查询词典 art deco

Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

柏林，HAU2剧场/迂回中国艺术节，柏林，HAU2剧场/现实的重量，玛蕊乐画廊，北京酒仙桥路4号798艺术区/ 2006 再生，海口，当代艺术馆/边界线国际影像艺术展，北京，站台-中国/ 2005 自由与限制——夏市，武汉，美术文献艺术中心/ 920公斤，上海，多伦美术馆/ WHS+8，西门子公司艺术部项目，武汉/ 2004 涌动——来自中国的录像艺术，柏林，Zehdenickerstrasse 12A /慢，武汉，美术文献艺术中心/即插即用，武汉，拜占庭小区/ 2003 电解质，南京，圣划艺术中心/少数服从多数，上海，比翼艺术中心/ 2002 蘑菇云或者乌托邦，上海，外滩艺术馆/日常态度，中国图片艺术特别展，平遥国际摄影节/新都市主义，广州，广东美术馆/ 2001 现在，武汉，湖北美术馆/ WELCOME，武汉，金沙苑

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

Some of the best paintings in Japanese art can be found on sliding doors and folding screens. Famous artists, such as Hokusai or Hiroshige, made woodblock prints for the public. Distinctions between notions such as fine art and applied art, or high art and low art, do not exist. These distinctions appeared and became standards in Western art history. In Japan, with its different social and cultural background, these classifications were not made. Although the Japanese art system has been westernized over the past one hundred years, there still exists a cultural tradition that encourages artists and the audience to share artistic experiences outside art venues.

艺术跟相同领域的之於西方并不是那麼绝对，因为艺术本身的目的不同这是众所皆知，一些日本最好的图画可以在传统木门或是屏风上发现，有名的艺术家像是Hokusai 或是 Hiroshige他们在公开场合做版画，若要区别纯艺术和传统艺术，或高等和低等艺术的看法是不存在的，这些区分在西方艺术史上成为规范，而日本不同的社会文化背景这种区别根本不适用，虽然日本的艺术系统在近百年来已被西化，但是他们仍保有鼓励艺术家和观众在艺术馆外面分享艺术的文化传统。

In reference to his co-partner, Deco, the player from Terrassa says,"I can break forward nicely with Deco, we work together perfectly, he's a player who recuperates loads of possession".

关于他的搭档，Deco，来自 Terrassa 的Xavi说，&我能像Deco一样突破，我们配合的很好，他的体能很出众&。

through the analysis of the art education standard, combining the psychology to the individual enthusiasm, the author has made a discussion on the factor, the method and the way of the art education for mobilizing students' learning enthusiasm. in addition, combining some research and application to the art education theory in the course of making the art teaching practice applying the existing art teaching material, she has also expatiated that the hortative teaching has advanced the change of the art education idea and the reformation of the art teaching mode and students' learning from the angle of the course construction.

本文通过对美术教育标准的分析，结合心理学对个体积极性的调动的心理分析，论述了美术教育对学生学习积极性的调动因素、方式、方法、措施等，并结合自己在运用现有的美术教材进行的美术教学实践中，对美术教育理论的一些探索和运用阐述了幼师美术教学从课程建设的角度，运用鼓励教学的方法促进了美术教育观念的转变，促进了美术教学模式和学生学习的变革。

12 Now --Conceptual Estate in Shanghai, Shanghai, China ; 10 The First Norminative Exhibition of Fine Art Literature, Wuhan, China; 10 Sculpture by the Sea, Sydney, Australia; 8 Gods Becoming Men, Frissiras Museum, Athens, Greece ; 7 What Is Art--Two Wrongs Can Make One Right, Xian Art Museum, Xian, China ; 7 Playing With Chi Energy, House of Shiseido, Tokyo, Japan; 7 L'art a' La Plage, Nice. France; 7 Exposition des Sculptures Chinoises, Jardin Des Tuileries, Paris, France; 6 Between Past and Future: New Photography and Video from China, International Center of Photography / Asia Society, New York, U.S.A; 6 Le Moine et le De'mon, Lyon Contempprary Art Museum, Lyon, France; 5 Busan Sculpture Project, Busan, Korea; 4 Light As Fuck, National Museum of Contemporary Art, Oslo, Norway; 1 Beyond Boundaries, Shanghai Gallery of Art, Shanghai, China

2004年 12月举办《现在---观念地产展在上海》上海住交会上海会展中心中国； 10月举办《海洋雕塑展》悉尼澳大利亚； 9月举办《首届美术文献提名展》武汉； 8月举办《神变成人》弗瑞斯拉斯美术馆雅典； 7月举办《游于气》资生堂屋东京； 7月举办《什么东西》西安美术馆西安中国； 7月举办《想象中国》杜伊勒里公园巴黎法国； 6月举办《过去与将来》纽约国际摄影中心纽约美国； 6月举办《道与魔》里昂当代美术馆里昂法国； 5月举办《釜山雕塑展》釜山文化中心釜山； 1月举办《超越界限》沪申画廊上海中国； 4月举办《轻而易举》国家当代美术馆奥斯陆挪威。

Full Band Festival, Macao Solo at Sugar Jar, Beijing Germany Night, Beijing Tie Guan Yin at UMWEG BER CHINA Festival, Berlin Qianhai Kwanyin, Beijing Waterland Kwanyin, Beijing More Less More project, Beijing Solo at Mini Midi 2007, Beijing Bu Yi Yang post Shanghai, Shanghai 2006 Bu Yi Yang Shangbu Nanshan,Shenzhen 12th Kolkata Film Festival, Kolkata Borderline International Film Art Exhibition, Beijing The Third China Independent Film Festival, Nanjing Moscow Biennale, Moscow The Voice Of The Other Shore, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Art Beijing, Beijing Waterland Guanyin Series, Beijing Qianhai Guanyin Series, Beijing 2005 Holland Chinese Festival, Amsterdam Most Electronics, Xiamen Waterland Guanyin Series, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Don't Break My Core, Shanghai 2004 Nuit Blanche Festival (With fm3 and Yan Jun) Paris 1000 Revolutions Per Second, Brussels Shanghai Biennale, Shanghai 2pi Music Festival, Hangzhou Dashanzi International Art Festival, Beijing OUT THE WINDOW (China, Japan, and South Korea multimedia art unites exhibition) Tokyo, Seoul, Beijing Discography: Support the umbrella to stand in dust that float float CD 2006 Kwanyin Records The Microwave DVD 2006 Kwanyin Records Tie Guanyin Duo-viva la vaches, wuquan + yan jun CD 2006 Kwanyin Records Tie Guanyin Duo-Live at 798Cubic Art Center, wuquan + yan jun CD 2006 Kwanyin Records View DVD 2005 Kwanyin Records http://www.myspace.com/wuquan http://www.neocha.com/wuquan ———————————————————————————— Xiao He Third son of Tian Qiaoyun and He Pingsuo.

主要艺术活动： 2007 参与不一定乐队乐巡演上海、芜湖、杭州、义乌、珠海、深圳、广州"不一定·愚公移山"北京"不一定·798"北京"武王文窦·澳门国际马拉松国际摇滚音乐节"澳门"白糖罐·声场"北京"德国之夜"北京"迂回中国"柏林"前海观音"北京"水陆观音"北京"马恩列斯毛"系列演出北京"第八届迷笛音乐节"北京"不一样·后上海"上海 2006 "不一样·上步南山"深圳"第12届加尔格达电影节"加尔格达"边界线国际影像艺术展"北京"第三届中国独立影像年展"北京"莫斯科双年展"莫斯科"彼岸之声"北京"第七届迷笛音乐节"北京"第三届大山子国际艺术节" 798艺术工厂北京"艺术北京2006"北京"水陆观音"北京"前海观音"北京 2005 策划/组织电影短片集《色！》"荷兰中国文化节，实验中国"阿姆斯特丹"最电子"厦门"水陆观音"北京"第六届迷笛音乐节"北京"第二届大山子国际艺术节" 798艺术工厂北京"don't break my core"上海"湿森林实验电子现场"长沙"workshop"大理 2003-2004 "Nuit Blanche"艺术节（与fm3、颜峻）巴黎"1000 revolutions per second"布鲁塞尔"第五届上海双年展"上海 2004 "第二层皮音乐节"杭州"第一届大山子国际艺术节"798艺术工厂北京《十夜谈》（与颜峻、fm3、王凡）北京"OUT THE WINDOW"（中、日、韩多媒体艺术联展）东京、汉城、北京 2003 《三国·四记》上海《水煮黄昏》（与fm3、颜峻）北京《不可能》（与颜峻、fm3）北京 2002 "丽江雪山音乐节"（与窦唯、fm3）丽江"点亮长城音乐节"北京发表作品：《打着伞在浮沉中站立》 CD 2006 观音唱片《微波》DVD 2006 观音唱片《铁观音二重奏-杀不死的牛》CD 2006 观音唱片《铁观音二重奏-立方艺术中心现场》CD 2006 观音唱片《观》DVD 2005 观音唱片

After the antique, Wolfflin had gone through the cover review of the characteristic of classicality art and the Baroco art, come into the research of the whole reappearance art, taken the entire occident art phylogeny, especially the reappearance art of enjoin in the period of Revival of Learning into a uniform concept system. The opposite style drawing of classicality art and the Baroco art is the basic of this concept system.

沃尔夫林在认识到这个问题的基础上，由现代科学思想的发展和现代艺术运动的历史背景为他创造的独特可能性出发，经过对古典艺术、巴洛克艺术特征的全面考察，进而进入整个再现艺术历史的研究，将整个西方艺术发展史，尤其是文艺复兴以降的再现艺术发展史，纳入一个统一的概念体系。

The aesthetics is the guide of art teaching art, there are a lot of aesthetics genres both in ancient and modern, China and foreign. Some of them have the most direct influence on art teaching, such as Confucian aesthetics, Taoist aesthetics and Zen aesthetics, heteronomous aesthetics, autonomy aesthetics, hermeneutic aesthetics and art sign aesthetics. We can get help from these theories to scan art teaching art, how to obey the character of appreciation beauty, how to follow the nature of the art, how to unseal the students taste mentality skillfully, how to show the artistic charm properly and all rounds.

艺术教学艺术需要美学的引领，古今中外有着许多的美学流派，其中中国的儒家美学、道家美学和禅宗美学，国外的他律美学与自律美学、解释学美学与接收美学以及艺术符号美学对艺术教学的影响最直接，从它们那里获得的启迪，都帮助本文审视艺术教学艺术，如何遵从了艺术的审美品格，如何尊重了艺术的本质，如何巧妙地开启学生的审美心理，恰当地全面地为学生展示艺术的魅力。

China's modern ceramic art has experienced about 20 years of artistic language experiment since 1980s. It has experienced a process from focusing on art form to media language; from weakening ideology to pick it up again, then to stylizing ideology. The process has made modern ceramic art be an important part of Chinese contemporary art, contain instant feelings and broaden cultural horizon. It promoted ceramic art through comparing with pure western art style in the modern art system.

中国现代陶艺自20世纪80年代至今约20年的语言实验过程，经历了由形式问题到媒介语言实验至文化关注，由淡化意识形态到重回意识形态到将意识形态风格化的演变，使现代陶艺成为中国当代艺术的重要组成部分，容纳当下的体验和拓展文化视野的功能，在当代艺术体系中通过与纯粹西化艺术形式的对应，使陶艺文化精神得以弘扬。

Listen,point and check your answers.

听，指出并且检查你的答案。

Warming needle is one of effective treatment methods for knee arthralgia aggravated by cold,and it is simple,safety,so it should be developed in clinical acupuncture and moxibustion extensively.

但以本院科针灸门诊在2005年1月—2006年6月期间共收治膝痛患者100余例，经过临床的诊断后，其中施以温针治疗的48例，疗效显著，报道如下。1临床资料本组病例48