查询词典 art exhibition

The exhibition "Jao Tsung-i: The Amalgamation of Mind and Universe", which is going to take place at the Tasmanian Museum and Art Gallery in Australia, is the first large-scale exhibition of Professor Jao's art works held outside Asia. The exhibits include Professor Jao's paintings, calligraphies, and inscribed studio objects, as well as significant academic and art publications. It can display not only his multi-sided achievements but also his spirit of innovation and striving for perfection.

今次在澳洲塔斯曼尼亚博物美术馆举办之「心通造化—一个学者画家眼中的寰宇景象」，则是饶宗颐教授在亚洲以外地区所举办的一次大型艺术展览，展品包括了饶教授的绘画、书法，铭刻文玩，重要学术及艺术著作等，这不单展示了饶教授在艺术上的多方面成就，亦显示出饶教授在艺术上的不断追求与创新。

Having made its impact overseas, the exhibition is now remounted as a response exhibition in Hong Kong, with the aim that exploratory ideas presented in the exhibition would contribute to the advancement of architecture as an art form as well as an exemplary creative industry for the building and development of Hong Kong.

承接其於海外所引起的回响，香港馆的展览将会以「回应展」的方式，将展览中一系列别具创见的意念带回香港，使它们在肯定建筑作为一种艺术形式的同时，亦能够为建筑在香港的发展脉络下，如何以创意产业的形式出现，提供了一个具说服力的示范。

Mr. Wang Chang has participated in national exhibitions and award-winning, major achievements include: 1999,"the snow-covered gold wind map" was the second capital of the Arts Award for outstanding works Fair,"olgensis First Snow" by the Hong Kong Heritage Museum collection,"Beyond the Great Snow Ji" and three works appeared in the "Contemporary Painting" book,"Snow Hokkoku Ji" by Mr. Ma Ji master comic collection; in 2000,"the North snow bath" is of Jiangsu Wu arts collection,"village day" selected works focus on the Chinese Artists,"Guardian of the North" building seventy-fifth anniversary of the National Excellence Award Exhibition; in 2002,"no place to look for Changbai Waterfall" National Landscape Exhibition selected; in 2004 "the dream of Everest," paintings by the Jilin Province Art Research Association Gold Award; in 2005 "the dream of Everest," the fourth school to participate in snow and ice show; in 2006,"Rural Snow" Exhibition of Fine Arts to participate in the State of Belarus; in 2007,"snow" is the Chinese Cultural Institute collection.

王昌先生多次参加全国性大展并获奖，主要成就有：1999年《雪域金风图》获第二届首都艺博会优秀作品奖，《长白初雪》被香港文化艺术馆收藏，《塞外雪霁》等三幅作品入选《当代绘画艺术》画集，《北国雪霁》被相声大师马季先生收藏；2000年《北国浴雪》被江苏吴门艺术机构收藏，《山村正月》入选中国美术家作品集中，《北国卫士》获全国建军七十五周年艺术大展优秀奖；2002年《长白瀑布无处寻》入选全国山水画大展； 2004年《珠峰之梦》获吉林省书画艺术研究会金奖；2005年《珠峰之梦》参加冰雪画派第四届展；2006年《乡雪》参加白俄罗斯国家美术大展；2007年《融雪》被中华文化学院收藏。

In the first charter , the development of Art of Using Concepts is stated in order to make readers know its proceedment. In the second charter ,the difference between the Art of Using Concepts and Apriorism and Expiricism in order to make readers understand the disparaty of Kant's Apriorism and Expiricism. In the third charter, the relation between true thinking and the Art of Using Concepts so that it's necessary that the Art of Using Concepts needs true thinking. In the former charter, the relation between practice and the Art of Using Concepts which indicates that the Art of Using Concepts is based on the practice.

在第一章中，阐述了"运用概念的艺术"的演化过程，主要是让读者了解一下"运用概念的艺术"的发展变化；第二章阐述了"运用概念的艺术"与先验论和经验论是根本对立的，这一章是为了让读者了解"运用概念的艺术"与康德的先验论，经验主义的区别；第三章主要阐述"运用概念的艺术"与"真实的思维"的关系，说明"运用概念的艺术"需要"真实的思维"；第四章主要阐述"运用概念的艺术"与实践的关系，说明"运用概念的艺术"是建立在实践的基础上的。

Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

海德格尔的分析，一开始就试图表明，艺术作品不是什么，以与惯常的认识相区分；基于此，本文分析了物性、器具与艺术作品的复杂关联；之后，揭示了海德格尔关于艺术与艺术作品和艺术家三者之间的关系的思想，在这种关系中，艺术成为了艺术作品与艺术家的本源性基础。

Different from the primitive commune, Henan Shifo Art Commune is open and emanative. It establishes effective resources, based on returned overseas artists and international art institutions, to have a direct contact with the international contemporary art. Its art atmosphere, art content and artistic communication have been international ever since its birth. Many artists from U.S., Italy, Germany and North Korea have been invited here for art intercommunication.

与原始社会公社不同的是，河南石佛艺术公社对外是开放的、发散的，公社依托归国艺术家与国际艺术机构建立的有效资源直接与国际当代艺术接轨，其艺术氛围、艺术内容、艺术交流形式从诞生之日起就具有国际性，先后邀请了美国、意大利、德国，韩国的众多艺术家到石佛村进行交流。

Mio bronze creative art design gift has more than 2000 species, known as "the Kingdom of the Chinese bronze art gifts," Mio Bronze Art gift card for its exquisite original design, exquisite quality of the art, rich culture, good marketing services, licensing of the formation of the Yu Guan Gong Guan Gong statue hometown, famous masterpieces gifts, Lunar New Year gifts, ceremony of Extreme States, seal gifts, antique bronze gifts, special gifts, such as cluster eight bronze art gifts, including presented to the International Olympic Committee to participate in the Heads of State of the Beijing 2008 Olympic Games a special gift "Fire Phoenix", and commissioned by the National Tourism Administration as a national four-or five-star hotels the production of high-grade signs, produced by the Ministry of Water Resources for the state water system national model workers prizes, gifts woo Group to more than 100 species of annual rate of innovation both at home and abroad led the trend of bronze art gifts.

宇达创意设计制作的青铜艺术礼品已拥有二千余种，号称&中国青铜艺术礼品王国&，宇达牌青铜艺术礼品以其精美的原创造型，精湛的技艺质量、丰富的文化内涵、优良的营销服务享誉海内外，形成了宇达牌关公故里关公铜像、名家名作礼品、生肖礼品、至尊国礼、印章礼品、仿古青铜礼品、专用礼品等八大类青铜艺术礼品集群，其中有国际奥组委赠送给参加北京2008奥运会各国元首的专用礼品《火凤凰》、有受国家旅游局委托为全国四、五星级酒店制作的高档标志牌，为国家水利部制作的全国水利系统劳动模范奖品，宇达集团的礼品以每年100余种的创新速度引领着国内外青铜艺术礼品的潮流。

The website is established " contemporary art "" art history is written down now " Chinese art memorabilia """ archaic art " wait for a column, the artist that records Chinese art group to have representative, technicality, authority and exploration mind produces condition and work plan collection; Archaic art part is involved first the Qin Dynasty fluctuates to Yuan Mingqing the brushwork during 3000, grotto, grave is artistic, the communication that provides rich, full and accurate for broad artist and lover learns interactive platform.

网站设立&当代美术&&当代美术史记《中国美术大事记》&&古代美术&等栏目，记录中国美术界具有代表性、学术性、权威性和探索精神的艺术家创作状态和作品图录；古代美术部分涉及先秦至元明清上下3000年期间的绘画、石窟、墓葬艺术，为广大艺术家及爱好者提供丰富、翔实的交流学习互动平台。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

In the opinion of Arthur Danto, the innovation of modernism artThe article regards abstraction of modernism art as the first part: the emergence of impressionism, post-impressionism, the development of modernism—it is a course of gradual abstraction; Art after Duchamp is as the second part: Duchamp and Dadaism, Surrealism, the device and Neo-Dadaism, Pope"s art, from Minimist art to idea art, New-figuration—it is a diversion of abstract art, has realized its oneself Along with Greenburgh"s impetus, and already obtained what it wanted at the beginning ------ so it has ended.

依阿瑟·丹托之见，现代主义艺术的创新随着格林伯格的推动已经实现了它自身，已经取得了它在出发伊始就想要取得的东西——所以它终结了。那么在这个&艺术已经终结&后的&后历史&、&后美学&或&后现代主义&时期，艺术需要以新的方式重新解读。

Liapunov—Schmidt method is one of the most important method in the bifurcation theory.

Liapunov—Schmidt方法是分叉理论的最重要方法之一。

Be courteous -- even when people are most discourteous to you .

要有礼貌──即使当別人对你最不礼貌的时候。