查询词典 art and part

Ann Sumner由奥利弗费尔克拉夫,安女士萨姆纳 Hudson Hills Press, 02/2009, 176 pages, English哈得孙山出版社,02/2009,176页,英语 Show synopsis 展览简介 In the early part of the twentieth century, two extraordinarily forward-thinking Welsh women, Gwendoline and Margaret Davies, amassed a collection of work by the most important names in the Realist, Naturalist, Impressionist, Post-Impressionist, and Fauvist movements at a time when modern art, especially French art, was largely ignored in Britain.

在20世纪初，两个非常有远见的威尔士妇女，格温多兰和玛格丽特戴维斯，积累了在现实主义，自然主义，印象派，后印象派，野兽派画家和运动的最重要的名字在时间的作品集当现代艺术，尤其是法国的艺术，在很大程度上忽略了英国。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the trans ie nce of the e XP er ie nce of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the transience of the experience of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

Art had been an important part of the ancient Egyptian civilization and the ancient Egyptian art produced out of the Nile environment were uniquely characterized, with the styles of symmetry, equilibrium, heavenliness, practicability, perfectness, realisticness and symbolization closely tied to the geographical and human environment of the river.

艺术是古埃及文明的重要组成部分，闪烁着人类文明的光芒。在尼罗河环境下孕育出的古埃及艺术，展现了独特的风格。古埃及艺术所体现出来的对称性、平衡性、神圣性、实用性、完美性、写实性、象征性等风格，都与尼罗河的自然地理环境和人文环境息息相关。

So-called "localization" means totally discarding imitation of western realism, and through our own historical and cultural experience as well as our current practices, to reconstruct "modernness" and ensure that contemporary art remained tightly rooted in the soil beneath our feet; normalization, or a return to the everyday, means totally discarding the grand narrative of heroes saving the world and fighting against collectivism, bringing art back to daily life, making it a part of life.

所谓"本土化"就是彻底摆脱对西方现代主义的模仿，在自己的历史经验、文化经验与当下实践中重建"现代性"，使当代艺术牢牢地扎根于自己脚下的土地；而日常性就是抛弃宏大叙事的英雄救世情结和集体主义的反抗运动模式，使艺术回归于日常生活，成为生活的一部分。

In partⅠ, it discusses the philosophical substratum in the formation of the blank art which is embodied specially of Chinese tradition philosophy. In the philosophical substratum of blank art, the antinomy and unity of positivism and negativism constitutes the philosophy of composition, the interrelation of positivism and negativism constitutes the philosophy of artistic conception, and the interdependency of spirit and matter constitutes the philosophy of aesthetics.

第一层面主要论述了我国传统哲学在艺术中的具体体现，认为它的形成有着浓厚的哲学底蕴：其中阴阳的对立统一是空白艺术的构图哲学基础，虚实的相生相成是空白艺术的意境哲学基础，心境的互依互现是空白艺术的审美哲学基础。

And like trompe loeil surrealism is not quite part of art or art history, for their concern is with a metaphysical dimension, and not with matters of style.

而且像视觉画派的超现实主义并不完全是艺术或艺术历史的部分，因为它们所关切的是

The use of "the linear skill" plays an important part in the performing art of Chinese cymbalo. In this way, the thesis explores the meaning and role of "the linear skill" in the performance art of the cymbalo, through the practice of the cymbalo performance and each performing style of the four traditional schools of the cymbalo.

在中国扬琴的表演艺术中，&线性技巧&的运用占据着很重要的位置，本文以此为切入口，联系扬琴演奏的实践以及扬琴四大传统流派的各自演奏风格特点，探索&线性技巧&对于中国扬琴演奏艺术的意义和作用。

For many years, JQCPS has attached great importance to feature education as part of proficiency education and has organized Qiucong Art League consisting of a Chinese traditional instruments orchestra, a choir and a fine art group, Lotus Literary Society and Qiucong TV station" and "Times Young Reporter Association and thus provides a free and favorable environment for students specialty and personal development.

多年来，学校把特色教育作为素质教育的重点来抓，先后组建了包括民乐队、合唱队、美工组的&求聪艺术团&，成立了&小荷文学社&，组建了&求聪电视台&和&时代小记者站&等，为学生个性特长的发展开辟了自由、快乐的新天地。

The artist carved the leaves from the green part and used the grey part as the outside of the cabbage. Two red katydids posed on the cabbage make this work of art so realistic that if you nipped it with your fingernails you would expect to see juice drip from the wound. When it was carved, cabbage stood for the purity of a family, while the katydids were the symbol of many children-obviously good symbolism for an object that was part of a dowry.

工艺师把绿色的部分雕刻成叶子，其他部分用灰色雕刻，白菜上的两个织女让这件白菜显得如此逼真，就好像你用手掐一下就可以掐出水一样，白菜象征这一个纯洁的家庭，织女象征着许多孩子，很明显她代表的美好寓意也是她做为嫁妆的因素。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。