查询词典 art and part

My paper firstly turns on the time of Kaogongji, puts it in axes-age and sums up the characters from our ancient art design which it starts from the analyzing of "Qi" and "Wu".So we can draw our research clue and orientation: manufacture whose core is "Li";And then we will make particularly aesthetic analyse about the text.We will make it clear about the realations between " Li" and "Qi", concept and res, taste and res , and my paper will tell of three part:conceptual design—age idea" s effect on Kaogongji" s taste;human design—human spirit in Kaogongji" s art design;imitate design—accouterment" s taste of Kaogongji. In the text ,I will also tell of the following problems:Li and Kaogongji" s design idea, like-six idea and Kaogongji" s taste ideal, nature-human and Kaogongji s zoology idea.

本论文首先切入《考工记》的时间定位问题，把它放在轴心时代的大背景下，之后从"器"和"物"二字的文字学分析出发，对我国古代艺术设计的总体特征进行了概括，进而以此背景审视《考工记》一书的工艺美学思想，确定本文对该书的研究思路和定位，即以"礼"为核心的器物制造；然后具体进入文本进行细致的美学视角的分析，为廓清"礼"与"器"、观念与器物、审美风尚与器物等关系理顺思路，论文分别从观念化设计——时代观念对《考工记》审美取向的影响、人机化设计——《考工记》艺术设计的人文精神、仿生设计——《考工记》中装饰物的审美追求这三个大方面进行研究，涉及到礼制文化与《考工记》的审美设计理念、"尚六意识"与《考工记》的审美理想、"天人合一"与《考工记》的审美生态观等诸多问题。

The second part makes an innovative study of the soul of traditional Chinese graphics in the respect of "shape","essence", and "implication". The first element to be emphasized is "shape", which is mainly concerned with lineal designs and convolute designs in traditional graphics, the main two ethical factors employed in traditional Chinese design. The "shape" is a relatively complete and minute system. What is included in "essence" is to convey the effect of lucency and artistic conception in traditional plastic art, which embodies traditional Chinese philosophy and its aesthetic taste. The "implication" part makes a detailed analysis of the informative function of the particular ethical graphics from the perspective of disseminative theory. The third part is my application of the three elements in designing.

第二部分是本文的创新之处，分别从"形"、"神"、"意"三方面对传统图形的精髓进行探讨，"形"主要提取了传统造型元素中的线和具有中国民族风格的构成形式——回旋形进行着重分析，有较为详细而完整的结构体系；"神"主要结合中国的传统哲学和审美思想对中国传统造型所追求的空灵、意境进行论述，"意"主要从传播学的角度对传统图形所特有的民族信息传达功能进行分析研究。

The introduction and analysis of Chinese contemporary fiber art, is one part of basic study in fiber art theory as well as a kind of effort, which is made to open up the research eyeshot for the whole strategy --developing the fiber art in China.

对中国当代的纤维艺术状况介绍和分析既是纤维艺术基础理论研究的一部分，也是为在中国进一步发展纤维艺术的整体战略而拓宽研究视野的一种努力。

The third part talked about the importance with while Chinas national vocal music art develops indispensable art after describing the arts of talking and singing of folk art forms and opera.

第三部分论述了曲艺说唱艺术和戏曲演唱艺术在中国民族声乐艺术发展过程中不可或缺的重要性。

Mural art as an integral part of public art, public art is a powerful interpretation and expansion.

壁画艺术作为公共艺术的组成部分，是对公共艺术有力的诠释和拓展。

This is, for China and other multiracial countries, very positive and may give some solutions for the future. In the introduction there is an explanation of the reason why I choose this title and also the questions about Switzerland in the field of present research and the meaning of those researches. The first part describes the formation of the community of Switzerland, and there I define the word "community" and the peculiarity of each member of this community, the time the Swiss people take to build this community. The second part describes this formation with more details like geographical problem, language differences, the psychological pugnacity for liberty, the practical art of neutrality and the freedom for religious behavior. Those themes prove the formation of the Swiss community. The third part contains the following topics: the international position of Switzerland and its stability, the balance of economic production, the foundation of the Swiss government and the charm of its feature. For those topics I use the economic, political and cultural angle.

全文分为瑞士多民族社会的形成，在这一部分中重点介绍了民族和民族共同体的界定，瑞士各民族的地理分布及主要特征，瑞士民族共同体形成的历史时间断限，在这一部分中特别提出了民族共同体的概念，为全文的行文打下一个概念基础；在瑞士民族共同体形成的表现部分中，共分为语言和地域差别问题的消弭，崇尚独立自由的心理素质的确立，中立外交政策的奉行，宗教多元化的制衡等几个小的部分，四个部分平衡并立，共同来论证瑞士民族共同体的表现；在瑞士民族共同体诞生的原因中，共分为以下几个部分，有瑞士特殊的国际地位与多民族社会的稳定，平衡发达的经济及其吸引力，多元政治体制的建构和灿烂文化和性格的魅力，也就是从政治、经济和文化三个角度对这个问题进行了阐述；在现代瑞士多民族社会问题部分中，有如下几个部分瑞士的外来人口在瑞士国家的生活状况，外来人口融合中的困难，以及瑞士民族共同体中其他的一些社会问题，主要探讨的是瑞士社会中的外国人的生活状况，以及在融合和同化的过程中的成功经验以及给整个瑞士社会带来的几个突出的社会问题；最后是对现代瑞士多民族社会问题的思考，也就是从和睦性，认同感以及民族平等政策三个角度中进行的分析。

The second part makes an innovative study of the soul of traditional Chinese graphics in the respect of "shape","essence", and "implication". The first element to be emphasized is "shape", which is mainly concerned with lineal designs and convolute designs in traditional graphics, the main two ethical factors employed in traditional Chinese design. The "shape" is a relatively complete and minute system. What is included in "essence" is to convey the effect of lucency and artistic conception in traditional plastic art, which embodies traditional Chinese philosophy and its aesthetic taste. The "implication" part makes a detailed analysis of the informative function of the particular ethical graphics from the perspective of disseminative theory. The third part is my application of the three elements in designing.

第二部分是本文的创新之处，分别从&形&、&神&、&意&三方面对传统图形的精髓进行探讨，&形&主要提取了传统造型元素中的线和具有中国民族风格的构成形式——回旋形进行着重分析，有较为详细而完整的结构体系；&神&主要结合中国的传统哲学和审美思想对中国传统造型所追求的空灵、意境进行论述，&意&主要从传播学的角度对传统图形所特有的民族信息传达功能进行分析研究。

It consists of three parts which are as the followings: th" first part, from a double angles of the literature and history, dwells on Wang Meng"s as a writing subject, choosing his writing way and persisting in his art individually. The second part, from the style of the language and rhetorical tractics, proves formal features and meanings of Wang Mengs fictions. The third part, from the perspective of the cultural heart and fictional writing, deals with the balance or incline between his traditional emotion and the modern reason, among the temple, square and folk.

本论文分三个部分论述了王蒙的小说创作：一、从文学与历史的双重维度，论述王蒙作为创作主体对于艺术个性的坚守及其小说文本的意义；二、从语言风格和修辞策略的角度，论述王蒙小说的形式表征及其内蕴；三、从创作心理与文化心态的角度，论述王蒙及其创作在传统与现代、庙堂与广场、民间之间的平衡与倾斜。

The analysis gate decoration behind art the design concept, may discover that China's gate plays the part of mark significance oneself who art manifests after to become the important element which China constructs, it becomes the Chinese civilization by its unique construction shape and the decorative art form the treasure, has manifested the region, religious, the cultural element synthesis influence, becomes one kind of national spirit and the national culture important carrier.

分析门饰艺术背后的设计思想，可以发现中国的门饰艺术所体现的符号意义己经成为中国建筑的重要元素，它以其独特的建筑形态和装饰艺术形式成为中华文明的瑰宝，体现了地域、宗教、文化因素的综合影响，成为一种民族精神和民族文化的重要载体。

Fang: This is, in fact, a development direction of the modern western art - regarding art as a part of document, hence the advent of the Kassel Documenta. The understanding of art in modern society has undergone great changes, and I sense kind of a method of photograph shop from your artwork.

装饰》：这其实也是现代西方艺术发展的一个方向--把艺术当作文件的一部分，所以就有卡塞尔文献展的出现，对艺术的看法在现代社会中也在发生着变化，从你的作品中似乎也可看到一种类似于影像志的工作方法。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。