card printing that is tailored to a variety of activities business card printing banner.

照片纸的质地与通常冲洗的照片一样，该介质配合"照片质量制卡技术"可获得同照片一样逼真的效果，并且可以提供从普通照片大小到A3+的四种尺寸，适合各层次用户照片制卡的需要；开心妙妙贴是一种独特的制卡介质，用户可借助制卡机配套软件提供的300余种五彩缤纷的背景图框与照片叠加，进行最富想象力的搭配，制成极富个性魅力的开心妙妙贴贴纸；喷墨布纹纸是一种A2幅面三米长具有油画制卡效果的介质，适用于制卡各种大幅照片、艺术设计图片的需求；用户可以用T恤转印纸制作具有自己独特风格的T恤衫，效果相当不错；喷墨透明胶片能提供完美的投影效果，适用于投影、会议及广告等，图象生动逼真，可制卡36 0dpi；横幅大标题纸可用360dpi、720dpi或1440dpi 制卡，适合为各种活动制卡横幅。

On paper, the classification of this revolutionary art papers (also known as fancy paper, special paper) mainly refers to as opposed to the normal business card printing and membership card making use of paper, such as coated paper, uncoated paper, newsprint and packing paper.

关于纸张的分类五花八门，我们这里所论及的艺术纸主要是指区别于普通制卡和会员卡制作用纸，如铜版纸、胶版纸、新闻纸的文化、包装用纸。

Our company takes the lead in introducing fancy paper into the field of office paper, such as Hyacinth premium office papers, including Hyacinth art use paper, document cover paper and Hyacinth A4 color copy paper etc.

2007年公司又率先引进了六条业内先进的纸张染色、涂布生产线，可生产国际流行的各类珠光纸、充皮纸、彩色压纹纸，并可提供纸张染色、纸张压纹、珠光纸、彩色坑纸等来样加工，特殊定制服务。

Based on the development of art design and the dialectical relationship of simplicity and complexity during the art design, this paper thoroughly studied the principle and method of theory of "Occam's Razor" in art design.

基于艺术设计发展现状和艺术设计中简单性和复杂性的辨证统一关系的研究基础，本文对"奥卡姆剃刀"理论在艺术设计中的原则和方法作了深入的研究。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成"戏剧之光"、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

The paper expounds the relationship between the development of modern art and modern life, transforming of the visual experiences and aesthetic styles changed by modern art, and the modern artistical quality and conscionsness of architects, as well as the relationship and influence between modern art and modelling base.

本文论述了现代艺术的发展与现代生活的联系，现代艺术对视觉经验和审美方式的改变，建筑师的现代艺术素质和意识，现代艺术与造型基础的关系与影响。

Starting with the analysis of the evolution of contemporary ceramic of China in more than 2 decades and the background of Chinese contemporary ceramic ,hackling and analyzing the westernization progress and the development situation of contemporary art education, this paper attempts to put forward an opinion that the development of Chinese contemporary art education is actually the progress to verify the global applicability of western art by our own art practice.

本文试图从二十几年来现代陶艺在中国的演进和中国现代陶艺的背景分析入手，通过对中国艺术理论&西化&进程及现代艺术教育发展状况的梳理和分析，提出中国当代艺术近几十年的发展过程，实质上是以自己的艺术实践，验证西方艺术的&全球&可应用性的过程。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

Soutine\'s work is widely studied in the western art circle and the opinions on his art are much divided. Based on the available study material on this subject at home and abroad, this paper aims to analyze the forming process and the characteristics of Soutine\'s art so as to achieve a more profound understanding of his art.

本文试图综合目前所能够掌握的国内外研究资料，分析苏丁艺术的形成及特点，以期对其有一个比较深入的认识和理解。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失