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art deco相关的网络例句

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First, this study analyzes how "New Tai Feng" enters into Taiwan contemporary art and understands the social background, during the years of 1995-2005; Second, carefully combs Taiwanese lower layer in search for the special artistic attributes that could be the basis of sampling the "New Tai Feng" art works; At last, compares and analyzes from the selected representative art works, in order to have an insight into the courses and effects of New Tai Feng's blooming, decline and bulling activities, and also have a clear understanding of how it stands at the watershed of the multi-trended future.

本研究首先分析1995-2005年间,「新台风」是如何进入台湾当代艺术的脉络,了解「新台风」崛起的社会文化背景;其次再耙梳台湾底层的美感特质,作为取样「新台风」作品的依据;最后从代表性的「新台风」作品中进行比较与分析,期能更深入地洞悉「新台风」在台湾当代艺术中骚热、消退、哄抬的过程效应,及如何处於未来多重走向的分水岭。

The swift and violent development of the modern science and technology makes western societies generally enter consumption society, The consumption society supports the goods going to aesthetic and aesthetic going to goods at the same time,all of this has created unprecedented democratic era of arts and aesthetics, on the other hand even enable the most important aesthetic target --Art ,suffering all kinds of economical bulling and losing elite characters and self-disciplining,especially because consumerism stresses the artistic works whether having symbol value ,whether using marketing technology,and whether concerning to economy reciprocate.The pop art have became the mainstream of the art form of our time.

现代科学技术的迅猛发展使西方社会普遍进入消费社会,消费社会同时支持商品的审美化与审美的商品化,这一方面创造了前所未有的艺术、审美之民主时代,另一方面也使最重要的审美对象——艺术,受尽经济霸权主义的欺凌而丧失了精英性与自律性,特别是消费主义讲究艺术商品对符号价值的追求、对营销技术的使用、对经济回报的关注,使得流行艺术成为时代艺术形式之主流,从前那个只关心艺术作品之艺术性的美学传统已经被既关注艺术性又关注消费性的&新美学原则&代替。

In the same year he's selected as one of the finalists of the international art competition Search for Art with the work Il disegnatore di Atrocit, being published in the limited edition official catalog Search 1.01. In 2001 he starts working, under the art direction of Giacomo Callo, as a book cover designer for the biggest italian book publisher, Arnoldo Mondadori Editore.

同年的国际艺术比赛&寻找艺术&中,他的 Il disegnatore di Atrocit 被选为参加决赛的作品,并在有限版本官方目录 Search 1.01出版。2001年,他在Giacomo Callo的艺术指引下开始工作,成为意大利最大的图书出版商 Arnoldo Mondadori Editore的图书封面设计者。

Through their individual strategies, artists take into consideration how the works will circulate within the art market; how a project that strategically includes other artists and works might extend beyond the existing scope of art market activity: engaging with issues such as notions of collectability and new ways of collecting; material preservation and conservation, and other possibilities for such; new channels within the art market that go beyond existing gallery services; and new proposals for gallery and institutional systems.

通过艺术家独立的策略及概念化的作品,艺术家必须考虑到作品将如何进入艺术市场流通,或者一个艺术项目将如何有策略地包含其它可能超越现有艺术市场活动尺度的艺术家作品。展览试图探讨如下议题:收藏性和新的收藏方式;物质保存和其他的可能性;艺术市场现有画廊服务的新的渠道;画廊和机构系统的新提案。

Subsquently, The author review the researched course of aedthecic in Chinese traditional architecture and think that it experienced from dim recognition of architcctural art to discussing the concreate charactors of art, then from superficial charactors of art to immanant recognition of spirit.

随后,作者回顾了中国古建美学研究历程,认为它经历了从对建筑艺术的朦胧认识到具体艺术特征的探讨,尔后又从表面艺术特征到看不见的内在精神的认识过程。

In the contemporary China, in which artistic assets are gradually replacing aesthetical standards, is there any contemplable "by-stroke" existing beyond POP Art, Concept Art, and New Media Art?

在艺术资本日渐取代审美标准的中国当代,在波普艺术、观念艺术和新媒体艺术之外,到底有没有一种具有潜质的有一定思考深度的&偏锋&存在?

" And what kind of contemporary art is of contemporariness , rather than being entangled with the concepts of western art and fighting for a justifiable name for the so called "contemporary art.

比如,在普通人群与一些专业人群中,关于&架上&、&非架上&的判断就截然相反:普通人士多认为&非架上&不是艺术,&架上&才是艺术的代表;而一些专业人士则认为&架上&已经不能代表艺术,是没落的形式,只有&非架上&才是艺术发展的方向。

Heritage of symbol system is contributable to art education. The criterions of visual art creativity deserve thinking seriously; might problems are the turing points of visual art creativity.

因是视觉艺术知识体系一定要传承的内容、视觉艺术创造力的判准值得重视、问题的发生有可能是视觉艺术创造力的发生机会。

Fashion photography, which has coved hundred years history has developed into an important category of photography from just simply recording of clothes. Nowadays, even some of the fashion photographs exhibited in art museum or published on art magazines. Gradually, fashion photography was regarded as art.

时装摄影在经历一个多世纪的发展之后,由最早的只是对服装的一种简单记录,逐渐发展成为摄影的一个重要门类,有些时装摄影作品甚至登上了艺术殿堂,逐渐为人们所认可。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话,成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华,尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播,而这时正值中国85现代主义运动的高潮,启蒙和反叛是这一运动的主题,正是这种语境使这种传播产生了十分吊诡的意义落差:波普主义很轻易地被理解为一种达达式的破坏性艺术,而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型,艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中,理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间,于是,波普主义成为这个时代的一种自然的风格选择。

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