查询词典 art criticism

This chapter includes the introduction of Marxist theory, promoting anti-imperialism and anti-feudalism, advocating the class struggle and encouraging popularization of literature and art; The third chapter inspected the criticism about "reactionary theory", which is made by the left-wing culture persons on the position of proletariat culture, mainly focusing on the criticism to Three People's Principles and Liberalism.

第三章，考察了左翼文化者站在无产阶级文化的立场上对"反动理论"的批判，主要是对三民主义和自由主义的批判。

Chinese culture lacks culture criticism, but the criticism and introspectiveness is the pushing force for the national progress. Without the pushing of criticism and reflection, the nation and culture including art will not make progress.

中国的文化里是缺少批评文化的，而批评与自省是民族进步的力量，如果没有批评和自省的力量来推动，那么民族和文化包括艺术都不会有进步。

In fact,the present cultural criticism of China is a kind ofunliterary research and critique about literature and art.Itis a republication of social-historical criticism.

中国当下的文化批评实际上是对文学艺术所作的一种非文学形态的研究和评论，是社会历史批评的翻版。

We also hope that after this disaster, modern art can really give full play to its social responsibility and social criticism, instead of the chondral "philistine social criticism" eroded by market.

我们也希望能在这场大灾之后，当代艺术能真正激发出它应该所具有的社会责任感和社会批判性，而不仅仅是一种软骨的、被市场腐蚀了的&庸俗社会批判&。

Gombrich's theoretical contributions, which range over a variety of fields including psychology of art, art vision recognition, the logic of art history, the theory of the changing of style and the theory of value of art, are based on the grounds of the scientific philosophy and methodology of Popper, which consist of Falsificationism, the method of trial and error, epistemology, the criticism of historism, the three worlds theory and realism.

贡布里希的理论成就在于艺术理论诸领域，其中包括艺术心理学、艺术视觉认知、艺术史逻辑、风格变迁理论以及艺术价值理论，这些理论成就所对应的科学哲学和方法论基础，是波普尔的系列理论成果——证伪主义、试错法、认识论、历史主义批评、三个世界理论以及实在论。

The taste-criticism promotes the absolute difference of private taste-choice. Art, the feminist art,feminist art creation and creticism has no special right. They are all vividly and powerfully dialoguing with their historical times , taking this real world as their exploring center,which is the basic form of life and real creative activity.This thesis makes a contribution to the word feminist theories by the creative and constructive consideration.

情趣主义艺术批评主张每个情趣选择的彻底差异，艺术、女性艺术、女性主义的艺术创作与批评没有特权，都是对生活差异性认知和判断，都是生动地、有力地对所处的历史时代说话，把这种具体生活世界作为探究的中心，是生命的基本形态和真正的创造性运动。

If I were to say, on the contrary, that the best picture was that which most closely imitated nature, I should assume that art could only please by imitating nature; and I should cast out of the pale of criticism those parts of works of art which are not imitative, that is to say, intrinsic beauties of colour and form, and those works of art wholly, which, like the Arabesques of Raffaelle(2) in the Loggias, are not imitative at all.

相反，如果我说最好的画就是模仿自然最接近的画，我是假定艺术只有模仿自然才能给人愉悦，我批评时就会抛开那些不是模仿的艺术作品，即具有内在色彩和形式美的作品，以及像拉斐尔在梵蒂冈宫绘制的壁画那样毫无模仿的艺术作品。

If I were to say, on the contrary, that the best picture was th at which most closely imitated nature, I should assume that art could only pleas e by imitating nature; and I should cast out of the pale of criticism those part s of works of art which are not imitative, that is to say, intrinsic beauties of color and form, and those works of art wholly, which, like the Arabesques of Ra ffaelle in the Loggias, are not imitative at all.

相反，如果我说最好的画就是模仿自然模仿得最逼真的画，我是在假定艺术只有模仿自然才能给人愉悦，我批评时就会抛开那些不是模仿的艺术作品，即具有自身色彩美和形式美的作品，以及像拉斐尔在梵蒂冈宫给绘制的壁画那样毫无模仿的一切艺术作品。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

His recent paintings such as "Great Criticism: Art Museum"(2006) and "Great Criticism: Art and Totem"(2007), however, are just juxtapositions of the painting elements 19 years ago.

他近年创作的《大批判—艺术博物馆》（2006）、《大批判—艺术与图腾》（2007），依然是其十九年前那些绘画元素的并置。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷